Page 44 - Seniors Today - Vol1 Issue 3
P. 44

Once Upon A Time | The Arts





























        A scandal and a flop



                                                           Ira Dubey and Joy Sengupta in Lillette Dubey’s play about Devika Rani


        Deepa Gahlot muses on the stunning Devika Rani, who set Indian movie screens
        afire with a kiss back in 1933

        Devika Rani is in focus at present due to             Westerners. It premiered in England (with a
        Lillette Dubey’s play based on her life. The          special screening arranged for the royal family)
        actress-producer, the great-grand-niece of            and was a critical and commercial success,
        Rabindranath Tagore, was known for her                perhaps because it had just the kind of exotica—
        stunning beauty. She was the first female             beautiful locations and exquisite costumes— the
        superstar of Indian cinema, at a time when            West would appreciate. Not surprisingly, the
        educated women from cultured families did             simplistic love story was rejected by Indian
        not work in films. Along with her husband             audiences back home when the Hindi version
        Himanshu Rai, she established Bombay Talkies          was released a year later.
        in 1934--India’s first professionally run studio,      Devika Rani played the Maharani of Sitapur,
        that she continued to manage after Rai’s death        who is in love with the prince (Himanshu Rai)
        (in 1940), the first woman to head a studio.          of the neighbouring kingdom of Jahanagar. His
        Looking back then, at her debut film Karma            father, the elderly maharaja (played by Dewan
        (1933), that has gone down in movie history as        Sharar who was also the film’s co-writer with
        the film that had a four-minute kiss.                 Rupert Browning) disapproves of the maharani,
         Karma was produced by Rai just two years             because of her modern ideas on education and
        after the advent of the talkie (Alam Ara 1931),       healthcare for all. The prince, however, defies
        and he had the foresight to make an English           his father to woo her.
        version for western audiences—his fourth               The Maharaja of Jahanagar loves to hunt, but
        international production, after the silent films,     there are no tigers on his land so the maharani
        The Light Of Asia, Shiraz and A Throw of Dice         decides to hold a tiger hunt in her kingdom and
        (1929).                                               invite the king to participate, hoping this will
         Directed by J. L. Freer-Hunt, the bilingual film     make him change his mind about her. The idea
        (Fate aka Song Of The Serpent in English) the         doesn’t go down well with the good people of
        film had a crew made up of both Indians and           Sitapur whose religious views forbid them from


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