Page 31 - Seniors Today October 2020
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Once Upon a Time | Music
                                                            Kapoor’s films. That isn’t surprising, as
                                                            from Barsaat in 1949 to Mera Naam Joker in
                                                            1972, they composed music for many films
                                                            made by or starring the showman. Even
                                                            the partnership of Raj Kapoor, Shankar-
                                                            Jaikishan, Mukesh, Mangeshkar, Shailendra
                                                            and Hasrat Jaipuri worked together often.
 Two’s                                                      The truth, of course, is that they had

                                                            numerous great soundtracks outside the
 (musical)                                                  Raj Kapoor brand. Basant Bahar was a great
                                                            example of the use of classical music, and
 company  The music of Bazar was among the scores by Husnlal   Raat Aur Din, Dil Apna Aur Preet Parai, Dil
         Bhagatram
                                                            Ek Mandir, Junglee, Professor and Jab Pyaar
         Husnlal-Bhagatram: The younger brothers            KIsise Hota Hai had melodious numbers.
         of classical vocalist Pandit Amarnath, the         Like Naushad, they were adept at both
         younger Husnlal and Bhagatram also had             classical raags and western orchestrations,
         a penchant for Punjabi folk music. While           often using the piano, accordion and brass
 Hindi film music has seen some of the best compositions from duo music   Husnlal played the violin, his brother played   instruments. They also had a fondness
 directors. Narendra Kusnur takes a closer look  the harmonium.  for the waltz style of composition, best
          Initially, the duo did songs with Amirbai         exemplified in ‘Dil Ki Nazar Se’ from
 Over the years, the world of Hindi film   interests clashed.  Karnataki and Zohra Ambalewali, but later,   Anari. This combination of Indian and
 music has seen some fantastic songs created   Interestingly, this concept of music director   Suraiya, Lata Mangeshkar and Mohammed   western elements helped them create the
 by music director duos. If some composers   duos – or trio, if one includes Shankar-  Rafi became regulars with them. They   pathbreaking non-film album Raga Jazz
 like Naushad, SD Burman, Madan Mohan,   Ehsaan-Loy – is not common in the West.   made their debut in 1944 with Chand, but   Style.
 OP Nayyar and RD Burman wielded the   There have been teams like Rodgers-  their biggest hits were Pyar Ki Jeet and Badi   The duo had their share of differences too,
 baton alone, there were also fantastic   Hammerstein and Rodgers-Hart, but there,   Bahen. The former had the Suraiya gem   including some said to be over Shankar’s
 partnerships when two musicians shared   the music composer (Richard Rodgers) was   ‘O Door Jaanewale’, whereas Badi Bahen   preference of singer Sharda over Lata
 their inputs to create magical melodies.  in partnership with a particular lyricist   had Mangeshkar’s ‘Chale Jaana Nahin’,   Mangeshkar in some later films. Jaikishan
 Though there wasn’t any hard-and-fast   (Oscar Hammerstein II or Lorenz Hart).   Suraiya’s ‘Woh Paas Rahe Ya Door Rahe’   passed away at the young age of 41.
 rule, one of the music directors often played   Though some Indian music directors worked   and the Mangeshkar-Premlata song ‘Chup
 the more creative part, creating the tunes   more with specific lyricists, like Naushad   Chup Khade Ho’. A career highlight was
 and fitting them into the film’s structure. The   with Shakeel Badayuni and Madan Mohan   Rafi’s patriotic non-film song ‘Suno Suno
 other would hire the musicians, and arrange   with Raja Mehdi Ali Khan, they were never   Ae Duniya Walon’, written after Mahatma
 and produce the songs. But that again varied   considered as permanent duos.  Gandhi’s assassination.
 from film to film.  In the golden age of Hindi cinema music,   The brothers reduced work after the mid-
 Not everything was always rosy. At times   and continuing right up to the late 1990s,   1950s, with newer composers and styles
 arguments would take place, and though   certain music director duos have been at the   coming in, and they themselves began
 they would begin in the interests of the film’s   top of the popularity charts. Here, we select   having differences. Husnlal suddenly passed
 music, would lead to bitterness. Husnlal-  five such duos, before talking in brief of the   away in 1968 at the age of 49, and Bhagatram
 Bhagatram, for instance, were known to   1990s and beyond. Though the output of two   died five years later.
 reduce work as a duo because of differences.   of these duos has been much less than the
 In the 1990s, Jatin-Lalit had some very   other three, they have played their own role   Shankar-Jaikishan: Many people instantly   The stirring music of Junglee was among the hits of
 successful work, but somewhere, their   in the genre.  identify Shankar-Jaikishan with Raj   Shankar-Jaikishan


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