Page 44 - Seniorstoday January 2024 Issue
P. 44

father Emperor Akbar            story with his protégé, the dancer Rosie
                            (Prithviraj Kapoor) for         (Waheeda Rehman) ends with him in
                            the love of a courtesan,        prison. His reluctant transformation into
                            Anarkali (Madhubala),           a spiritual guide to innocent villagers who
                            the film was the most           believe in him, leads to his redemption.
                            expensive ever for the          With a brilliant SD Burman score and
                            time, and also the top-         career best performance by Dev Anand, the
                            grossing, with exquisite        film is as evergreen as its star.
                            sets, costumes and
         12 unforgettable songs composed by                 Anand (1971):
         Naushad. It was a no expense spared work                               In a long career full
         of cinematic brilliance, that filmmaker                                of wonderful films,
         could never surpass.                                                   this film is a jewel in
                                                                                Hrishikesh Mukherjee’s
         Ganga Jumna (1961):                                                    crown. Anand (Rajesh
                             Written and produced                               Khanna), is terminally
                             by Dilip Kumar,                                    ill with a few months
                             starring himself, his                              left to live, but he
                             brother Nasir Khan                                 brings cheer into the
                             and Vyjayanthimala,            lives of people he encounters, including
                             directed by Nitin Bose,        a dour doctor (Amitabh Bachchan). Only
                             the film was a strong          Mukherjee, with some help from Gulzar’s
                             portrayal of the evils         dialogue, could have made a happy film
                             of feudalism, that             about death. As the protagonist says, life
         lead Ganga to become a bandit, while his           should be big, not long.
         brother Jumna becomes a cop who is tasked
         with nabbing the notorious dacoit. The             Sholay  (1975):
         film’s plot about two brothers on opposite                             Ramesh Sippy and
         sides of the law was much imitated. The                                Salim-Javed at the
         film with music by Naushad, was a huge                                 peak of their powers
         hit, won several awards and is among the                               and a curry western
         best Hindi films ever made.                                            becomes embedded into
                                                                                Indian popular culture,
         Guide (1965):                                                          with lines from the
                             Vijay Anand turned RK                              film quoted widely in
                             Narayan’s  novel into an       everyday conversations. Two petty crooks
                             extravagant romantic           (Dharmendra-Amitabh Bachchan) are
                             drama, in which the            hired by Thakur Baldev Singh (Sanjeev
                             flamboyant Raju Guide          Kumar) to come to Rampur and fight the
                             (Dev Anand), due               dreaded dacoit Gabbar Singh (Amjad Khan
                             to a set of unhappy            in a sensational debut). It is rare that a film
                             circumstances, becomes         and its characters remain in the minds of
                             a guru figure. His love        audiences decades later.


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