Friday, December 2, 2022

10 Diverse Hrishikesh Mukherjee Songs

As a filmmaker, Hrishikesh Mukherjee was a genre of his own. And for those who loved their music, he always had something special to offer.

A lesser-highlighted fact about Mukherjee is the range of music directors he worked with. That’s what we kept in mind while compiling this list to mark his 99th birth anniversary on September 30. Here we choose 10 songs by 10 different music creators.

A lot of gems are obviously missing. By selecting only one song per music director, for instance, we had to leave out many other classics. Some may even wonder why this particular song from Anari or Abhimaan was chosen, when there were other brilliant songs, or why Asli Naqli and Khubsoorat weren’t included.

There may be no obvious answer, but all the following songs are enjoyable in their own way. The order is chronological.

1 Dil Ki Nazar Se – Anari (1959)

Music directors Shankar-Jaikishen made immaculate use of accordions, violins and mandolins in this waltz-like piece. Mukesh and Lata Mangeshkar sang for Raj Kapoor and Nutan, with Shailendra writing, “Dil ki nazar se, nazron ke dil se, yeh baat kya hai, yeh raaz kya hai, koi hamein bata de”.

2 Saanware Saanware – Anuradha (1960)

Sitar maestro Pandit Ravi Shankar composed this beauty in raag Bhairavi, with Lata doing perfect justice to its classical nuances. The song appeared in the film’s opening credits, and Shailendra wrote the lyrics. The film also had the wonderful ‘Jaane Kaise Sapnon Mein’ in raag Tilak Shyam.

3 Itna Na Mujhse – Chhaya (1961)

Salil Chowdhury was inspired by Mozart’s 40th Symphony on this song sung by Talat Mahmood and Lata. Picturised on Sunil Dutt and Asha Parekh, it was one of the biggest hits of its time. Rajendra Krishan wrote the lines. Salil-da and the director later worked together in the brilliant Anand (whose songs also deserved a place in this list).

4 Kuch Dil Ne Kaha – Anupama (1966)

Hemant Kumar gave some great music in this film. ‘Kuch Dil Ne Kaha’ was a haunting melody by Lata, filmed on Sharmila Tagore and Dharmendra in the woods. Kaifi Azmi’s catch phrase “Kuch dil ne kaha, kuch bhi nahin” lingered on. The film also had the masterpiece ‘Ya Dil Ki Suno’ sung by Hemant-da himself.

5 Rail Gaadi – Aashirwad (1968)

Often described as a predecessor to rap music, this song was composed by Vasant Desai. It was hugely popular among children, with Ashok Kumar playing with kids in a park. Sung by Ashok Kumar himself, it was written by Harindranath Chattopadhyay. Desai and Mukherjee also worked together in Guddi.

6 Zindagi Hai Kya – Satyakam (1969)

A fun song by Laxmikant-Pyarelal who interestingly got in Mukesh to sing for Dharmendra. He was joined by Mahendra Kapoor for Sanjeev Kumar and Kishore Kumar for Asrani. The lyrics were written by Kaifi Azmi who compared zindagi to lattoo, ladki and sachhai.

7 Tum Bin Jeevan – Bawarchi (1972)

Madan Mohan used raag Bhinn Shadja on this wonderful tune sung by Manna Dey. Kaifi Azmi wrote the lines, “Tum bin jeevan kaisa jeevan, phool khile toh dil murjhaaye, aag lage jab barse saawan”. Filmed on Rajesh Khanna, the song also featured Jaya Bhaduri and Asrani. The movie also had the group song “Bhor Aayee Gaya Aandhiyaara”.

8 Ab To Hai Tumse – Abhimaan (1973)

S.D. Burman composed some memorable songs in the Mukherjee films Abhimaan, Mili and Chupke Chupke. This Lata song played a pivotal part in Abhimaan, as it showed the differences between husband and wife played by Amitabh Bachchan and Jaya. Lyrics were written by Majrooh Sultanpuri.

9 Main Shayar Badnaam – Namak Haraam (1973)

One of the most popular Kishore Kumar songs ever, it was composed by R.D. Burman. Filmed on Rajesh Khanna and Raza Murad, who played an ailing poet, it was written by Anand Bakshi. The opening lines were, “Main shayar badnaam, ho o main chala, main chala, mehfil mein na kaam, ho o main chala, main chala”. The film also had Kishore’s friendship song ‘Diye Jalte Hain’.

10 Mata Saraswati Sharda – Alaap (1977)

Composer Jaidev used raag Bhairavi on this traditional devotional song sung by Lata and Dilraj Kaur (there was another version by Yesudas, Dilraj and Madhurani). It was filmed on Rekha and Amitabh, with Sanjeev Kumar making a guest appearance. Though the film flopped, it also had the great Yesudas songs ‘Chand Akela’ and ‘Koi Gaata Main So Jaata’.

Obviously, music played a major role in Hrishikesh Mukherjee films. While some of his biggest hits were with S.D. Burman and Salil Chowdhury, he opted for R.D. Burman in later movies including Gol Maal, Bemisal, Naram Garam, Khubsoorat, Jurmana and Rang Birangi. He even worked with Chitragupt, Ravindra Jain, Usha Khanna and Bappi Lahiri, and for his last film Jhoot Bole Kauva Kaate, he chose Anand-Milind.

The fact that he worked with such a variety of music directors shows that he had a different approach to music. And in most cases, the results were much cherished.

Narendra Kusnur
Narendra Kusnur is one of India’s best known music journalists. Born with a musical spoon, so to speak, Naren, who dubs himself Kaansen, is a late bloomer in music criticism. He was (is!) an aficionado first, and then strayed into writing on music. But in the last two decades, he has made up for most of what he didn’t do earlier.

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