Page 42 - Seniorstoday June 2024 Issue
P. 42

faded out during the British era—and                By the time, the tawaif came to be seen as
         yes, many did participate in and support           the item girl of mainstream cinema, she fell
         the freedom movement, like Heera                   into the stereotype of the vamp who had a
         (played by Rani Mukerji) of Mangal                 change of heart in the end and sacrificed
         Pandey (2005) and the young women                  herself for the hero, the good as gold victim
         of Bhansali’s serial. Heeramandi lost its          who needed rescuing by the leading man.
         lustre, and the accomplished singers and           Most, the leading actresses of the time –
         dancers were replaced by gauche women              Hema Malini in Sharafat (1970), Mumtaz
         swinging their hips to movie tunes. Many           in Khilona (1970), Rekha in Muqaddar
         early theatre and  film actresses were             Ka Sikander (1978), Rati Agnihotri in
         from Heeramandi or Lucknow or other                Tawaif (1985), Tabu in Jeet (1996), and
         tawaif gharanas. There were also film              most recently Madhuri Dixit in Dedh
         producers, studio owners, recording and            Ishqiya (2014) and Kalank (2019), played
         radio artistes-- some of them making a             some form of the tawaif, even after the
         smooth landing into modern times, while            character had become outdated. The tawaif
         the ones who could not or did not adapt            was still an attractive part for an actress
         were lost to time. Ruth Vanita in her book,        to play, because of the dancing, enhanced
         Dancing with the Nation: Courtesans in             emotions, the feminine airs and graces and
         Bombay Cinema (2017), wrote, “Jaddan               of course, the ultra-glam costumes.
         Bai, mother of Nargis and grandmother of            The Heeramandi of Bhansali’s
         Sanjay Dutt, was a daughter of courtesan           imagination, is now derelict. The feudal
         Daleepbai of Allahabad. Jaddan was a               lifestyle of leisure and pleasure-seeking in
         pioneer in Bombay cinema, working as an            kothas is over. Which is why it has been
         actor, singer, music composer, director,           years since a traditional mujra was seen
         and producer of films. Fatima Begum,               in Hindi cinema and the series was able to
         actress in silent films and the first woman        evoke such strong nostalgia among Indian
         director was from a tawaif family, and had         viewers and outrage among Pakistani, who
         a long-term relationship with a Nawab.             see their language, culture and heritage
         Bibbo, actor, singer, and music director           stomped over by a Bollywood moghul.
         in the 1930s and 1940s, was the daughter           But then Hindi cinema has always been
         of courtesan Hafeesan Bai of Delhi.”               stronger on drama than history.
         Gauharbai was a powerful producer in her
         time, setting up and running the legendary         Anarkali
         Ranjit Studio with Chandulal Shah.

















         Rekha in Muqaddar Ka Sikander

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