Page 32 - Seniorstoday Sep 2024 Issue
P. 32

written in the simple Hindi of the streets,       sharp writing.
         still carried the dramatic power to enhance         The two, who had done their share of
         the scene. “Yeh police station hai tumhare        ghost-writing before they hit a winning
         baap ka ghar nahin hai,” spoken by the            streak, were stung by the fact that writers
         police inspector Vijay in Zanjeer, as he          did not get due credit in a film. When
         kicks the chair on which the cocky Pathan         posters and hoardings of Zanjeer were put
         criminal is about to sit uninvited, was a         up, they hired a painter to stamp ‘Written
         moment that inspired thrill and awe.              by Salim-Javed’ on them. It was just the
                                                           beginning of a fabulous career, in which
                                                           their names were printed at the top of
                                                           posters. A film written by the duo was, to
                                                          Image courtesy: gemsofbollywood.com  more than the star of the film—Amitabh
                                                           the industry, a guarantee of a hit. At one
                                                           point, they demanded and got one lakh


                                                           Bachchan—and this is something that
                                                           never happened before and will never
                                                           happen again, when writers are valued
                                                           more than stars.




          Prakash Mehra had approached every
         major star of that time to play the cop
         haunted by the murder of his parents, and
         searching for the man whose face he did
         not see, with the desire for revenge. Vijay
         had no songs in the film, which was the
         main factor for stars like Dev Anand and
         Shammi Kapoor to turn it down—Salim-
         Javed did not want to dilute their solemn
         protagonist by making him break into
         song. His romance with the street-smart
         knife sharpener (Jaya Bhaduri) was also
         understated. Pran as the Pathan Sher
         Khan—who reforms and becomes Vijay’s
         ally—gave his career a new direction.
         And Mala, as played by Jaya, was shown
         to be an independent and courageous
         young woman, who witnesses a crime and
         speaks up, after the harrowing scene in             The mainstream masterpiece, Sholay,
         the morgue, where Vijay shows her the              directed by Ramesh Sippy, owed its origins
         corpses of dead children. Ajit, playing the        to Japanese master Akira Kurosawa’s
         villain Teja, and Bindu as Mona the moll,          Seven Samurai, but after Salim-Javed had
         became memorable too, with Salim-Javed’s           Indianised it to the fictional Ramgarh,


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