Page 34 - Seniorstoday May 2023 Issue
P. 34

Phalke’s Raja Harishchandra (1913) is the         film production centre too, with Dalsukh
         first Indian feature film, but a year before       M. Pancholi as the pioneer, whose Pancholi
         that Dadasaheb Torne’s Shree Pundalik              Art Pics was the largest film studio in
         was released. It was just a recording of a         Lahore.
         stage play, so not really counted as a feature
         film.
          According to information available on
         the net, Torne was the first Indian to open
         a movie distribution company. In 1929, he
         started Famous Pictures with his colleague
         Baburao Pai. He was the one who advised
         Ardeshir Irani to set up his own studio
         (Jyoti Studio, that is now just a board
         on a property full of motor garages) and            The first chain of Indian cinemas, Madan
         film production companies, Imperial and            Theatres was established by Jamshedji
         Sagar. It is recorded in cinema history that       Framji Madan, who was also behind the
         Ardeshir Irani made the first Indian talkie,       production and distribution of several early
         Alam Ara (1931). After a long and successful       films.
         career, Torne died in obscurity and Irani,          In Mumbai, there was the legendary
         who combined creative talent with business         Bombay Talkies, set up by Devika Rani
         acumen, surely needs to be remembered              and Himansu Rai in 1934, but there were
         too, even if very few bits of Alam Ara             others gaining ground in those heady
         remain.                                            days of cinema. Calcutta’s (Now Kolkata)
                             While Bombay (now              New Theatres founded in 1931 under the
                            Mumbai) was the                 leadership of BN Sircar and between the
                            incubator of Indian             two behemoths, they had captured the best
                            cinema, films were being        writing, directing, music and acting talent,
                            made in Bengali, Tamil,         going on to make some of the biggest hits
                            Telugu, Malayalam,              of the era.  A decade later, after the death of
                            Assamese and Punjabi,           Himansu Rai, Sashadhar Mukherjee, Rai
                            soon after Raja                 Bahadur Chunilal, Ashok Kumar and Gyan
                            Harishchandra.  The first       Mukherjee left Bombay Talkies and set up
         Tamil film was Keechaka Vadham (1917) by           Filmistan, continuing their winning streak.
         R. Nataraja Mudaliar, the first Malayalam          (The derelict Bombay Talkies property
         film, Vigathakumaram (1928) was made               still stands in Malad, a Mumbai suburb,
         by JC Daniel Nadar; the first Telugu film          Filmistan in the nearby suburb of Goregaon
         was Savitri (1933) directed by C. Pullaiah.        has survived in much better shape.)
         Jyoti Prasad Agarwala made Joymoti                  In 1929, Prabhat Films had been formed,
         (1935), the first Assamese film. The first         first in Kolhapur and then shifted to Pune
         film studio in South India, Durga Cinetone,        in 1933 where a sprawling studio was built
         was built in 1936 by Nidamarthi Surayya in         (where the Film & Television Institute of
         Rajahmundry, Andhra Pradesh.                       India now stands) by V. Shantaram, VG
          Before Partition, Lahore used to be a major       Damle, Keshav Rao Dhaibar, S. Fatehlal and


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