Page 8 - Seniorstoday February 2022 Issue
P. 8

Kalyanji-Anandji taking over from the
         1960s onwards. Despite her sheer melody,
         the advantage of her voice is that it suited
         almost every heroine. Many memorable
         solo songs were filmed on the best actresses
         of the time – examples being ‘Tera Jaana’
         on Nutan in Anari, ‘Aaja Re Pardesi’ on
         Vyjayanthimala in Madhumati, ‘O Sajna’
         on Sadhna in Parakh, ‘Rasik Balma’ on
         Nargis in Chori Chori, ‘Aapki Nazaron Ne
         Samjha’ on Mala Sinha in Anpadh,‘Jhoom             Lata’s Meerabhai bhajans were a huge hit
         Jhoom Dhalti Raat’ on Waheeda Rehman                Her recording of Meerabai bhajans,
         in Kohraa, ‘Rahein Na Rahein Hum’                  including songs like ‘Thane Kanee
         on Suchitra Sen in Mamta,‘Raina Beeti              Kanee Sunawa’, ‘Saanwra Mhari Preet
         Jaaye’ on Sharmila Tagore in Amar Prem,            Nibhajonji’, ‘Chala Vahi Des’, ‘Saanvra
         ‘Mausam Hai Aashiqana’ on Meena                    Rang Rachi’ and ‘Naina Lobhi Re’, have
         Kumari in Pakeezah, ‘Naya  Zamana                  been hugely popular. She has also recorded
         Aayega’ on Hema Malini in Naya Zamana              the poetry of Kabir, Tulsidas and Surdas,
         and ‘Nadiya Kinare’ on Jaya Bhaduri in             besides Marathi abhang poets like Sant
         Abhimaan... the list goes on.                      Tukaram and Sant Namdev. Her rendition
          Though S D Burman gave Mangeshkar                 of invocations to Lord Ganesh and other
         some of her biggest hits, they had                 Indian deities are played at festivals
         differences during the making of the               and poojas. She even recorded some
         1958 film Sitaaron Se Aage, and did not            outstanding ghazals, and her 1991 album
         work together for four years. She and              Sajda with Jagjit Singh was a landmark.
         Mohammed Rafi also disagreed over the              She had numerous regional language songs
         issue of royalty payments, but patched up          mainly in Marathi and Bengali.
         later. In the 1970s, there were allegations         In the 1980s and 1990s, Mangeshkar
         that she didn’t allow other singers like Vani
         Jairam, Sulakshana Pandit, Runa Laila and
         even sister Asha Bhosle to rise. Bhosle has
         however denied these theories, and in fact
         credited her Didi for playing a huge role in
         her own growth.
          While Mangeshkar’s forte has been
         her film songs, she did memorable work
         outside of films too. In 1963, her rendition
         of Kavi Pradeep’s ‘Aye Mere Watan Ke
         Logon’, composed by C. Ramchandra, paid
         tribute to Indian soldiers killed in the 1962
         war against China. The song moved the
         entire nation, even making Prime Minister         Bharat Vishwa Vijeta - Lata Mangeshkar singing with
         Jawaharlal Nehru shed a tear.                     1983 cricket team


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