Page 7 - Seniorstoday October 2023 Issue
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told audiences would never accept Rosie,           time, Nargis, Meena Kumari, Madhubala,
         and it would end Waheeda Rehman’s                  Vyjayanthimala, Nutan were at their peak,
         career. The film was a success, however,           and doing significant roles in their films.
         and did not even cause a tiny dent in              They also had their own strengths and fan
         Waheeda’s career.                                  following.
          Other actresses had done films in which
         they had careers, Nutan, Nargis, Sharmila
         Tagore had worn swimsuits on screen
         to indicate their modernity, but Rosie
         was one of the earliest feminists in Hindi
         cinema, before the word was even in
         common usage. And Waheeda Rehman
         personified, with tremendous power, a
         woman who values her career and her
         dignity and does not let a man dictate              Rehman’s professional (and personal)
         terms to her.  The story was about Raju’s          relationship with Guru Dutt meant
         spiritual redemption, but Rosie discovers          that she got to play roles that were very
         herself too, even if it is to end up on the side   different from the usual romantic leading
         of Raju, who is now a changed man.                 lady. Actresses of the time would have
          Winner of this year’s Dadasaheb Phalke            balked at playing a streetwalker, which
         Award for lifetime achievement, and                she did in Pyaasa (1957), or the actress who
         deservedly so, Waheeda Rehman’s name               leaves her mentor behind in Kaagaz Ke
         is included in the short list of women who         Phool (1959), Guru Dutt’s most personal
         have been selected for the honour for their        film set in the Bombay film industry.
         “outstanding contribution to the growth             It is not as if she did not do popular
         and development of Indian cinema.”  The            love stories like Solva Saal,   Ek Phool
         first award that was instituted in 1969 to         Char Kaante, Chaudhvin Ka Chand, but
         honour the father of Indian cinema, went           directors obviously did not select her to
         to Devika Rani. Since then, only six other         sing a few songs and prop up the hero.
         women have been conferred with this                In 12 o’ Clock (1958) she played a murder
         award, Ruby Myers (Sulochana), Kanan               accused, in Neel Kamal (1968) for which
         Devi, Durga Khote, Lata Mangeshkar,                she won her second Filmfare Award (after
         Asha Bhosle, Asha Parekh and now                   Guide) she played a woman haunted by a
         Waheeda Rehman.                                    past life.
          When she was introduced to the Hindi               She played a courtesan, Chameli Bai,
         film industry, with a small ‘vampy’ role           who marries a dacoit (Sunil Dutt) in the
         in Guru Dutt’s CID (1956), the role of the         masterpiece Mujhe Jeene Do (1962), and
         heroine in Hindi cinemas had not yet been          follows him into a rough life in the ravines
         devalued, as it was later in the Seventies,        of the Chambal; she played a very different
         when leading ladies were given merely              kind of nautch girl in Basu Bhattachary’s
         decorative roles, because the hero had             Teesri Kasam (1965) opposite Raj Kapoor, a
         to have a romantic interest with whom              more sprightly and playful woman.
         to sing songs.  In Waheeda Rehman’s                 The other film, which remains a jewel


        SENIORS TODAY | ISSUE #52 | OCTOBER 2023                                                            7
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