Page 43 - Seniors Today - Oct 2019
P. 43

As she tells the nurse their addresses, the
        viewer is introduced to each of them—Subodh
        Sanyal (Malayalee actor Madhu) is a football
        referee in Calcutta, and witnesses a riot after
        a game. Joginder (Utpal Dutt) is a farmer in
        Punjab, with Dina Pathak as his wife, who is
        aghast that his beloved state has been divided
        again and Haryana carved out of it.
         In Madras is a Dalit called Mahadevan
        (Irshad Ali), who is caught up in the anti-Hindi
        campaign, while in Banaras, Ram Bhagat
        Sharma (Anwar Ali—Mehmood’s brother) is
        agitating against English, and in Ranchi, the         The characters are trained in warfare and sent to Goa
        Urdu poet Anwar Ali (Bachchan) faces violent
        anti-Urdu protestors. Lastly, is a Maharashtrian
        Sakharam Shinde (Jalal Agha—actor Agha’s
        son), who acts and sings in a local theatre group,
        while the state deals with border disputes with
        Karnataka. (Interestingly, Abbas did not make
        the actors play characters from their own states.
         There is strife and unrest everywhere, as
        Maria flashes back to Goa, which was still
        under Portuguese rule and a struggle was on to
        liberate it (which happened in December 1961).
                                                              The actors play volunteers who help the Goan locals
        The Portuguese are carrying on propaganda
        to convince Goans that Indians do not care            is to attack seven Portuguese police posts in
        about them, so it is decided to send a group of       Goa and hoist the Indian flag (that they are
        volunteers into Goa and help the locals in their      all carrying) over them to prove the might of
        fight for independence.                               India. The film is about how the seven overcome
         Six men are picked, trained in warfare, and          obstacles in their way (including torture by the
        sent to infiltrate Goa. After throwing a spy off      Portuguese cops), as well as differences amidst
        the train—which disturbs Anwar and convinces          themselves.
        the others that he is not tough enough—the             The film, obviously inspired by the Japanese
        warriors reach Goa and are joined by a young          classic, Seven Samurai (Akira Kurosawa -
        woman, Maria.                                         1954) and Hollywood’s cowboy remake The
         The mission assigned to the Saat Hindustani          Magnificent Seven (John Sturges - 1960), added
                                                              large doses of patriotism, and songs to retell
                                                              the classic story of outsiders coming in to help
                                                              the local populace. Abbas, always a writer and
                                                              filmmaker who wanted his films to convey a
                                                              social message, made his point about patriotism
                                                              and national unity, even though the film, seen
                                                              now, seems shockingly amateurish.  It is worth
                                                              seeing, however, to see how little has changed
                                                              in India in the interim half-century, and, to a
                                                              much lesser extent, spot the beginning of several
                                                              successful careers – the biggest, of course, being
                                                              that of Amitabh Bachchan.
        The film starred stalwarts of cinema and theatre

                                                                                   SENIORS TODAY | Volume 1 | Issue 4
        43
   38   39   40   41   42   43   44   45   46   47   48