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10 performance recordings of Ustad Rajkumar Rizvi

The death of singer Ustad Rajkumar Rizvi on March 6 has come as a huge loss in the world of ghazals. His speciality lay in the classical style of rendition, using raag-based compositions, and he was deeply influenced by his mentor Mehdi Hassan.

Here, we choose 10 performance recordings of Rizvi. Though the emphasis is on ghazals, there are a few songs from other genres too. Ghazal enthusiasts will find some of his other songs on streaming platforms. This list hasn’t been prepared in any particular order.

1 Tune Yeh Phool – ghazal

This ghazal, popularised by Mehdi Hassan, has been written by Qateel Shifai. The opening lines are, “Tune yeh phool jo zulfon mein sajaa rakha hai, ek diya hai jo andhere mein jalaa rakha hai”. Rizvi has added his own feel to the composition.

 

2 Shaakh Se Tootke – ghazal

This ghazal was popular on Doordarshan in the 1980s. Written by Ahmed Wasi, it begins, “Shaakh se tootke girne ki sazaa do mujhko, ek patta hi toh hoon na hawa do mujhko”. The style again is very much reminiscent of the Mehdi Hassan textbook.

 

3 Samajhte The Magar – ghazal

Poet Wali Aasi begins this ghazal with the lines, “Samajhte the magar phir bhi na rakhi dooriyan hamne, charaghon ko jalaane mein jalaali ungliyan hamne”. Another popular version has been rendered by Jagjit Singh.

 

4 Jo Hua So Hua – ghazal

This was a recording for DD Urdu by Rizvi and his wife Indrani. It is a ‘chhoti behr ki ghazal’ with the lines “Jo hua so hua kis liye, ho gaya toh gila kis liye”. One of the shers is, “Kaam toh hai zameen par bahut, aasman pe khuda kis liye”. Short and effective.

 

5 Jabse Usne Sheher Ko Chhoda – ghazal

This is a beautiful composition in raag Marwa. Poet Mohsin Naqvi writes, “Jabse usne sheher ko chhoda, har rasta sunsaan hua, apna kya hai saare shehar ka ek jaisa nuksaan hua”. Rizvi displays perfect command over classical nuances.

 

6 Kahaan Aake Rukne The – ghazal

Rizvi sings this in raag Kirwani. Amjad Islam Amjad wrote the lines, “Kahaan aake rukne the raaste, kahaan mod tha use bhool ja, woh jo mil gaya usey yaad rakh, jo nahin mila usey bhool ja”. The ghazal was earlier popularised by Ghulam Ali and Nusrat Fateh Ali Khan.

 

7 Kaise Kaise Log – ghazal

Munir Niyazi wrote this memorable ghazal popularised by Mehdi Hassan. Rizvi has done a fantastic interpretation. The matla is, “Kaise kaise log hamaare jee ko jalaane aa jaate hain, apne apne gham ke fasaane hamein sunaane aa jaate hain”.

 

8 Murli Manohar – bhajan

Though his forte lay in Urdu ghazals, Rizvi also regaled audiences with bhajans at shows. This one was recorded in Kenya in 1988. The opening lines were, “Murli Manohar Radha ke Shaam, bante hain tumse sabke kaam”.

 

9 Umad Ghumad – thumri

This was a thumri presented in raag Des at a concert in Skokie, Illinois. The opening line was “Umar ghumad ghir aayo re sajni badra”. The accompanists were Samir Chatterjee on tabla, Ramesh Mishra on sarangi and Vikas Phalnikar on harmonium.

 

10 Laila Majnu – film song

Rizvi was joined by Anuradha Paudwal and Preeti Sagar in this song from the 1976 film Laila Majnu. The song’s main lines, written by Sahir Ludhianvi, were, “Laila Majnu do badan ek jaan the, jazba-e-ishq-o-wafa ki shaan the”. The film’s music was credited to Madan Mohan and Jaidev.

Besides these, one can also find Rizvi’s renditions of popular Mehdi Hassan pieces like ‘Ranjish Hi Sahi’ and ‘Go Zara Si Baat’. While his singing drew a huge number of admirers, he also was respected as a teacher.

Rizvi ran the Indian Music Institute in Mumbai with wife Indrani. His contribution will be remembered.

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Narendra Kusnur
Narendra Kusnur is one of India’s best known music journalists. Born with a musical spoon, so to speak, Naren, who dubs himself Kaansen, is a late bloomer in music criticism. He was (is!) an aficionado first, and then strayed into writing on music. But in the last two decades, he has made up for most of what he didn’t do earlier.

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