Sunday, January 29, 2023

10 Heartfelt Nargis Songs

Starting off as a child artiste, Nargis became one of the leading stars of the 1950s, with a number of films with Raj Kapoor and Dilip Kumar. She was on top for nearly a decade, but took a break after her marriage to Sunil Dutt. She bagged a National Award for her one-off comeback film Raat Aur Din.

May 3 marks the 40th death anniversary of the actress, who passed away after a battle with cancer. Here, we choose 10 songs filmed on her. Though she had some hits with Shamshad Begum and Geeta Dutt, all these songs mentioned below have been sung by Lata Mangeshkar. The biggest hits were with Raj Kapoor. The list is chronological.

1 Uthaye Ja Unke Sitam – Andaz (1949)

One of Lata’s first hits, this was filmed on Nargis with brief appearances by Dilip Kumar and Raj Kapoor. Using raag Kedar, music director Naushad wrote the three antaras differently. While Lata’s style was reminiscent of Noor Jehan, Majrooh Sultanpuri’s words were filled with emotion.


2 Mujhe Kisise Pyar Ho Gaya – Barsaat (1949)

In this film, Lata had huge hits, filmed on Nargis, Nimmi and Bimla Kumari. On this, Nargis sang for a violin-playing Raj Kapoor. Shankar-Jaikishen composed the music, with Jalil Mahilabad writing the words. The way the words ‘O o o o’ were sung before the main line were unique.


3 Ghar Aaya Mera Pardesi – Awara (1951)

This was picturised lavishly in a dream sequence, and the main song preceded by a long build-up featuring Raj Kapoor and Nargis. Shankar-Jaikishen composed the music to Shailendra’s words with Lata singing, “Ghar aaya mera pardesi, pyaas bujhi meri akhiyan ki”.

4 Raaja Ki Aayegi Baraat – Aah (1953)

Another of those gems featuring the successful combination of Lata, Shankar-Jaikishen, Shailendra, Raj Kapoor and Nargis. The words were, “Raja ki aayegi baraat, rangeeli hogi raat, magan main nachoongi”. The song brought out the emotion of longing effectively.

5 Pyaar Hua Ikraar Hua – Shree 420 (1955)

One of the most memorable rain duets ever, this was filmed on Raj Kapoor and Nargis, and sung by Lata and Manna Dey. Shankar-Jaikishen provided the music, with Shailendra writing, “Pyaar hua, ikraar hua hai, pyaar se phir kyon darta hai dil; Kehta hai dil rasta mushkil, maloom nahin hai kahan manzil”.

6 Jaago Mohan Pyare – Jagte Raho (1956)

Salil Chowdhury composed this classic in raag Bhairav. Accompanied by a haunting chorus, Lata sang Shailendra’s lines “Jaago Mohan pyare, navyug choomein nain tihare”. There was a scene where Nargis offered water to a thirsty Raj Kapoor. Her expression was matchless.

7 Rasik Balma – Chori Chori (1956)

Composed by Shankar-Jaikishen in raag Shudh Kalyan, this was one of Lata’s biggest hits of the time. Hasrat Jaipuri wrote, “Rasik balma, haay dil kyon lagaya, tose dil kyon lagaya, jaise rog lagaya, jaise rog lagaya”. The song brimmed with pathos, and Nargis’s expressions went perfectly with the words.

8 Nagari Nagari Dware Dware – Mother India (1957)

After a string of hits with Raj Kapoor, and some with Dilip Kumar, Nargis had one of her most memorable roles as a mother in Mehboob Khan’s Mother India. This song, composed by Naushad, had the Lata class. Shakeel Badayuni wrote, “Nagari nagari dware dware dhoondoon re sanwariya, piya piya rat ke main toh ho gayi re banwariya”.

9 Yun Hasraton Ke Daag – Adalat (1958)

The magical combination of music director Madan Mohan and Naushad was in form here, with Nargis giving a great performance. Lyricist Rajendra Krishan wrote, “Yun hasraton ke daag mohabbat mein dho liye, khud dil se dil ki baat kahi aur ro liye”. The film also had the Lata hit ‘Unko Yeh Shikayat Hai’.

10 Awara Ae Mere Dil – Raat Aur Din (1967)

The title song of Raat Aur Din, in two versions by Lata and Mukesh, was extremely popular. But this Lata song had its own takers, with Nargis giving a fabulous performance. Shankar-Jaikishen set the music to Shailendra’s words, “Awara ae mere dil, jaane kahan hai meri manzil”.

As mentioned, all these songs were sung by Lata, with only one of them being a duet. The Nightingale’s voice perfectly matched the actress’s expressions, and one couldn’t imagine Nargis with another voice.

Narendra Kusnur
Narendra Kusnur is one of India’s best known music journalists. Born with a musical spoon, so to speak, Naren, who dubs himself Kaansen, is a late bloomer in music criticism. He was (is!) an aficionado first, and then strayed into writing on music. But in the last two decades, he has made up for most of what he didn’t do earlier.

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