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The Indian Mad Men

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Showbiz - Indian Mad Men
In an era when numbers matter more than figures of speech, Prabhakar Mundkur doffs his hat to some of the people who made our Advertising Memorable

‘Advertising is the most fun you can have with your clothes on.’ – Jerry Della Femina

My story starts 42 years ago. Rejected as a bum by many corporates because they couldn’t fathom why any student would give up college for 3 years to become a professional musician, I reluctantly decided to apply to an ad from daCunha Associates in The Times of India recruitment columns, that asked for an Account Executive with 5 years experience. That may sound odd to the ad-man of today. An Account Executive with 5 years experience? Were they looking for people who hadn’t made it? Were they slow those days? After all, in today’s advertising world, if you were still an Account Executive with 5 years’ experience you were most certainly a confirmed failure. When everyone else is making it to Senior VP in 5 years.

Sylvester daCunha
Sylvester daCunha

My heart beats expectantly. I dream of being freed from the Rs 120 pocket money that my parents gift me every month while doing my MA in Econometrics and Mathematical Economics. How was I to know that 38 years later Sir Martin would be looking for math men? Was I over-qualified for the job at that time? Of course, I was. The last advertising agency I applied to, had asked me to become a statistician in a bank instead. As if I wasn’t intelligent enough to have considered that possibility already. My clever application letter to daCunha’s read that we were both looking for the same thing. 5 years. Except that I was looking for the 5 years ahead. And daCunha Associates was looking for it behind. Somehow that seemed to attract Sylvester daCunha. Miracle. I got the job. But a clever letter was a big mistake. He put me on a 5-year iron-clad contract.

The Age of Supermen

Sylvester daCunha or Sylvie as everyone who knew him was one of the original mad men of the Indian advertising industry. Talented like hell. Born copywriter. Theatre Man. Disciplinarian. Exacting. Tore through my artwork because I missed a colon for a semi-colon. (in the days of hot metal typesetting) Never again God would I make a proofreading error. Respected. By clients and ad people. Once a client from a reputed MNC flung my layouts to the floor because he didn’t like the creative. When I returned to the agency to tell Sylvie my tale of woe, he turned red like a tomato. Next, he was on the phone to the Chairman of this big multi-national to tell him he was resigning the account. People with courage. People with a spine. Not the namby-pamby advertising leaders of today.

Pimms and the Politician

Bal Mundkur
Bal Mundkur

Bal Mundkur. Founder of FCB Ulka. Namesake. Our forefathers came from the same little hamlet 40 km north of Mangalore. Fierce. Friendly. Adventurer. Gutsy like hell. Bad mouthed when required. Could punch a sock if someone challenged him. Ruffian. One of the 6 cadets from India to be recruited into the Royal Navy. Saw action in Scotland in the World War in 1942. Art collector. Chess antique collector. Art restorer. Man of the world. World traveler. A romantic. Was capable of flying from Paris to Zurich just for a date. When he spoke of having a drink with Zulfy he was speaking about Zulfikar Ali Bhutto. Revelation! Was equally comfortable with politicians and kings. Gambler. My bonuses used to come from the Rs 100 I won for every chess game I beat him at. His reason for losing. That I would first weaken him with some Saraswat food before I invited him to a chess game. Favorite dish: A soup made of horse gram, a Konkani specialty. Favorite morning drink: Bloody Mary. (Don’t forget the celery stick.) Or Pimms. ‘ I am one of the two people in the country that imports crates of Pimms’.

If he was made to wait for more than 10 minutes in the client’s reception he would gather everyone and say ‘ Boys lets leave. We are not waiting for any client’. Man with a spine. Courageous. Brave. Made the ad men of today feel like puny spineless little weaklings.

Confidence Unmatched

Mohammed Khan
Mohammed Khan

Mohammed Khan. Threw my Vadilal layouts out of the window from the 3rd floor of our Shivsagar Estate office at Worli, because the client had no budget and I had asked Elsie to make the layouts in Black & White. Who the f…does ice-cream layouts in B & W? The truth slowly dawned. Before the client walked into the office, a few thousand people in Worli had trampled on my layouts. C’mon Prabs. Courage. Tell the client to forgive you. Ask and you shall receive. Forgiven. Best friends forever.

No credentials presentation for Mohammed, he didn’t believe in them like the large agencies. Our creds were 12 little chits put into a top hat (bought from Crawford Market). The chits had the names of our clients. Pick any one of these and I will show you the work he would say. Confident that every client’s work was as good as the next one. Guts! Not like the ad men of today. Who hide their worst work behind their awards.

From Madness to Sanity

Perhaps to be too practical is Madness?’ – Miguel De Cervantes in Man of la Mancha

Mike Khanna
Mike Khanna

Mike Khanna. Sane. Calm. Controlled. Shy. Introspective. Introvert. Quiet Rage. Learnt everything there was to learn about advertising and about managing an agency. Gutsy like hell again. What was it about these guys? Where did all that courage come from? Once a client threatened to speak to Mike Khanna because I had refused to do a job with an impossible deadline. He just calmly told the client “If Prabhakar Mundkur says it can’t be done, it can’t be done.” Faith in your people. Courage to call a spade a spade with the client. Confidence.

From Mad Men to Math Men

“We are not in the advertising business anymore,” proclaimed Sir Martin Sorrell some time ago, like some Nostradamus predicting the death of advertising as we know it. “Don Draper wouldn’t recognize Adland,” he said, pitting Don Draper’s Mad Men against today’s Math Men. (Thank God for Don that he escaped this ).

So it’s hello Data. Hello Content. Goodbye, good writing. Goodbye language. Goodbye flair and personality. Goodbye Courage. Goodbye Intuition. Goodbye entrepreneurship. Goodbye Creativity as we know it. Bye-bye pink gins.

Maybe the advertising business should move smoothly into calculus. I guess it was coming with the number of times we used the word ‘integrated’, I knew we were unconsciously nudging ‘integral’. It had to come to this.

Goodbye Advertising. God Bless. It was lovely knowing you while it was the best fun you could have with your clothes on. I still love you.

Woodstock at 50

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The main stage on the opening day of the 25th
The name itself evokes an entire era of free-thinking and immortal music. Y R Anand looks (and listens) back at the iconic festival

I came upon a child of God

He was walking along the road

And I asked him, where are you going

And this he told me

I’m going on down to Yasgur’s farm

I’m going to join in a rock ‘n’ roll band

I’m going to camp out on the land

I’m going to try an’ get my soul free

We are stardust

We are golden

And we’ve got to get ourselves

Back to the garden

These were written by Joni Mitchell just after the incredible Woodstock festival in upstate New York from August 15 to 18 in 1969. It is hard to imagine 50 years have flown by since the seminal rock festival, which started as an Aquarian exposition for three days of peace and music in Bethel, New York.

The renewed interest and good news for die-hard rock fans is the news of the release of a 38-disc, 432-song, 36-hour limited-edition Woodstock 50 – Back to the Garden – The Definitive 50th Anniversary Archive set. This promises the first definitive collection featuring every artist who played the original concert. This is a complete reproduction of all the songs, announcements and other festival related sounds.

While the original plan was for three days, it got extended to a fourth day with Jimi Hendrix playing the last set. The crowd that had swelled to over 400,000 had been reduced to less than 30,000 people by the time Hendrix came on stage. He and his band played close to two hours.

Woodstock became a symbol of peace and protest against the establishment and Vietnam War.

And it all began with Michael Lang, Artie Kornfeld, Joel Rosenman, and John P. Roberts getting together and planning a music festival for profit. The ticket was priced at US$ 18 for advance booking and US$ 24 for buying at the gates, for the weekend. In the end, around 186,000 tickets were sold, and the rest attended the festival free. The organizers ended up with a mountain of debt but the world was gifted a historic moment in music, with images that remain fresh to this day.

However, the organizers held the copyrights for the concert and were rewarded handsomely with the release of the film, the recordings, and subsequent royalties.

The venue went through many changes, as some of the towns selected did not allow hippies to invade their peace. Eventually, Max Yasgur agreed to lend his 600-acre milk farm for the festival. The farmland formed a natural bowl sloping down to Filippini Pond on the land’s north side. The stage would be set up at the bottom of the hill, with Filippini Pond forming a backdrop. The pond would become a popular skinny dipping destination.

The organizers had expected 50,000 people at the most. Almost half a million turned up. Rain turned the ground muddy and slushy and most of the roads around were clogged with traffic. Artistes had to be flown in.

First-hand experience

Prakash Ullal had gone to USA for his Master’s degree, having graduated from IIT Bombay in 1966. Here is what he remembers about his experience of Woodstock.

“Sometime in July 1969, we learned about a Folk-Rock festival in upstate New York, the Woodstock festival to be held sometime in August in a farm in Bethel, a small town. Sly And The Family Stone (one of my favorites then) would be performing at Woodstock, along with a big list of rock bands. It was rumored that Bob Dylan would be performing also since he lived nearby. So, I promptly decided to go along with my IIT buddies. Looking back, the biggest mistake that we made, was to buy Tickets for Woodstock and that too, at $20 a ticket. Expensive at that time.

“So, on Friday I took off along with 3 other friends started our epic and what a memorable journey to Woodstock in a green Mustang! A few hours later, driving towards Bethel, we encountered one of the biggest traffic jams that I had seen at that time. It felt like millions of people and cars were on the narrow road to Bethel. Cars were parked on both sides of the road and people were walking, trudging, laughing and waving the peace sign. It was an unbelievable sight. And the local village people were offering food and water along the way. And in the distance, we could hear music. We parked and walked. Two or three hours and 11 miles later, we entered into chaos and beauty, the Woodstock Music Festival.

“We reached Woodstock at around 7 in the evening. The first impression that we got was, no counters for tickets and no gates for entry. On the loudspeakers, the announcement was being made that the festival was free. What a bummer! We had actually bought tickets. As we entered the venue, we saw thousands and thousands of people (mainly Hippies and some normal folks) spread over acres of Yasgur’s farm and still coming. All facing the biggest concert stage that I had seen at that time, with huge tower speakers (probably 10,000 watts of music power). We could hear these speakers during our walk to Woodstock. And then it was the beginning of music euphoria for the next 3 days and nights.”

Most of the normal facilities for such crowds could not be organized, which was made worse by the weather. The food ran out on the first day and the US army had to drop off snacks packages via helicopter. Drugs of every description was free-floating and consumed every day. The festival was remarkably peaceful given the size of the crowd, the bad weather, and logistical glitches. Amazingly only one person died of an overdose, while one girl was run over by a tractor, while she was in a sleeping bag at night.

Porridge kept us going

Here are some more impressions from Prakash Ullal:

– No food counters were operational. We ate porridge for 3 days, which was supplied free by the organizers.

– Sanitation facilities were minimal. We held our breath for 3 days!

– Food and water by shared by everyone. There was great atmosphere of love and peace. There was no violence at all.

– Getting enveloped in a euphoric haze with the smell of pot in the air

– Nonstop music by some of the greatest bands of all time for 3 days and nights. Lost track of time and space

– And finally, my best friend’s comment, telling me ” why the f— did you bring us here, it’s changed me” in his prim and proper Delhi American accent.

– Finally, the 10-mile walk back on Monday morning trying to locate the green Mustang, and voila we found it!!!!

– And then it was back to reality.

The first glimpses for folks in India was the release of the iconic film Woodstock and a set of 3 long-playing records. Alas, these could highlight only a very limited version of the vast amount of music that was played out during the festival. Listening to the music and seeing the film was like magic transportation to another musical land.

Unfortunately, the movie or the 3 LP set could not include many of the well-known famous artists of that time. Creedence Clearwater Revival (CCR) and Blood Sweat and Tears are two well-established bands of that time, who are not to be seen in the movie or the 3 LP set.

CCR was the first mainstream rock band who signed up and led to some of the other major performers to sign up also. In fact, they played a set of 11 songs. But they were not published in any of the early releases. One reason was that John Fogerty felt their performance was subpar. He felt that the previous set by Grateful Dead had put the audience to sleep, by the time CCR came on the stage.

‘Bodies from hell’

To quote John Fogerty: We were ready to rock out and we waited and waited and finally, it was our turn … there were a half million people asleep. These people were out. It was sort of like a painting of a Dante scene, just bodies from hell, all intertwined and asleep, covered with mud. And this is the moment I will never forget as long as I live: A quarter-mile away in the darkness, on the other edge of this bowl, there was some guy flicking his Bic, and in the night I hear, “Don’t worry about it, John. We’re with you.” I played the rest of the show for that guy.

After the opening act by the toothless Richie Havens with his rasping voice improvising Freedom, the then well-known yoga guru in the west, Swami Satchidananda was called in to give a short speech. Pandit Ravi Shankar also performed on the opening day itself.

Woodstock gave a career boost to several fledglings and struggling musicians, Santana and Crosby, Stills, Nash, and Young being young artistes who rose to fame after the festival. CSNY was a nervous group when they came on stage, as can be heard by Stephen Still saying “This is only the second time we’ve performed in front of people. We’re scared shitless.” Wooden Ships, one of the songs played in the festival and showcased in the record is wonderful song and many melodies followed from this group subsequently. In their post-Woodstock album So Far, they performed the Joni Mitchell song Woodstock to great acclaim.

Mesmerized audience

Pandit Ravi Shankar’s music accompanied by the table of Alla Rakha also mesmerized a young audience. For many of them, it was their first exposure to Indian classical music, which was the only foreign music featured during the festival.

Here are more impressions of the performances first-hand from Prakash Ullal:

– “Freedom” by Richie Havens

– Janis Joplin with her husky voice singing “Ball and Chain” early in the morning

– Sly and The Family Stone singing “Take Me Higher” late at night. (We were already stoned by that time)

– Gracie Slick and The Jefferson Airplane singing ” Don’t You Need Somebody to Love” at 4 in the morning (me, almost near the stage sitting on the wooden fence barrier. I could almost feel the early morning wrinkles under her eyes)

– Santana arriving in a helicopter and then playing “Soul Sacrifice

– Crosby Stills Nash And Young playing “Find the cost of freedom” and a superb guitar number “Southern Man

– And the finale – Jimi Hendrix at 7 on Monday morning playing “Purple Haze” and “The Star-Spangled Banner

For all the great music, the musicians had not charged a lot for their appearance. Only 5 of the 32 artistes charged in 5 figures. Santana was paid a lowly US$ 750!!

The festival was closed by Jimi Hendrix, as his contract stated that he must close the festival. Unfortunately, with the additional day added, most people were pretty much burnt out by then and missed it (around 10 AM on Monday morning). Hendrix was also the highest-paid performer.

In the end, what remains is a legacy of great music and great memories. It has left a profound impact on everyone involved with rock music, musicians, music lovers, and the music industry. The memories will live on in the minds of rock fans forever.

A Planet for a Pandit Jasraj

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Pandit Jasraj - Seniors Today
While Pandit Jasraj is a major star of the Indian classical music firmament, it’s still thrilling that a planet has been named after him, writes Narendra Kusnur

On Monday, September 30, the Arts And Artistes office of television personality and event promoter Durga Jasraj was buzzing. Just two days before, the International Astronomical Union (IAU) had announced that it had named a minor planet after her father, the legendary vocalist Pandit Jasraj.

The title is conferred on luminaries across fields, and musicians to earlier receive the honor include western classical composers Wolfgang Amadeus Mozart and Ludwig Van Beethoven, and operatic tenor singer Luciano Pavarotti. Interestingly, a week after the announcement was made, sitar player Anoushka Shankar claimed that a minor planet had been named after her in 2017.

Jasraj was in the US when the news got out and sent a statement for the media. “Blessed… in this honor, one can only experience God’s grace,” he said. The minor planet, discovered on November 2006, has been named ‘Panditjasraj (300128)’, the six digits referring to his date of birth. The maestro will turn 90 on January 28.

In March this year, the Mewati Gharana maestro’s 89th birthday had been belatedly celebrated at a concert at Mumbai’s Shanmukhananda Hall, where he sang Raag Jog, his famous ‘Mata Kalika’ in Raag Adana and the bhajan ‘Om Namo Bhagavate Vasudevaya’. Despite his age, he didn’t look tired or let his voice waver even once.

Having attended that concert, and interviewing him a few days prior to that, a river of memories flowed through my mind. I first met Jasraj in 1971, when I was barely eight. My mother learned vocal music from his senior disciple Chandrashekhar Swami, and visits to the Jasraj residence at Rajkamal building in Mumbai’s Shivaji Park were regular. His students and their disciples would practice, and I would play with Durga and her elder brother Shaarang.

A smile and a half-jacket

In his early 40s then, Jasraj had thick curly hair, a ready smile and a friendly demeanor. At concerts, he would wear a half-jacket over his spotless kurta and carry the swarmandal. The first concert I attended was in a hall in Thane. At that age, I knew nothing about raags though I had heard their names from my mother and her guru. When Jasraj announced he would sing Malkauns, I got up and started dancing, little knowing what it meant.

Jasraj was quite well-established at that time, though the world of male vocalists was led by Ustad Amir Khan. Pandit Bhimsen Joshi and Mallikarjun Mansur were seniors. Among women, Hirabai Badodekar, Gangubai Hangal, and Kishori Amonkar made waves, and the young Parveen Sultana had just arrived.

Music in the air

After we shifted to New Delhi, visits to Rajkamal stopped. But I would accompany my parents to his concerts in the capital. One memorable show was a dance ballet interpretation of Jayadeva’s Geet Govind, in which Jasraj composed the music. Cassettes of his recordings formed a large part of the collection at home, and Raags Bhairav, Bihag, Maru Bihag, Jog, and Hansadhwani were played often, besides the Meera bhajan ‘Mai Saawari Rang Raachi’.

Like most teenagers, I listened to western and Hindi film music too, but classical was always around. I still didn’t really understand the nuances, but there was something magnetic about those melodies. Often, ‘Lai Ja Re Bhadra’ in Hansadhwani or ‘Ja Ja Re Apni Mandirwa’ in Bhimpalasi would stick on as earworms.

I never imagined I would meet Jasraj at close quarters, but the opportunity came in the mid-1990s after I became a music journalist. Though I met him briefly at many events or after concerts, it was during the course of three interviews that I could talk to him at length. Before the first one, in 1998, I was obviously nervous. It’s always difficult to ask questions to someone one has known and admired, but Jasraj quickly put me at ease.

The other interviews were followed by a family meal at his Andheri residence. In the first one, he finished his dinner and just began singing a few lines of Raag Darbari, using his fingers to play an imaginary tabla on the dining table. In the second, he watched the ongoing India-Australia cricket match and commented after almost every ball.

The conversations revolved around a variety of subjects, like how he would stop by at a restaurant at Hyderabad to hear Begum Akhtar sing ‘Deewana Banana Hai Toh’ on the radio, his early training under his eldest brother Pandit Maniram, how he played classical melodies on the guitar, and his tabla guidance from his other brother Pandit Pratap Narayan.

A galaxy of pupils

Besides Maniram, Jasraj learned from Jaywant Singh Waghela and Swami Vallabhdas Damulji. “For me, they are like Brahma, Vishnu, and Mahesh. Besides honing my skills, they helped me carry forward the legacy of our Gharana,” he said.

Though the vocalist initially taught Maniram’s students in Kolkata, his first disciple was Chandrashekhar Swami in Mumbai. Soon, Girish Wazalwar and Paresh Naik joined him. Today, he is the guru of numerous musicians including vocalists Sanjeev Abhayankar, Tripti Mukherjee, Ankita Joshi, and his nephew Rattan Mohan Sharma, besides violinist Kala Ramnath and flutist Shashank Subramanyam. He also actively teaches at his institute in New Jersey, New York, and Pennsylvania.

“I don’t go about looking for disciples. But if I find someone genuinely interested, I happily accept them. By teaching, I am practicing too. If you don’t use a car for a long time, it won’t work properly. The same is the case with your voice or musical instrument,” the doyen said.

Jasraj loves to compare his concerts with a hockey match. He elaborated, “I am usually accompanied by my disciples. It’s like I am passing the ball to them and they send it back before I score the goal.”

At 89, Jasraj not only takes care of his voice but makes sure he leads a disciplined lifestyle. He speaks very clearly and displays a sharp sense of humor. The magic is evident both on stage and off it. Those who’ve known him over the years will agree.

Don’t let Aches and Pains limit you!

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Back Pain - Seniors Today health article

Back pain is a very common condition as one ages, but the reasons could be many apart from degeneration.

As we age, it is common to start getting aches and pains in different parts of our body. It is a natural process of degeneration which starts off. If one has lived an active life all along it would be easier to continue doing some physical activity…. Otherwise stiffness of joints and disability set in faster.

If possible, seniors should include some regular physical exercise in their daily routine.  With more time on hand it’s only a matter of incorporating some interesting physical activity. All one needs to do, is fix a sometime in the daily routine, morning or evening as is suitable.  Walking of course is probably the best with advancing age but if one is up to it then swimming, cycling and some light sports can also be taken up.

Yoga is good too.  It helps in stretching body parts as well as facilitates good breathing without too much of exertion and fatigue. However, the correct technique should be learnt from a proper teacher and preferably practised under supervision. If that seems difficult, then simple asanas and pranayam can be done at home by yourself however practice under supervision can ensure you do it correctly to get optimum benefits. Don’t overdo the stretching extra. Nowadays, there are many centres for these. Find one near you, enroll with a friend and it can become a fun activity. If you have limited mobility there is an option of chair Yoga too.

Whatever you do, start by doing very gentle exercises and slowly get onto the tougher ones. Simple things like raising your hands above the head, rotating arms clockwise and anti-clockwise. Extending and bending forward, backwards and sideways all are very helpful and do only as much as can be done comfortably. Slowly you can push yourself to do a bit more every day.    If possible, touching your toes will help relieve stiffness in your back. Little bit of twisting also is good. The best is, most of these can be done while sitting down on a chair in the comfort of your home.

Back pain is a very common condition as one ages, but the reasons could be many apart from degeneration. It could range from bad posture while sitting or sleeping or some kind of a muscle pull or even osteoarthritis in the spine. It could also be due to an injury caused while lifting for pushing some heavy objects we end up doing such things as often there is no one to help us.

Aching joints are common as muscles become stiffer and less flexible. Consult a qualified doctor and check if anti-inflammatory medicines can be had by you as they can help soreness. There are also injections for topical problems. Alternative medication therapies and light exercise all help to remove stiffness and give mobility easing the pain at least to carry out ones daily chores.

Some doctors even recommend warm and cold packs alternatively along with light massage with some oil or ointments. A balanced diet goes a long way in keeping one healthy and fit. Fibres in your diet become a must for a healthy bowel movement after a certain age. Many people don’t realise that even headache they get could be due to constipation.

Prolonged Sitting is bad for health?

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Prolonged Sitting is bad for health - Seniors Today
Sitting for several hours at a stretch is harmful for your overall health

We live in the world where everything gets done on our finger tips. Undoubtedly modern technology has made life easy. It has provided us with the luxury to stay relaxed at all times. Although human body is designed to be active and being seated for several hours has its consequences. Prolonged sitting not only limits the number of calories you burn but also negates the number of calories you burnt exercising. When the big muscles of your lower body are inactive your body goes through certain physiological changes. These changes have an effect your metabolism and cause an increase in your blood sugar levels.

Another type of movement known as NEAT (non-exercise activity thermogenesis), that is any form of light activity such as standing, walking, running errands or doing chores. The rapid change in the lifestyle over the years due to technology, NEAT has decreased.

Prolonged sitting can cause more health problems that you can imagine.

  • Shortens your life – When you are seated you use less energy than standing or moving around. Sitting for long has a number of health concerns which includes obesity, increased blood pressure, high blood sugar, abnormal cholesterol levels – that make up to metabolic syndrome. It also increases the risk of cardiovascular diseases, diabetes, osteoporosis, and cancer.
  • Walking disability – Being seated for several hours affects your blood circulation. It can make your lower body feel numb and that may result in walking disability in a longer run.
  • Sleep and anxiety – At night, if you are engaged with your screen for long without moving. The blue light emanating from your screen suppresses the release of melatonin in the brain leading to a lower quality of sleep or insomnia. This can make you feel anxious and your anxiety might spike.
  • Harmful to your spine – The seated position puts a lot of stress on your spine especially when you slouch. No matter how comfortable you feel, sitting for long has an effect on your spine.
  • You tend to gain more weight – Your screen time could be the reason why you are gaining so much weight. Prolonged sitting slows down your body’s metabolism which results in weight gain.
  • Your odds of Diabetes rise – Sitting for long may change the way your body reacts to insulin. It the hormone that helps burn sugar and carbohydrate for energy. It keeps your body sugar level from getting too high or too low and sitting disrupts this process.
  • You could get Varicose Veins – They are large swollen looking veins that often appear in the leg and feet. This happens when the valves in the veins do not work properly, because of which blood flow is affected. For some, varicose veins could be a cosmetic concern but for some it could cause pain, discomfort, muscle cramp, swelling in the lower legs and skin discolouration around varicose veins.
  • You could get Deep Vein Thrombosis (DVT) – A blood clot that develops within the deep vein of the body usually in the leg. It can cause swelling or leg pain. It may also occur with no symptoms. However, DVT can be very serious as the blood clots in your veins could break loose and through your bloodstream lodge in your lungs.

Here are 5 ways to avoid prolong sitting

  1. Every 30 minutes make a point to change your place or stretch. If you are home then move around. You may also set an alarm as a reminder so that you don’t end up sitting for several hours.
  2. Walk after your meals. It will help lower the post meal blood glucose levels and aid digestion.
  3. While watching TV, consider stretching, touching your toes or moving around during commercials.
  4. Walk around or stand when you are on the phone. Instead of driving, walk to the local store.
  5. Take up active hobbies such as DIY and gardening.

Any form of physical activity will help maintain your health and mental wellbeing. You will burn more calories that will lead to weight loss and increased energy. The impact of leisurely movement can be profound, especially as you age.

 

Are you ready for retirement?

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Retirement Plans - Seniors Today

What comes to mind when you think of your retirement?

In India, if you are part of a government organization or any services your retirement day is known to you from the day you join work. Hence it usually doesn’t come as a surprise. What comes to mind when you think of your retirement? Is it excitement, redundancy, loss of status, boredom, financial crisis, perhaps all of these?

1. When will you retire?

Most of us don’t have the freedom to decide when we retire because that is primarily decided at your workplace or if you are in a family business you need to decide when to hand over the baton. For a lot of seniors in India often total retirement is not an option. You continue to work because you need the money.

2. What will you do when you retire?

Retirement is meant to be more relaxed than your working life, but it isn’t meant to be sitting on the rocking chair and waiting for death. Today seniors want to follow their passion, travel, hobbies, reading, and writing.

The other aspect is that many Indian couples find it difficult to adjust with each other once the man of the house doesn’t go to work. Men are also at a lose end not knowing what to do with themselves and sitting at home day after day is a huge mental strain.

3. What is the income you will need and who will be a part of your life?

Most Indian seniors plan their finances much before their retirement. Given the fact that there is no social security in India and our children are our social security. That opens many issues that need to be negotiated in your mind before you speak about them.

Are any of your children going to help you with regular income? Would you be forced to live with them for various reasons?  Do you get along well with them and are you happy living with them? Are you a willing grandparent or a forced nanny? These are some very difficult questions that you need to work out within yourself at least two years before your retirement date.

Housing is a huge problem in India and that leads to a financial strain for the family. There is no formula that fits all and these are issues that differ from person to person.

Many couples who have a spare bedroom take in a paying guest to supplement their income and also have a little company. Today Airbnb also is an option but a paying guest is preferred because of regular income. This is a lot easier than downsizing and moving to another city.

4. Where will you live?

It will be a great help if you own the home where you live in. For couples who have lived on their own, it becomes very difficult to live with their children on retirement. This is especially true to people in government or service jobs who are used to their own independency.

Here it a case of retired couple and children to compromise and make serious adjustments once the retired couple comes to live with their children.

If you have your own home and are thinking of downsizing, it’s very important to do your homework about where you want to shift how much will the shifting process cost.

5. Have you done your financial planning?

Make sure that you get professional help from a financial planner who will understand your needs and requirements to maintain a certain lifestyle. Please do not make the mistake of going to a family friend, often these transactions go wrong and sometimes all your life savings evaporate in no time.

Extreme prudence is required when put together your finances. Try and plan as much in advance as possible so as to have a comfortable life afterwards.

6.  What is your social capital?

People always need people all the time in life and particularly in retirement. Retirement is a good time to reconnect with family and friends. The social connections in retirement – ‘your social capital’ – ‘will result in feelings of wellbeing’.

Being a recluse will cause more mental and physical problems. Retirement is a good opportunity to make new contacts.

It’s also a time to get fit and take care of your health. Going for a walk, a little exercise and a little gupshup with people like you in the park is always good not just for the physical but also for the mental wellbeing.

Have a purpose in life. We have a connection with the people we know, particularly family and friends. Purpose is about living a meaningful life that comes from knowing who you are, your ideas and your passions. You create your own retirement and it’s always a good time to ponder over these questions.

Managing Diabetes this Festive Season

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Manage Diabetes in Festive Seasons - Seniors Today

The period of feasting and fasting can have an impact on your blood glucose levels

Festivals hold a deep significance in Indian culture and no celebration is complete without sweets and delicious food. Through the year, we have festivals form the harvest season, the triumph of good over evil, festival of lights, colors, you name it. And for every festival there will be a variety of food, especially fried food. Some festivals involve fasting as well only to end with a big feast. We love to celebrate. However, suffering from diabetes could be a hindrance to your celebration.

The period of feasting and fasting can have an impact on your blood glucose levels. Generally, fasting is quite a challenge for most people but it appears to be more of a problem for those with diabetes. If diabetes is to be well controlled, it is essential to eat in a timely manner. However, during fasting for religious reasons, there can be an increase in glucose production in the body and a reduction in insulin levels. This can totally upset the control of diabetes.

Here are some guidelines for seniors to enjoy the festival to the fullest:

Do not skip medication – To enjoy the celebrations you must never forget to have your medication on time. Continue self-monitoring the glucose level and do some light exercises or go for a morning walk.

Fasting – Fasting is not meant for everybody however if you are fasting, avoid starving yourself. When you are fasting hydration is a must. Include a lot of fruits and vegetables in your diet and increase the fiber content of your food using bran.

Feasting – It would be unrealistic to not indulge in festive food. Hence instead of eating three large meals a day, break up your meals into smaller portions of about four to five times a day. This can keep your blood sugar levels more stable. If you are hungry have a handful of nuts instead of sweets.

Share your calories – If you have a box of sweets for yourself avoid gorging on them instead share it with your loved once and have a small bite to satiate your sweet cravings. You can opt for a good quality dark chocolate as it has lower sugar quantity.

Refrain from alcohol – Alcohol contains a large quantity of sugar in it and can increase blood sugar levels dramatically. Hence it would be best for you to avoid alcohol during festivals.

Instead of fried opt for baked/grilled – Instead of snacking on deep-fried samosas and pakoras opt for baked samosas and pakoras.

High Fibre Food – If you are consuming high-calorie foods include high fibre food along as it will help relieve constipation. Avoid eating red meat instead you can have fish.

Pick a smaller plate – A bigger plate will make you consume more and a smaller plate will give you a sense of fullness when you look at your plate.

Finally eat until you are satisfied, not until you are full.

No Full Stops @ 90

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Lata Mangeshkar - Seniors Today

The nightingale gets set for some more recording sessions as she turns 90 today (September 28)

Fondly addressed as Didi, Bharat Ratna Lata Mangeshkar isn’t going to rest easy as she celebrates her birthday today.

Born into a family of artistes on 28 September 1929,  Mangeshkar began acting in Marathi musical plays at her father, Deenath Mangeshkar Theatre Company.

Didi’s original name was Hema and was renamed Lata based on a character ‘Latika’ from her father’s play Bhaaw Bandhan. At the age of 13, after the demise of her father in 1942 young Lata shouldered the financial responsibilities of her family. Lataji moved to Mumbai in 1945.

Lataji had a rocky start as her voice was considered too thin and sharp. Hence she would often imitate Noor Jahan to satisfy music directors. She was then mentored by music director Ghulam Haider and under his guidance, she got her first recognition in 1948. The song ‘Ayega Anewala’ from the film Mahal in 1949 became a hit and her career took off from there. She began to work with all major music directors and playback singers of the time. In 1958 she won her first Filmfare Award as a playback singer for ‘Aaja Re Pardeshi’ from the film Madhumati.

We had the privilege to interview her in our first issue where she has shared about her life, work, passion and her relations with the contemporaries where we were introduced to a different side of Lata Didi. To read more  Click Here

To Wish Lata Didi on her birthday, leave a comment below. 

(Image Source – Pinterest )

 

How Navratri is a Perfect Blend of Scientific and Religious rituals?

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Importance of Navaratri Food - Seniors Today

Nine days of ultimate detox with Sattvik diet

With Navratri around the corner people throughout the country get into the groove of celebrating the nine scared days. Nava (nine) ratri (night) marks the arrival of a new season. It occurs four times in a year marking the arrival of each season out of which the most celebrated one is Sharada Navratri which means autumn and it takes place typically after or during autumn harvest (September-October).

According to the religious rituals fasting during Navratri evokes the power of Shakti (divine energy) in your body. But from a scientific point of view our bodies become more vulnerable to diseases as the seasons change and a good diet is essential to boost our immune system. Hence the ancient Indians ushered in the new seasons with sattvik diet to allow your body to get used to the change.

Sattvik diet is considered extremely healthy. It gives you an opportunity to take a break from high calorie, high fat delicacies that can shoot up your glucose level. It constitutes of ingredients recommended by modern dieticians and nutritionists. Most ingredients are gluten free, packed with fiber, antioxidants and is diabetic friendly.

Here are the sattvik ingredients you can consume during Navratri:

  • Quinoa
  • Buckwheat (kuttu)
  • Barnyard millet (sama rice)
  • Water chestnut (singhara)
  • Amaranth seeds (rajgira)
  • Potatoes
  • Pumpkin
  • Sweet potato
  • Bottle gourd
  • Cumin
  • Black pepper
  • Rock salt
  • Pink salt
  • Green cardamom
  • Ginger
  • Cucumber
  • Green chillies
  • Lemon
  • Mint leaves
  • Curry leaves
  • Milk and milk products (paneer, curd, ghee, khoya)
  • Brown sugar
  • Honey
  • Jaggery
  • Coconut
  • Groundnut oil
  • Dry fruits
  • All fruits
  • Sago seeds (sabudana)
  • Makhana

Navratri-friendly dishes that will help boost your immunity:

  1. Quinoa – One of the popular health food around the world. It is high in protein and has sufficient amount of essential amino acids although it is high in carbohydrates. It improves overall health, metabolism, blood sugar and cholesterol levels.

Navratri friendly dishes:

  • Quinoa with coconut stew
  • Quinoa poha
  • Quinoa porridge with pumpkin and spinach
  1. Buckwheat Flour (Kuttu ka atta) – It is gluten-free, has a good source of fiber, contains high quality protein and rich in minerals. It is good for your colon, improves blood sugar and promotes healthy heart.

Navratri-friendly dishes:

  • Kuttu paratha with cucumber mint raita
  • Kuttu upma
  • Kuttu crepe with apple filling
  • Kuttu dosa with coriander chutney
  • Kuttu pancakes with honey
  1. Water chestnut (Singhara) – It is a delicious aquatic tuber vegetables found around September-October. They are very nutritious and low in calorie, has high amount of antioxidants. It is very versatile and can be consumed raw, boiled, grilled and candied.

Navratri friendly dishes:

  • Singhara halwa (you may use jaggery instead of sugar)
  • Singhara paratha with lauki (bottle gourd) kheer
  • Singhara tikki with curd or coriander chutney
  1. Amaranth seeds (Rajgira) – It is a good source of calcium, protein and amino acids. High in iron, minerals and it is the only grain which contains vitamin C. It reduces the risk of osteoporosis.

Navratri-friendly dishes:

  • Rajgira porridge with milk
  • Rajgira paratha with masala dahi
  • Rajgira ki kheer
  • Rajgira cookies
  • Rajgira pudding
  • Rajgira leaves stir fried
  1. Fox nuts (Makhana) – They are low in calories, fat and sodium. It has high calcium content which is good for teeth and bones. It also has astringent properties which is good for kidney ailment. It is rich in fiber and aids in constipation problems and helps get rid of insomnia. Makhana is a super snack that is healthy which makes you feel full so further cravings of binge eating is reduced.

Navratri-friendly dishes:

  • Makhana kheer
  • Roasted makhana with black pepper and sea salt
  • Makhana aloo tikki with coriander
  1. Barnyard millet (Sama rice) – A popular substitute for rice during fasting. Barnyard millet is low in calories, rich in fiber, rich in iron, low in carbohydrate content, high level of calcium content and a good source of protein. It controls blood sugar level and improves digestion.

Navratri-friendly dishes:

  • Sama pulao with cucumber raita
  • Sama rice dhokla with coconut chutney
  • Sama rice ki tikki with coriander chutney
  • Sama curd rice

Additional important things to keep in mind are – eat in moderation throughout the day do not starve yourself. Keep yourself hydrated; sipping on fluids throughout the day will prevent dehydration.

Side-effects of a bigger belly at sixty

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Bigger Belly at Sixty - Seniors Today

Larger waist size could accelerate your brain’s age by at least a decade

 

The aging of the brain becomes inevitable as we age. However, there is always a way to maintain the sharpness and the agility that was once there. The cortex of the brain is responsible for cognitive skills from simple to complex. It is the thin outermost layer of the nerve cell tissue in the brain, measuring a few millimeters in thickness.

 

One of the factors that have an impact on your brain is your waistline. A bigger waistline in your sixties has an adverse effect on the brain by slowing it down.

 

Body Mass Index (BMI) is the weight of an individual in kilograms divided by the square of height in meters to measures the size of a body. According to the World Health Organization, a BMI of 30 kg/m2 is associated with obesity, 25-30 kg/m2 considered as overweight, and 18.5-25 kg/m2 as normal.

 

A study conducted by Dr. Tatjana Rudnek, a professor of neurology from the University of Miami, involved 1289 participants aged 64 years having ten years of education. Of which 60% were women, and 40% were men out of which 66% were Caribbean Hispanic. The study began with measuring their BMI and waist circumference to measure the thickness of the cortex area of the brain, its volume, and other factors through MRI scans. Six years later, participants went through MRI scans again, and the results were significantly associated with the thinner cortex. Of 1289 participants, 346 had a BMI of less than 25, which is considered normal. 571 had a BMI of 25 to 30 and was associated with 0.098mm thinner cortex. The remaining 372 had BMI over 30 were associated with 0.207mm thinner cortex.

 

Dr Rundek said, “In normal ageing adults, the overall thinning rate of the cortical mantle is between 0.01 and 0.10mm per decade, and our results would indicate that being overweight or obese may accelerate ageing in the brain by at least a decade.”

 

A thinner cortex also adds to the risk of developing dementia and Alzheimer’s disease.

 

A higher BMI is linked to having a thinner cortex, even after adjusting factors such as high blood pressure, alcohol use, and smoking.

 

On the brighter side, a healthy lifestyle can prevent the brain from ageing and overall BMI.

How to deal with emotional upheavals?

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Emotional Upheavals - Seniors Today

Don’t let negative emotions take over your life and health

Our emotions have an immense effect on our daily lives. The way we react to various situations sometimes leaves us with regrets. Hence it is important to look out for signs if your mood keeps changing depending on circumstances. You need to practice your minds to not get affected by different events and prevent it from becoming salves of your emotions.

Here are some possible solutions to keep your emotions in check

  • Identify – When something disturbing takes place, identify the kind of emotion that takes over you? Is it anger, worry, insecurity, anxiety, sadness or depression? Once you can find out what makes you emotional, it can be tackled.
  • Let go – Holding negative emotions and constantly thinking about it troubles your wellbeing. Instead of holding on to it you must learn to let go of them and try to relax. One fairly easy way is to maintain a diary where you can write about the feelings that are troubling you and get it out of your system – believe me it helps. It is worth learning meditation and pranayama as it will help you stay calm. Meanwhile, the easiest is trying to say your alphabet backwards Z Y X… It will make you concentrate and divert your mind from negative thoughts.
  • Forgive and Forget – Stop blaming yourself or anyone else for a given situation. Try to forgive and forget. The more you keep thinking about it, the more miserable you will be.
  • Pick up a hobby – Take time out to indulge in hobbies like painting, singing, cycling, gardening, playing games etc. A hobby will improve your mood and keep you mentally occupied leaving less time to sulk and fret. The idea is to divert your mind towards something that needs concentration and has a positive output.
  • Only good vibes – Detach from the negative feeling, situation, person or place and stop dwelling on it. Instead, go for a walk or a stroll it will help you clear your mind. If you are unable to go away physically, listening to your favorite music or watching a movie can be a tremendous diversion.
  • Catch up with friends – Ring up an old friend or friends and get together to relive old times. This is one of the most effective ways to improve your emotional health. It recharges you in many ways and keeps you feeling happy for a long time. Laughing together especially over silly childhood things is great.
  • Take a step back and breathe – Never react instantly because in all probability you will regret your actions or speech in retrospect. Think over it, take a few deep breaths, drink a glass of water or take a short walk and then respond to the situation..
  • Set short term achievable goals – Goal setting for things you want to achieve over a period also helps overcome disappointments. It will not only keep you occupied but also make you feel good about yourself. So instead of feeling helpless and dejected, use it to your advantage. Take a break, sleep well and start afresh with renewed energy.
  • Confide – In the worst of situations, reach out to a friend you can confide in and ask for help. You may feel embarrassed but don’t let that stop you from opening up as holding back will causes you more distress.

Managing Wrinkles the Natural Way

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Managing Wrinkles the Natural Way

 The best way to avoid wrinkles from developing further is to protect your skin from sun – face, neck, forearms, and hands

Wrinkling of the skin is a natural ageing process. It happens due to lack of collagen – the vital protein that keeps our skin plump and smooth. Collagen begins to diminish slowly from our mid 20s and by the time we are in our 80s, our bodies have fourth of what we started out at birth. The best way to avoid wrinkles from developing further is to protect your skin from sun – face, neck, forearms and hands. However there are ways to improve the appearance of wrinkles.

  1. Aloe Vera gel – As skin begins to lose moisture it is essential to keep it hydrated as much as possible. Applying Aloe Vera gel will keep your skin hydrated and significantly reduces the appearance of wrinkles.
  2. Food with nutritional benefits – Informally known as ‘Superfoods’ or ‘wrinkle-busting foods’, are foods containing health benefitting nutrients and antioxidants proven to have positive effect on your skin. They appear to prevent wrinkles from developing and are also beneficial for overall health. You may include these key ingredients to your diet – avocados, chia seeds, oatmeal, tomatoes, ginger, walnuts, salmon, sardines, miso, egg whites and sweet potatoes.
  3. Vitamins A, C and E – Vitamins A, C and E are antioxidant that helps prevent wrinkles and promote a lovely, healthy glow. Eating food rich in vitamins will increase your body’s ability to produce the anti-wrinkle protein. It helps to create collagen in the skin.
  4. Essential Oils – Applying few drops of essential oil mixed with a carrier oil (coconut oil) on wrinkles help reduce them. Essential oil such as – argan, grapeseed, neroli, geranium, sandalwood, pomegranate and carrot seed. Before applying it directly on your wrinkles, do a patch test. Apply a small patch of the mixture (few drops of essential oil + coconut oil) on the inside of your wrist and wait for 24 hours. Avoid using if you experience any irritation, redness or stinging.
  5. Olive Oil – Consumption of olive oil will protect your skin from developing more wrinkles. Olive oil and its byproducts contain a compound that can increase the skin’s collagen level.
  6. Beauty Sleep – Sleep is essential for healthy skin and sleeping on silk pillowcases is a cherry on top. As silk pillowcases contain protein and enzymes which enhance the production of collagen and are hypoallergenic. Also, it is easy on the skin and can reduce fine lines.
  7. Facial yoga – A way to a natural facelift. Just like your body your face also requires exercise to stay toned and firm. Says Danielle Collins, the world-leading Face Yoga expert: “The 57 muscles in the face and neck need to be exercised. As they become stronger they are lifted and firmed and the skin attached to the muscles is tautened, reducing lines and wrinkles”. She recommends a routine followed by a glass of water to hydrate the skin and help flush the toxins.

Here are three exercises that you can try at home:

  • The ‘V’: to reduce lines and wrinkles around eyes

Put both middle fingers together between your eyebrows then apply pressure to the outer corners of eyes with index fingers. Look up and start to move the lower eyelids upwards. Relax and repeat six more times. To finish, squeeze eyes shut for 10 seconds then relax.

  • Smile Smoother: to reduce lines around mouth; to lift and firm cheeks and jaw

Hide your teeth with your lips and make an ”O’’ with your mouth. Then, smile as widely as you can and keep hiding your teeth. Repeat six times. Next, hold the smile shape and place one index finger on your chin. Then start to move your jaw up and down as you tilt your head back. Relax and repeat twice more.

  • Giraffe: to tone and lift the neck

Looking straight ahead, place finger tips on the top of neck and pull the skin down as you tilt head back. Bring head back down and repeat twice. Then jut lower lip out as far as possible, place fingers on collarbone and point chin upwards, pulling the corners of your mouth down. Hold for four deep breaths.

The Zoji-La Breakthrough

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The Zoji-La Breakthrough - Seniors Today
The month of September marks the movements that led to the Zoji-La Breakthrough and the Defence of Ladakh in 1948. The first war article by India’s first war correspondent, the late Sati Sahni, tells the story

JAMMU & KASHMIR (1947-48)

It is rarely given to individuals to be an eye-witness over a tumultuous period in the history of a region’s people. If the person has had the good fortune of being present or has participated in most of the events, he should not only take pride but at some stage or other, depending on circumstances, decide to share them with others. I had the rare opportunity and a privilege given to very few, to have been a witness to all the four major wars of independent India as an accredited war correspondent.

Reporting from the front is a specialized kind of job. Firstly you are to co-relate a particular incident or a battle in a correct perspective.  Then there are constraints of opportunity, the intensity of battle, difficult means of communication, time, space, etc. In this situation, most of the time one has to exercise his/her judgment in leaving out matters from reporting which over a period seem to have their own importance.

The background   

The indecision by Maharaja Hari Singh, ruler of the state of Jammu & Kashmir, on the issue of aligning with India was mainly due to the pending lapse of the British Paramountcy. The decision to partition India led to the collapse of this important administrative instrument. The division of forces was to be on the basis of the formula of 2/3 (India) : 1/3 (Pakistan). The Indian Independence Act 1947 had provided that a state could conclude a “standstill agreement” with either of the dominions of both. Accordingly, the Prime Minister of Jammu & Kashmir at that time, MC Mahajan, had telegraphed Karachi and New Delhi requesting for the continuance of existing arrangements under this agreement. The Pakistan government agreed telegraphically to the standstill agreement with J&K, but it had other plans. It must be remembered that the main road to the Kashmir valley was through now what is Pakistan. (Read What exactly happened in Kashmir in 1947 – The Kashmir Document)

Soon after Pakistan came into existence it formulated plans to force the Maharaja to accede to it by strangulating the supplies and communication and by other coercive methods. Whose wisdom allowed the important Posts and Telegraphs Department to be handed over to Pakistan to run is very circumspect as the diabolical plans were already made to get to this end. To achieve this they started the armed Kabali invasion in Uri and Baramulla and simultaneously subverted the Muslim population and the state forces.

However, it was the economic blockade of the Valley which was the defining factor of this three-pronged war. There were forced food shortages, depletion, and rationing of petrol and other fuels. The postal department handling all cash transactions and banking activities were totally strangulated, thus making miserable the ordinary life of the Valley residents. The communal disturbances fuelled by Pakistan added to the travails of the state administration whose forces were distributed across the state in penny packets. Soon small numbers of people started migrations in different directions. The situation in the Poonch area became serious as the state’s ragtag force was fighting against well-armed fighters as well as the Pakistani army in uniform. This was part of the deliberate plan, as it was the pre-cursor to the large-scale invasion into the valley by “tribals”.

By around the middle of October, the state was largely incapacitated and there was no administration as such. The main attack plan was called “Operation Gulmarg” and was actually handled and signed by the head of the Pakistan Army. Each of the detachment of these tribals was commanded by a Pakistani army regular without uniform. The attacks started on 21–22 October with Muzzafarabad being the epicenter. The state forces unfortunately aligned themselves with the Kabali raiders and so this important city was over-run. Soon Domel – strategically important – was taken. There really was no resistance in between Domel and Uri. It was here that Brig Rajinder Singh, chief of the state forces, laid defenses to halt the massive invasion. Unfortunately, his motley forces could not hold the position as they were outnumbered. After retreating a number of times, the state forces were totally destroyed and the gallant Brig Rajinder Singh too fell on the outskirts of Baramulla. This town was completely destroyed, looted and raped. Many years later my good friend, Melville De Mellow, made a radio feature and called it “The Rape of Baramulla”. That radio feature brought tears to the eyes of PM Nehru and the many others who heard about the depravity of the marauders.

These events, as well as the overall situation being desperate, prompted the Maharaja to request the Indian Government for assistance and help. From Baramulla, the raiders had advanced to a small hamlet, Shalteng, just 5 kms out of Batmaloo, Srinagar. It was decided by the cabinet in Delhi that the Indian forces could only be sent after a written document was signed by the state ruler. It was at this juncture that the Maharaja signed the Instrument of Accession on October 26, 1947, thus paving the way for the Indian forces to begin operations. The famous battle of Shalteng on the outskirts of Srinagar is considered to be one of the defining factors in the history of Kashmir. It was by the end of December ’47 that the Indian forces were able to push back the raiders beyond Uri. There is controversy as to what led to the Indian army to withhold operations as they had the invaders running. Had the offensive continued there was little doubt that the Indian Army could have taken back Domel and Muzzaffarabad. and further even Mirpur. This mystery was neither unravelled nor debated in an open forum, ever. It is well known that PM Nehru diverted efforts to the Poonch area with instructions to hold onto that area at any cost.

The winters of 1947–48 were significant, as the defences of the Valley was bolstered and now they were a lot more prepared. In fact in May 1948 an offensive was launched to capture Domel; unfortunately, the Pakistanis were also shoring up their defences and this resulted in pitched battles but little else. Except for some minor gains, there was a stalemate. The Indian forces were numerically smaller than the determined Pakistanis with a much larger force. This emboldened the Pakistanis to choose and select some strategic targets and the result was that India ceded large swathes of territory in the Jammu area as well as the areas west of Uri. Unfortunately, the Pakistanis shifted focus to the North comprising of Gilgit, Kargil, Skardu and Ladakh.

The strategic areas of Gilgit, Skardu and Kargil were now targeted by the Pakistanis, who decided that it would put pressure on the Indian forces by opening up the Northern front apart from the already active Western front (Uri & Poonch). With the termination of the Gilgit lease in July 1947 the area which was back with the Jammu & Kashmir state forces was hardly in any shape to effectively protect these areas. The British officers holding command at Gilgit specifically were in favour of handing over this very important area to Pakistan, and as such the Maharaja simply handed it over to them as the state forces were no match for the invaders. The Indian forces which by then had arrived in the Valley were concentrated in clearing the invaders in the Uri / Baramulla / Poonch sectors.

Clearly the British sided with Pakistan, and till today people wonder about the actual motive behind this treacherous move. It must be noted that one of the two most important caravan routes to Kashgarh and beyond to China went through Gilgit. The British Major Brown (Gilgit Scouts) simply asked the British political regent to send a Pakistani authority to take over as there was little or no resistance. By end of November 1947, Pakistan had complete control over the region, sweeping the local liberation front aside. The bigger game plan was to find inroads to Skardu and onwards to Leh (Ladakh). The capture of Gilgit by the scattered force, comprising of Gilgit Scouts, Chitral Scouts, the Muslims of the state forces, some locals led by Pakistani army regulars and their British commanders, raised the morale which led them to move forward to newer areas.

Skardu, another very strategic area, was central to the other route going to Ladakh along the Indus and it too was put in a stranglehold due to the ineffective defence put up by the ragtag state forces. The “Siege of Skardu” as it is now known had begun and went for several months. The gallant state forces fought hard but ultimately, with no reinforcements forthcoming, it was a dire situation. Only a full chapter on this battle would do justice to the bravery under sustained attacks.

Gurez, another very important gateway to the Valley and an approach route to Gilgit on the other side, saw a Pakistan-led force looking to make inroads. However, the Indian Army saw this and, in a concerted offensive effort, established control on this strategic area. In June ’48 this area was brought back into Indian control. Gurez is one of the most beautiful parts in Kashmir. Thus this route got blocked for a Pakistani advance.

The area which was now threatened was Kargil, as all reinforcements for Skardu were to go through this town. Due to many reasons the Indian forces were all spread over the route going to Kargil, and were not significant in numbers ever to mount a major offensive to oust the hostile forces. Ultimately in early May 1948, Kargil fell. The Indians were badly mauled and decimated. From Kargil they lost control of Dras region (Dras garrison was surrounded, though still in Indian control but very much isolated) and then headed towards Zoji-La, with the ultimate aim of getting to the Valley.

Ladakh was an isolated part of the state of Jammu & Kashmir but strategically very important, as it was the centre of trade routes between China and the Middle East. It was thus an important and coveted area for both Pakistan and India. The Skardu garrison having been “contained” opened the way for the Pakistan-led force to move towards Leh by way of Nubra Valley to the north and the Indus valley in the immediate south. Kargil having fallen, in the meanwhile, the enemy blocked the communication lines and passage between Srinagar and Leh, adding to the problems of the small defensive positions of the State and Indian Army. With no path left for the forces to move forward and to reinforce areas around Leh, the only option left was by way of air. A landing strip was made hastily and in May 1948 the first aircraft landed in Leh. I was present in Leh at that historic event when the famous Air Commodore Mehar Singh and Gen Thimaya landed. Soon reinforcements were flown in and the situation was retrieved in the nick of time. Ladakh was saved.

Thus, the inroads made by the enemy forces to get to the Kashmir valley were halted in Gurez, Uri and Baramulla by now. Ladakh too was under Indian control, where the Indians started pushing back the hostile forces all the way beyond along the Indus Valley. Thus the Pakistani forces had only Zoji-La as the path left to get to the Valley. They orchestrated concerted attacks all along the Valley route leading to Sonamarg, along the river Sindh. Several bridges over this river were targeted and one such battle was fought at the Wyil bridge on the outskirts of Ganderbal (short of the small town of Kangan). I was present at the bridge and have reported first-hand on the skirmishes there, as a war correspondent. The raiders were not any “mujahideen” but regulars of the Pakistani army dressed as raiders. Several who lay dead in the fields beyond the bridge even had their army ID cards with them.

For many months during the summer of 1948, the Indian Army made efforts to dislodge and push back the Pakistanis from the heights around Zoji-La. Almost all the attempts yielded no results. The commanders came to the conclusion that if the enemy was not pushed out of Zoji-La area before the winter set in, it would become impossible to keep them from rolling into the Kashmir valley after the snow melted the next spring. They envisaged that if this did happen then the whole of Ladakh would be cut off from the Kashmir valley and perhaps be lost forever. This was a very scary thought and unacceptable to the country.

The stage was set for a deciding battle. It must be put into perspective that by then the road from Kargil to Dras and onwards to the Zoji-La top – known as the Gumri basin – was under the effective control of the Pakistani forces. In May 1948 the first organised force of the Indian army, the Patiala regiment, was ordered to go to Sonamarg, Baltal and Zoji-La. This regiment was later to be the most highly decorated as they took part in several important battles. In mid-May one such battle pushed the enemy from Gumri towards Dras. This established two objectives – the effective control of the path on Zoji-La and re-establishing the lines of communication from Srinagar to Sonamarg and onwards to Dras via Zoji-La. In June several attacks by the enemy forces were repulsed but they gained ground by reaching the top of the hills around and thereby gaining commanding positions overlooking the complete pass. They soon started beefing up their positions with heavy artillery and also to outflank the Indian positions. Sheer numbers were against Indians but they held positions very bravely and against all odds.

Between June and July major attacks from the enemy established the fact that with such intensity and use of heavy artillery, it was indeed the enemy regulars who were fighting and not “raiders”. Gen Thimaya who was in charge of the entire Valley approved of the organised withdrawal of the forces from Machoi and Gumri to Zoji-La. While it was a tactical move, it meant giving up some very strategic locations in the surrounding hilltops. In the meanwhile traffic on the Srinagar to Sonamarg was restored in July. Plans were afoot to regain control of Dras and Kargil as well as Skardu.

An aborted attempt to find a second route via the Muskoh valley forced the top Indian army brass to have a rethink and make new plans to go through Zoji-La, Gumri and Dras to Kargil. Yet another attempt to go for a three-pronged attack too did not yield results, and with heavy losses the Indians had to retreat. The consequence of the Indian forces not making much headway was actually felt on the Ladakh area, as with a (now) large force, stocking up of rations and ammunition was necessary with winter approaching. The Manali route was decidedly more difficult and prone to closure due to early snow. In September ’48 at a high level meeting under Gen Cariappa it was decided to use heavy tank artillery to push through. That was easier said than done, as the small bridges en route from Jammu area to Sonamarg were a big problem for such heavy equipment. Not only that, there was practically no road beyond Baltal (at the base of Zoji-La) – it was at best a jeepable road and getting heavy tanks to go up the steep tracks would be nearly impossible without being  undetected. On two to three occasions I had observed Gen Thimaya toying with this idea and wondering aloud as to how it could be done. I recall that sometime in the end of September Sheikh Abdullah had visited Gurez along with Gen Thimaya and while driving back (I was in the same vehicle) it was disclosed that the proposal to use tanks at Zoji-La was being favourably considered by the military HD in Delhi.

In this background, certain important incidents take on their own significance. First and foremost was how to get the tanks from the plains into the mountains and up to Zoji-La, without disclosing the surprise part of it. Second was how to get the tanks up from Baltal (at the foot of Zoji-La) to the top of the pass (because there was no road beyond Baltal) and the mountainside was unstable and steep. Third was the condition of the ground on both sides of the pass, which had never been tested for heavy weights and no one knew whether the tanks would be able to move on or get bogged down. Having got the tanks dismantled in the Jammu plains, they were transported only during the nights to Baltal and reassembled at the other end. The surprise was kept. Gen. Thimaya devised that an armoured carrier was given heavy plating to bring it to the level of the weight of the Stuart tank which was to be put as the vanguard vehicle so if it sinks into the marshy ground, real tanks would not be lost.

It was in the last week of September that orders were given to 7th Cavalry to move from Akhnoor to Srinagar. Speed and secrecy was of paramount importance. The next challenge was to find a way to make the jeep path drivable for these heavy tanks. Anyone who has been to Zoji-La knows that though it is one of the lowest passes in the Himalayas at 11572 ft., it receives the highest amount of snowfall. I have personally driven through walls of about 93 ft of snow here. Usually the snow starts by the beginning of October, and under extreme cold conditions this is one of the most inhospitable areas.

The question of the road between Baltal and Zoji-La continued to be a problem till an officer of the Engineers came forward to complete the task within the timeframe. Eight kilometers had to be cut, widened and made fit for movement of tanks. So the work was started in the middle of September, and the additional labor force was available only a month later.  Due to the enemy being able to watch everything from the heights, work could be undertaken only in the dark. It took more than 30 days to make a road of 9-mile length with a comfortable gradient, which could take the tanks with tracks. The task was accomplished by good coordination under the able and inspiring leadership of Major M.A. Thangaraju. Appropriately, this road was named after him and continues to be known as such. Now only traces of the original road are left.  On this road, ultimately eleven Stuart tanks of the 7th Cavalry went up to Zoji-La and beyond to Gumri Basin. The tank drivers were brave, courageous soldiers and the commanders were able to provide leadership, inspiration and good coordination, teamwork and total commitment, which resulted in the complete success of the venture, and created history.

With everything in place for the final assault, Gen Thimaya and senior officers reached Baltal in the third week of October to oversee the operations. At Baltal there was a two-room forest hut which became the headquarters of Gen Thimaya for the Zoji-La operation. The hut had been used in 1916 by Pandit Nehru and his wife Kamala for their honeymoon. Gen Thimaya was able to retrieve the tourist register with Nehru’s comments and signatures. Thereafter, there has been no trace of the register.

One of the two rooms was used by Gen Thimaya; the other room was kept for visiting commanders.  For the crucial days of the tank breakthrough, three war correspondents were allowed to stay there.  Apart from me, were K.L. Sharma of AIR and Wilfred Lazrus of PTI (API). Gen Thimaya had a Second World War vintage Helicrafter Radio Receiving Set and was fond of surfing. On the night of 1st November, he picked up the local enemy commander of Zoji-La reporting to the Pakistani Brigade Commander that Indians had brought tanks and dislodged them from heights. The Pakistani Brigadier disbelievingly told him that it was impossible, these must be camouflaged jeeps. The General immediately decided that in future briefings and signals, they would use only this phrase for tanks and this façade would be kept up till the end of the operations. The war correspondents were also told to avoid use of words like tanks and armor.  In the meantime, the first-day dispatches had gone across and some were published in London newspapers. We were informed later that the Indian High Commission in London had asked the Defence Ministry in Delhi to restrain Indian war correspondents from reporting “cock-and-bull stories”. The world did not seem to believe that the Indian Army could operate tanks at those heights and under those conditions! We continued to use “camouflaged jeeps” for tanks till the liberation of Kargil on 24th November: when the whole story was published and it established the facts for all time.

Unfortunately, the weather turned very poor with snow and rain. Some saw this as a silver lining as it gave time to revise and go over plans in a much more detailed way. Some of the earlier attempts were wasted due to hasty operations without proper planning, and more importantly adjustment of troops to the harsh weather and height. Finally, on November 1, the orders were given to start the ascent to the main pass from Baltal. Eleven tanks were used for the first time ever on such difficult terrain, so much so that in the final stretch they were winched up. Led admirably by a young Capt Jamwal, the tanks finally reached the flatter grounds of the pass and Gumri Basin. The guns opened up and with the element of surprise and superior firepower in the favor of the 7th Cavalry, by mid-afternoon, the enemy had abandoned their posts. The tanks fired and completely destroyed the foxholes made by the enemy. Although the tanks were able to break through Zoji-La in one day (November 1) they got held up in the next week at the two other places, Machoi and Malayan.

Finally, our troops were held up below the Batkundi Ridge because of the enemy having taken strong positions overlooking the valley below. We were stuck there for almost one week. Surprise attacks around Anant Ridge and Brown Hill were mounted by Indian troops. Senior Generals of Indian forces spent the final night with the troops under open skies, which boosted the troops’ courage and camaraderie. Then, on November 14 the tanks and the troops were able to push through to Drass (reportedly the second coldest inhabited place in the world). Next day was Guru Nanak Dev’s birth anniversary and as the Indian troops were led by soldiers of the 1st Rajinder Infantry of Patiala, the Sikh troops celebrated it in a big way. A day later the GOC arrived along with the press, and celebrations took place.  That night, Gen Thimaya was fiddling with his radio set and he picked up a conversation between a Pakistani Commander and one “Major Ishaq” – perhaps a code name. Ishaq reported that he had come into Drass the previous night, enjoyed celebrations with the Sikh troops, visited his hideout, collected all his papers and documents and returned safely to Mushko valley, under cover of darkness. Gen Thimaya highly appreciated this daredevil feat of the Pakistani officer.

One breakthrough after another eventually led to the liberation of Kargil, and the final linkup with Leh garrison happened. In the Nubra valley too, the infiltrators were pushed back. It is pertinent to point out that without the decisive and dramatic battle of Zoji-La, the map of Kashmir would be without Kargil, most of Ladakh, and who knows perhaps the Valley itself. November 1948 must be remembered as the month when India reclaimed a lot of lost ground and will surely be known for the Battle of Zoji-La amongst many other important battles.

The tank breakthrough of November 1948 in Kashmir was an epoch-making event and opened a new chapter in the military history of the world. Never before had armoured vehicles like tanks, armoured cars etc. operated at such heights and in such trying climatic conditions. The tank manufacturers had never envisaged that armour would be used at those heights under those conditions. They were conceived and manufactured for operation on mostly level ground and the plains.

(A few weeks earlier the French photographer Henri Cartier Bresson, who had become a good friend, had given me his last color film before leaving since I was the only photojournalist around. I had never used color film before and was miserly in using it. After exposure, the film had to be sent to Paris for processing and came back to me after a couple of weeks. However, the first shots on Duafaycolor were taken by me at Gumri Basin of the first tanks that got across Zoji-La.)

On one of my trips from Srinagar to Zoji-La in June 1948, I was waiting at the TCP (Traffic Control Point) at Nilgrad little beyond Sonamarg when I saw a Balti porter carrying an injured soldier in a homespun blanket. On inquiry, I learned that this was the second solider that this porter Mohammad Ismail had brought down in seriously injured condition from an army piquet high up on the cliffside. I was told that due to enemy firing, soldiers in our piquet had been wounded and they were in no condition to come down on their own. Only a daredevil volunteer from down below could go up and help to bring the injured down because the entire cliff face was under enemy observation and hence under fire. I instantly sat down and got all the details from him and got a photograph. This is the only photograph available anywhere of this daredevil porter. When the Ismail story was published it received notice in the right quarters and his name was recommended for being awarded the Maha Vir Chaka. It is interesting to note that this perhaps is the only instance of a civilian being awarded a military medal of this level. Later he was taken prisoner by the enemy on September 13 in Chabutra area. He, however, escaped from their custody and was able to join the celebrations on November 15 for the liberation of Drass. Ismail was forgotten and lived a quiet life in his village for many years to come. In the early nineties, I learned that Pakistani armed militants had shot him dead. It’s a pity that we are not even able to take care of our well-known heroes.

The parleys at the United Nations finally brought about a ceasefire on January 1, 1949, and the actual ground position was demarcated as the ceasefire line and later converted to Line of Control. It is well known that India’s posturing amongst the Western governments and at the UN Security Council left much to be desired whereas Pakistan made a very forceful presentation and courted these governments. It was clear to the Indian government that the powers-to-be of the Western world were against the Indian position and should have continued to engage with them while the military commanders cleared the occupied Kashmir, Skardu, Gilgit and the other Northern areas. There was a view within the military establishment at that time that there was a deliberate lack of information between the Indian government and the military leadership on this. The top military brass was surprised that India had accepted the ceasefire effective January 1, 1949. I am sure that had the military commanders known of what was going on, there would have been a totally different result and the actual ceasefire line would be much more in favor of India. In fact, I had several conversations to that effect with Gen Thimaya as I was part of a small group which took the UN observers to the ceasefire line along with Gen Thimaya (see photo with them).

As we are aware, this issue has not been resolved till date and is the main bone of contention whenever the “Kashmir problem” is debated between the two countries. That is why even today India is not willing to accept the Line of Control as the internal border.

Tacit complicity of the British forces in aiding the Pakistan cause is also well known. Gen Gracey (who was the Commander in Chief of the Pakistani forces) did not hide this and in fact, there are instances when the British Indian establishment acted in concert with him and ensured that the Uri to Nowshera line was not breached by the Indian military. Why else would there be a total reversal of orders when the Indians were in hot pursuit to recapture Domel and Muzaffarabad? Had that happened, the Indian Army would have driven out the Pakistanis from the Poonch and Nowshera area as they would have been outflanked. I am told that only a few senior British Indian officers took this decision and the Indian defense establishment was not aware of it. Sardar Patel was furious about this blatant bias towards Pakistan and insisted that Field Marshal Auchinleck be relieved of command and control to be given to the Indians. Many years later when records were declassified it was found that the British Indian officers and the British government, through its High Commissioner, had totally different plans – basically to limit the Indian forces’ march to regain ground.

Polar Express

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Polar Bear - Cover Image

A trip to the coldest part of the globe ended in a heartwarming experience. By Urvi Piramal

Just five hundred miles below the Arctic, even the air is rarefied. I take deep breaths to steady myself as I look around – not a house, not a bird, not a tree in sight. The air is shallow but my heart is full.

But I am getting ahead of myself. Let me start at the beginning…

           

It had always been a dream of mine to see polar bears and the Northern Lights or Aurora Borealis. And when the opportunity presented itself, I jumped at the chance. We set off in September, journeying first to London, and then to Toronto. From Toronto, we took a roughly one-and-a-half-hour flight to Winnipeg, where we stayed the night. The next morning, we took a two-hour flight to isolated, icy Churchill.

Aside from its unofficial self-proclamation of being the polar bear capital of the world, it also houses a polar bear jail. Yes! You read that right. Because of the annual surge of polar bears Churchill experiences during their annual migration route north up Hudson Bay, there is actually a jail for polar bears for potential or actual ‘offenders’. Here, the polar bears can be imprisoned by authorities if they seem dangerous for ‘crimes’ such as attacking and mauling until they are rehabilitated later in the safety of their natural environment.

Final stop after Churchill, on a total 30-hour journey from Mumbai, we clambered on a seaplane to Seal River Heritage Lodge. The plane landed in the middle of a water body where we were welcomed by the proprietors of the inn. Here, we loaded our luggage onto a heavy-duty, industrial-strength tractor, and began our ride to the final destination.

And this is where I begin my story. Wrapped in a coat that could withstand minus 20 degrees centigrade; feeling the freezing cold air around me; taking in the barren frigid terrain; taking in one deep breath after another.

A Hidden Gem  

Seal River Heritage Lodge, as its name suggests, reposes by the mouth of the Seal River and is home to bears, birds, and whales. The lodge is run by a local family and runs three safaris per year: a Canadian signature experience through July and August, an Arctic safari in September, and a polar bear safari in October and November.

The eco-friendly lodge, aptly reviewed on Tripadvisor as a “hidden gem” is more than 400 miles away from the nearest town. Supplies have to be perfectly ordered so that nothing runs out and that nothing is wasted. Groceries, essentials, medicines and other items are flown in once a week. As a vegetarian on the trip, I was just a tad anxious until I was told the lodge had a surplus of potatoes on which I could feast in the days to come.

But for all its seclusion, the lodge was very comfortable, with wooden beams and warm fires; and in my small room, I felt very cheerful and cozy.

Icy Adventure   

Bright and early, we rose the next morning, eager to leave the coziness of the lodge and rush headlong into our Arctic

experience. The frigid air hit us with a blast, and we huddled together as much as we could in a single file: a guard at the beginning and end flanking our procession. They each carried a rifle and some stones. During combats and to deter rivals, polar bears click their teeth, with the most resounding click winning out. The stones carried by our guides were to replicate this clicking sound in the event of encounters with unfriendly and feisty bears – and obviously to use the rifles as a very last resort.

The very first thing we saw was a sic squirrel, which lives in the ground, and was no doubt foraging for the long winter months ahead. Up next we saw what we had all been waiting for: a giant pug print of the polar bear.

                

Excitement flooded my veins and I felt my heart beat faster, from thrill, from fear, as we looked around in anticipation for the polar bear. We were soon rewarded: there he was – the ‘resident’ polar, whom we will call Hugo. A giant among the sparse terrain, white and cool, staring at us, his body languid, his eyes alert. After a

few cool seconds, and a final desultory sniff, he ambled off. I forgot to be scared and could only take in his big beauty and marvel how despite his size he could move so fluidly and gracefully.

Arctic Safari

On our second day, we strapped on water galoshes – thick waterproof rubber shoes – and piled into a zodiac, an inflatable boat, as we made our way into Hudson Bay , to spot the elusive beluga whale The air above the lake was even icier and as we drifted along, I took in the barren beauty of the shore, dotted with black spruce.

           

Especially on the water, the air was frozen and misty, but we were rewarded when our guides saw a school of belugas. About 13-feet long, small by whale standards, the whitish whale is aptly named beluga, derived from the Russian word belukha for white. Our guides then dropped a device into the water which detected underwater sonar and allowed us to eavesdrop on the whales as they “spoke” to each other.

As we mounted ashore, our adventures were not done. On our way back to the lodge we saw a scuffle between two polar bears: our fellow resident and an unwelcome intruder. Hugo threateningly warded off the interloper and we arrived, exhilarated but cold, at the end of the day.

Later that evening while we ate dinner – incidentally a meal that involved aloo bhaji, we noticed we had a wayside guest: Hugo had propped himself up on his hind legs and was peering into the dining room as if to hopefully invite himself over for dinner.

Sky Light

On that final night, I looked into the chilly sky, hoping to see the Aurora Borealis. I knew that the Northern Lights – caused when electrically charged particles released by the sun enter the earth’s atmosphere and collide with nitrogen and oxygen – are earth’s own natural and stupendous display of color. Yet, nothing could have prepared me for the flashes of brilliant colour – green, glowing neon, shafts of red – that lit up and danced across the northern sky as we stared on, awe-struck.

The next day, we traveled even further up north via seaplane to the Schmok Lake Caribou Camp, to catch the caribou migration. The camp, only reachable by air, was home to wolves, wolverines and arctic foxes. The entire terrain, in this last fall month, was covered with dwarf shrubs and arctic fauna in a riot of colors – yellows, mustards, rust orange, maroons, reds, pale and dark greens. Here I shared a room with a friend but was a bit disconcerted when I realized our room had no door. The owners of the camp kindly obliged us by providing a makeshift door: a shower curtain – to give us some privacy

.

Around the camp, the area was spotted with inukshuks – mini stone markers that had historically been used to guide travelers and native Inuits. Unfortunately, while we missed the massive passage of the herd, we did manage to see a few caribou, with their lithe, muscular bodies and fierce antlers.

It has been a while since that trip.

         

When I look back, I remember the bears the whales, the way we walked 8-10 kilometres per day, the way we picked berries and ate them. I remember how we gathered mushrooms, sorted and cooked the non-poisonous ones, and how good they tasted. Most of all, I remember my excitement at seeing that first polar bear, who will always affectionately be ingrained in my memory as Hugo; and how, when looking at that magnificent coloured sky, more fabulous than any painting I have ever seen, how full my heart had been.

The 10 Commandments of Grand-parenting

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Grand Parenting - Seniors Today
For children, Spending time with their grandparents is a source of joy. Here’s how to manage them – and yourself. By Senor Dey

There was a time when every summer holiday you went home to your Nana-Nani’s (maternal grandparents’) house where your mother was the star and you were the superstar. Everybody pampered you, spoilt you, and made plans to suit your requirements. Depending upon your age you could be taught religion, fly as many kites as you want, cycle around all morning. Many relatives came to meet you, gave you gifts of money, you got invited to their homes, everyone asked what you wanted to eat and at the end of the trip, grandfather gave you a hundred-rupee note that was immediately confiscated by your mother and at every argument, you wanted your note back. Grandma shed tears at your departure, there was something warm in the scent of her embrace, and that memory lingered on for a long time even after you grew up.

The relationship between a grandchild and grandparent is a special one. Time spent with Nana-Nani/Dada-Dadi (paternal grandparents) holds such fond memories for most of us. The exchange of silly words or expressions, an affectionate clever nickname given by the grandparent, playing peek-a-boo, being their favorite playmate, the simplest of pleasures build a strong, everlasting and sacred bond. While grandparents act as an authority figure and provide unconditional love, they also get to spoil their grandchildren in a way parents simply can’t. But beyond that, grandparents also wield incredible influence.

Links through stories

Children love ‘long ago’ and ‘faraway’ stories. The history of the family is passed on in the telling of the stories. The richest families are those in which stories have been remembered, treasured, and incorporated into the spirit of the family. They are the living bridge between the past and the future of a family. When grandchildren hear these stories they learn who they are and from where they came; a landscape of generations is painted in front of them. Maintaining and passing on the family stories is a precious gift that grandparents can give to their grandchildren.

Haresh, 72, shares: “Every time my grandson visits I have to be prepared with a knick-knack surprise for him. The day is planned around him as he likes to go to the park and play with the animals around, which fascinate him. He loves telling ghosts stories and at that moment I become a child and amuse him by acting frightened. His presence provides a sense of fulfillment, and life feels complete. There is nothing more I could have asked for than the joy of spending quality time with my grandson.”

Asal se zyaada sood payaara hota hai” – the interest amount is dearer than the principal amount, he adds.

Says Subhash, 65: “I do not interfere with the upbringing of the grandchildren. I do not disagree with the parents in front of their children. My wife and I plan trips to the zoo at least two to three times a year with a food basket and a sheet to spread on the lawn. We walk around the zoo looking at the familiar animals, come back home read about the animal we saw and check out videos on National Geographic channel on YouTube. I have done so on giraffes, tigers, lions and have planned to take my grandchild to the Gir National Park. Although the trip is four months away there is a lot of excitement as he has already learned how to use the phone to take photographs. I plan to get him trekking shoes and go on hikes with him.”

Support in troubled times

Yet another grandparent, Seema, is a ‘Nani’ whose two teenage children are unable to cope with the hostility between their parents. The marriage has broken up and the economics of the situation does not allow for a divorce. Rather than grieve over this she is reassuring her grandchildren that they are not the cause of their parents’ fights and that she is a safe person for the children to talk to, to hear their anguish about why their parents couldn’t learn to get along with each other. She does this without laying blame on either parent. She is the saving grace in her grandchildren’s lives during this period of tension.

No matter how carefully parents think that they have disguised such feelings, children nevertheless pick up the vibes and suffer from them. Here, grandparents can provide the steadying factor of a warm relationship which the child feels will not disappear. At a time like this, it reassures the youngsters that grandma’s world is a safe place they can come to and she will not desert them. She is on their side. Being a grandparent, Seema has learnt some coping skills that she passes on to her grandchildren, and spends more time with them. She believes time is the best gift a grandchild can get.

Points to Ponder

After chatting with grandparents across the spectrum of society, the following advisory emerged:

  1. A little distance is good for the relationship. It’s all right if your son and his wife stay separately from you. They may have various reasons – jobs, economics, and independence.
  2. Treat your son’s wife as his wife, not as your daughter. Maybe treat her like a friend. Your son would always be your junior, but if you think that his wife is of the same rank and if you ever scold her, she will remember it for life. In real life, only her own parents will be viewed as qualified to scold or correct her.
  3. Whatever habits or characteristics your son’s wife has, it’s not your problem, it is your son’s problem.
  4. Even if you are living together make each other’s territories very clear. Who is going to cook the food, do the laundry or babysit the children, unless of course there is a special request made by your son? If you feel that you are capable and are happy to babysit don’t expect anything in return.
  5. Pretend to be blind and deaf when your son and his wife are quarreling. It’s normal that young couples quarrel. Also, they do not like their parents to be involved in a dispute between husband and wife. Most importantly, you shouldn’t worry about your son’s family problems – let them settle it between themselves.
  6. Absolutely do not interfere or volunteer opinions on matters that concern your grandchildren. Your grandchildren belong to your son and his wife; whichever way they want to raise their children it is up to them. The credit or the blame would be upon them.
  7. Plan your own retirement. Do not rely on your children to take care of your retirement. You have already walked through most of your journey in life; this is the time to have fun.
  8. It’s in your own interest that you enjoy your retirement years. Utilize the time and your money and put them to the best possible use you can.
  9. Grandchildren do not belong to your family – they are their parents’ most precious gift.
  10. Grandchildren give you true and pure love, and in the saddest of moments can bring a smile to your face. Cherish their warmth and tight little hugs. A child is a child for just a moment; hold on to that moment, you may never see it again.

The best part of being a grandparent is giving the gift of your time. For a child there is nothing more joyful than spending the day with their grandparents, exploring new things. The whole experience becomes a part of making memories that will last a lifetime, not only for the grandparents but also for the grandchildren. Warm and enthusiastic grandparents are supportive, devoted to their grandchildren, and can often be indispensable.

Where there is a Will…

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Where there is a Will - Sonavi Kher Desai
…there is no ambiguity. Sonavi Kher Desai explains why everyone must get a Testamentary Will made

The English philosopher, John Locke, wrote: “Every man has a property in his own person. This nobody has a right to, but himself. The labour of his body, and the work of his hands, we may say, are properly his.” Although he goes on to add a moral caveat, we can interpret this as the right of every man, through his own effort, to acquire property, which belongs entirely and only to him. So how does a person’s property devolve when he passes on? The answer to that depends on whether he has had the foresight to leave a “Testamentary Will”— in other words, whether he has died testate or intestate.

It is advisable to make a Will to provide for the distribution of assets after one’s death. A Will is a legal document made by a person in his/her lifetime, containing directions about how they want their property to be distributed and/or managed after their death. Interestingly, the practice of making Wills can be traced to the Greeks. According to Plutarch, property used to be inherited solely by a person’s family until Solon made the law that allowed a person to leave his property to someone outside the family, subject to some conditions.

The basic requirement of a valid Will is that the person making it should have been of sound mind and not a minor when the Will was made, and it must be made of his/her own free will. There is no prescribed form for a Will although it usually follows a certain pattern to ensure that it is sound enough to prevent it from being contested. In India, if a person dies testate, succession to his/her property would be governed by the Will under the Indian Succession Act, 1925, irrespective of his/her religion (other than Muslims who can give only a part of their estate under a Will).

How to make a valid Will
  1. The testator must declare that he/she is of sound mind and not a minor.
  2. The testator should revoke all previous Wills if they exist and declare this to be their last and final Will.
  3. The testator should appoint Executors of the Will, and in case the Will creates a Trust, then Trustees.
  4. The Will should contain a description of the assets owned by the testator, including immoveable property, bank accounts, cash, investments, jewellery, other assets to be bequeathed, intellectual property, and in today’s times also email and other digital accounts and passwords.
  5. The Will should name beneficiaries. If there are several beneficiaries then a detailed list or share of assets bequeathed to each beneficiary should be clearly mentioned, including the beneficiary/ies of the residue assets which are not specifically listed. If any beneficiary is a minor, or not of sound mind, then a custodian for such assets should be named.
  6. The Will should be dated and signed in the presence of two witnesses.
  7. It should contain the names, addresses and signatures of the witnesses.

It must be mentioned here that there are different rules that apply for HUF (Hindu Undivided Family) property. A valid Will may be amended by a Codicil, a legal document deemed to be part of such Will. It must follow the same rules as a valid Will.

Intestate Death

Not everyone makes a Will and therefore when a person dies intestate, inheritance laws apply as follows:

  1. In the case of Hindus, Sikhs, Buddhists, and Jains, the applicable law is the Hindu Succession Act, 1956.
  2. In the case of Muslims, inheritance is governed by Sharia law.

In the case of Christians, Parsis, and interfaith marriages under the Special Marriage Act, 1954, the Indian Succession Act, 1925, would apply.

Watch out for Fakes

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Watch Out for Fakes - Seniors Today

In the internet age, crooks find innovative ways to dupe senior citizens. Some tips on how to stay safe, by Deepak Gagrani

Financial fraud targeting senior citizens has become a widespread phenomenon today. Senior citizens are susceptible to such frauds on account of sizeable money lying in their accounts, lack of technical knowledge and their isolation which makes them more gullible targets of such fraudsters.

Most schemes against senior citizens are performed over e-mail, smartphones or obtaining their signatures as consent. A lot of times, these scams go unreported. But the impact of such frauds is devastating and can leave senior people quite vulnerable with little or no legal recourse. Let’s understand a few common techniques used for seniors.

– Being friendly, attentive and helpful to gain someone’s trust and create an impression that the person is aligned to the interests of senior citizen

– Generating a sense of panic and urgency, such that the senior person is unable to rationalize and ends up making a hasty decision

– Pretending to be associated with banks/government agencies/ charitable organizations etc

– Being ambiguous, silent or unnecessarily complicate investment proposals to be able to hide features that are detrimental to the interests of senior citizens.

Highlighted below are some typical forms of financial frauds and how they are targeted towards naive and innocent senior citizens.

Net Banking Transactions

One of the most common frauds targeted against senior citizens is in the form of net banking transactions, including credit-card-related frauds. The modus operandi typically involves obtaining passwords/ OTP/ CVV numbers from senior citizens through phone calls/emails, with the fraudster posing as a bank official/government officer and creating a panic situation, forcing them to part with critical information. Given their discomfort with technology, they are less likely to react to email/SMS sent by the banks as soon as their account is debited. By the time it is realized, the money trail is often lost.

The easiest way to protect oneself is to simply ignore such calls/emails. No banks or any governmental agencies will ever ask for any form of password or other such critical information on the phone/email. If there are still some concerns, it is prudent to visit the nearest bank branch or call the bank on the numbers listed on its website, directly.

Investment Proposals

Another very common form of financial fraud widely prevalent is to mis-sell investment products by making false return claims or hiding critical information and obtaining investors’ consent (through multiple signed documents). The communication pattern is such that most of the important information is discussed verbally and there is no written trail of such a discussion. It is quite possible that what was actually mentioned in the documents signed by the investor is significantly different from what was communicated to them verbally. The trick used here is ‘trust’ and ‘emotional connect’ to be able to mis-sell an investment proposal not suitable for the investor, in the lure of higher commissions. This is an even more tricky situation, as there is very little recourse left given that everything happened in the ‘legal’ course of business.

A simple way of not falling prey to such frauds is to ensure that all investments are routed through a certified and reliable financial advisor, instead of blindly relying on the friendly relationship managers of financial institutions. Besides qualification, an important factor that can help to highlight the intent is the stability of the person guiding on investments. Typically, the ability of a person to ‘mis-sell’ increases if he/she knows that they do not have to face the investor in the future and is more focused on short term benefits.

Lottery and Fake Prize Scams

In such forms of fraud, the victim (often, senior citizens) are made to believe that they have won a large sum of money through a lottery or some attractive business proposal which could help them make a big corpus. To receive the funds, they have to wire some money as ‘taxes & handling charges’. As the entire setup was fake, once the money is transferred, there is absolutely no chance of receiving anything since most of it is operated through offshore accounts and overseas countries outside the jurisdiction of legal authorities.

As an informed senior citizen, one must simply ignore all such traps. Remember that what is too good to be true is always actually false in such cases.

Conclusion

Fraudsters targeting elderly people rely heavily on the assumption that elderly people are not familiar with changing technology and that they are more gullible once their trust is formed. While financial frauds are not restricted to senior citizens only, it is more important to safeguard them as the impact is more devastating on senior citizens. Capital once lost cannot be earned back in such cases. It is important to be aware and diligent, especially when finances and personal information are involved. Whenever there is even a small doubt, it is prudent to cross verify with credible sources or individuals.

Be Aware, Be Safe!

A Scandal and a Flop

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Devika Rani Play - Seniors Today

Deepa Gahlot muses on the stunning Devika Rani, who set Indian movie screens afire with a kiss back in 1933

Devika Rani is in focus at present due to Lillette Dubey’s play based on her life. The actress-producer, the great-grand-niece of Rabindranath Tagore, was known for her stunning beauty. She was the first female superstar of Indian cinema, at a time when educated women from cultured families did not work in films. Along with her husband Himanshu Rai, she established Bombay Talkies in 1934–India’s first professionally run studio, that she continued to manage after Rai’s death (in 1940), the first woman to head a studio.

Looking back then, at her debut film Karma (1933), that has gone down in movie history as the film that had a four-minute kiss.

Karma was produced by Rai just two years after the advent of the talkie (Alam Ara 1931), and he had the foresight to make an English version for western audiences—his fourth international production, after the silent films, The Light Of Asia, Shiraz and A Throw of Dice (1929).

Directed by J. L. Freer-Hunt, the bilingual film (Fate aka Song Of The Serpent in English) the film had a crew made up of both Indians and Westerners. It premiered in England (with a special screening arranged for the royal family) and was a critical and commercial success, perhaps because it had just the kind of exotica—beautiful locations and exquisite costumes— the West would appreciate. Not surprisingly, the simplistic love story was rejected by Indian audiences back home when the Hindi version was released a year later.

Devika Rani played the Maharani of Sitapur, who is in love with the prince (Himanshu Rai) of the neighboring kingdom of Jayanagar. His father, the elderly maharaja (played by Dewan Sharar who was also the film’s co-writer with Rupert Browning) disapproves of the maharani, because of her modern ideas on education and healthcare for all. The prince, however, defies his father to woo her.

The Maharaja of Jahanagar loves to hunt, but there are no tigers on his land so the maharani decides to hold a tiger hunt in her kingdom and invite the king to participate, hoping this will make him change his mind about her. The idea doesn’t go down well with the good people of Sitapur whose religious views forbid them from killing animals. A determined maharani decides to go ahead anyway and organizes a big festival for the disgruntled populace hoping it will soften their mood.

During the hunt, the prince accidentally kills a man and is also bitten by a cobra; The maharani rushes to her unconscious beloved’s side and kisses him in a fit of desperation (cue the famous kissing scene) pleading to the Gods for her prayers to be answered. The snake charmer goes off to look for the snake—he believes if the snake bites the prince again it will work as an antidote to the poison. The maharaja placates the angry public and his bad karma by giving alms to the poor. The snake is found, the prince is saved and the film ends on an abrupt but happy note.

After it flopped, Rai quit acting and concentrated on movie-making. Bombay Talkies produced over a hundred films and launched dozens of careers. A major scandal ensued when Devika Rani eloped with the handsome actor Najmul Hassan. She was eventually persuaded to return, but because of this incident, Hassan’s career as a leading man was ruined. His loss proved to be Ashok Kumar’s gain when Himanshu Rai chose a laboratory assistant, Kumudlal Kunjilal Ganguly, renamed him, and made him the new hero of Jeevan Naiya (1936). To Devika Rani goes the credit of discovering a fruit merchant’s handsome son, Yusuf Khan, better known as Dilip Kumar, and casting him in Jwar Bhata (1944). She was also instrumental in the making of Kismet (1943), one of the biggest blockbusters of Indian cinema.

In 1945, she married the Russian painter Svetoslav Roerich and retired from the industry. She was the first recipient of the Dadasaheb Phalke Award, when it was instituted in 1970.

Those Five-Star Days

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Five-Star-Days - Seniors Today
Advertising,  Rock‘n’roll and jam sessions – Prabhakar Mundkur rewinds back to the 1970s

When one of my friends sent me this 5-star advertisement for a rock show at Shanmukhananda in 1971 I couldn’t help reminiscing. Time was when people in Mumbai were happy to see a rock show early in the morning at 10 am at a traditional auditorium like Shanmukhananda Hall at Sion. One can’t see the auditorium, built to seat over 2700 people, going full house to a Western music pop show today, especially if it was a Sunday morning at 10 am. But times have changed.

The ’60s and ’70s still celebrated Western pop music – although if one were to assume that appreciation of English pop music might be correlated with the familiarity of the English language, people speaking English in the country has only increased over the last few decades but I am not sure rock music is any more popular. So that argument does not hold. I think there is another reason. Hindi pop music was almost entirely Hindi film music in the ’70s and it didn’t have an existence of its own as a genre, except to be associated with Hindi films.

For some reason, English pop music had an active morning audience. I remember in the ’60s, Biddu Appaiah – then known as the Lone Trojan, having broken away from the band called the Trojans – used to take the stage at the Hotel Astoria in Churchgate for a jam session that lasted from 11 am to 1 pm. And a daytime discotheque called Bullock Cart at Rampart Row (Kala Ghoda now) was a full house for their morning jam session, largely occupied by Elphistonians, Xavierites, and students from the other South Mumbai colleges. In many ways, it was still an innocent pastime because people were willing to get high on Coca-Cola and coffee rather than beer and spirits. It meant that young people were coming there primarily for the music and the atmosphere with Coke and coffee providing the social glue for a get-together. And of course, perhaps the sheer thrill of missing a few lectures at college often referred to as ‘bunking’ in those days. I sometimes wonder what it is called now.

The English pop scene was also fuelled by HMV which managed to bring a fair range of English titles into the country. In fact, my first 45 RPM record, ‘I want to hold your hand’ by The Beatles, gifted to me by my mother, was bought at an HMV store on Ranade Road quite close to Dadar Station – and Dadar was by no means a hub for Western pop music and it still isn’t. Later in 1970, Polydor entered the country and that increased our repertoire of Western pop music. Even AIR, that stoic representation of a government radio station, played Western pop music on a program called Saturday Date every Saturday evening. This was the English equivalent of the Binaca Geeta Mala but not half as good and it was not exactly a hit parade.

In many ways, the Cadbury’s Five Star ad above is a social mirror of the times. If we think that attending a western music pop concert on a Sunday morning at 10 am is brave, take a look again at the ad. It was the days when advertising folk were not afraid to think creatively on sales promotions. Wonder if anyone would do that today? Accept product wrappers in lieu of tickets? Our household used Binaca toothpaste only so that I could get those little plastic animals that came with the pack. And we ate A1 bubble gum only because a collection of the stickers inside the pack would entitle us to a cricket scrapbook of famous crickets of that age. Polly Umrigar, Abbas Ali Baig and ML Jaisimha, to name a few. Although advertising was later accused of being very English-biased and talking only to the living rooms of Cumballa Hill and Peddar Road, and the equivalents of Cumballa Hill in other cities, many of the Hindi taglines were born long before that accusation. “Sirf ek Saridon aur Sardard se Aaraam”, “Lifebuoy hai jahaan, tandurusti hai wahaan”, “Lux filmi sitaron ka saundarya sabun” were slogans that we all grew up with.

Hinglish, which is increasingly become the advertising lingua franca of today, was not yet born. People had not started mixing English and Hindi freely even in common-speak. It is not unusual, though. In the Philippines, people speak a mixture of Tagalog and English called Taglish. It only means that people are almost equally familiar with both languages when they do that.

But the late ’60s and the early ’70s were different and this 5-star ad is only a reflection of the times. We were fewer people, life was less busy and we didn’t have the internet or mobile phones to distract us. We still had a hangover from our independence. True we had only two cars, the Fiat and the Ambassador to travel in, and many other restrictions, but I can’t help feeling that in many ways we were a happy lot that looked to our future with anticipation and optimism.

Emotions in an envelope

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Emotions-in-an-enveloEmotions-in-an-envelope - Seniors Todaype - Seniors Today
Writing, reading and the special joy of receiving letters in bygone days. By Vandana Kanoria

For a long time they lay forgotten and unread in rusted trunks, in attics of my childhood home in Kolkata – tied up in string, slipping and sliding out of files, they stayed quiet and uncomplaining, until one day, gripped by a wave of nostalgia, I took them out and began a journey back to my childhood. Yes, they were letters – in envelopes with decorative stamps, airmail letters in their wispy envelopes, with airplanes flying in the corner and “Par Avion” under the wings, and on the inside, news written on onion-skin paper. Others came from less exotic destinations. These came from cousins and friends – inland letters written on lined sheets torn from notebooks, with little doodles and drawings to better illustrate the feelings contained in words. In those days, emotions triumphed over emojis!

I loved writing letters to my friends, cousins, pen-pals. I waited eagerly for their letters, wondering what surprises they would hold within their pages. I looked for details in the lilt of a heart instead of an ‘o’ in love, the flourish of the ‘v’ in my name. I could see who was wired on the high of first love, or weighed down by despair and pain and therefore how the words staggered and stumbled, how the lines crawled up and down the page. When I wrote letters, I would be under the spell of phrases – the magic and mystery of words. These letters are the marks left behind, the tracks of an earlier journey through times long lost.

Sometimes the envelopes were heavy; containing postcards of distant lands, photographs of never-seen friends, or little keepsakes from cousins. Sometimes the letters would be redolent with the fragrance of pressed flowers, tucked in pages, grown in a little garden in some corner of the world…

And the heaviest were those that carried the weight of secrets never to be told! Today when I read them a wave of nostalgia engulfs me – nostalgia for the laughter and innocence of childhood, for the girl I was then, with her whole life ahead of her.

Letters are physical objects, with all the tactility and uniqueness. Writing one is an activity of leisure, a contemplative practice. On its pages we argue, say goodbye, dream, forgive and tell our secrets. We slow down, sit with pen and paper and thoughts of the person we are writing to. There’s a lot of one’s self in a letter – there is depth, detail, intimacy. These ‘little signatures of time’ are what distinguish them from emails and other forms of digital correspondence.

And this is why emailing and texting do not feel as special. In the age of rapid-fire, efficiency-obsessed, typed-with-one-finger-on-a-keyboard and one-eye–on-the-clock, things happen on a screen — emails fly in and pile up, texts come and go, information crisscrosses and on its way often gets lost or deleted. The bulk of the correspondence is forgotten, which just goes to show how all of these technological “advancements” have weakened communication as much as they’ve strengthened them.

There’s something profound about being able to reread a letter, to hear the voice of friends and loved ones in the words they wrote, and imagine how they’d say the phrases. When we save and treasure letters, we preserve a part of that person and feel the love they felt for us. Can you see yourself rereading a letter someone wrote to you after that person has gone and as you gently move your fingers over the handwriting, you almost feel the touch that loved one? A handwritten letter is a creative act, a deliberate form of exposure, an expression of vulnerability because handwriting opens a window to the soul in a way that cyber communication can never do. What Kazuo Ishiguro says about stories, applies equally to letters because they too contain, “small scruffy moments and quiet private sparks of revelation.”

There is no other form that is so close to our private lives as letters are, for they are only for the eyes of a few friends and it is this revealing-all character that makes them so attractive. There is no thought of their publication, and thus the restraint of the feeling that a thousand eyes are peering over the writer’s shoulder and scrutinizing every word is absent. They create an intimacy that can only be forged one-on-one, written in one person’s distinctive style to another.

Thinking about the lost art of letter-writing, I am reminded of a heart-rending story. In the famous Hindi short story ‘Kaki’ a little boy Shyamu, too young to understand what death means, has been told that his beloved Kaki “Ram ke ghar gayi hai”, which is higher than the clouds. He misses her terribly and wonders why she does not return. Watching kites flying on the occasion of Makar Sankranti, he decides to use these joyously coloured kites to send a letter to Kaki imploring her to return. He attaches strong ropes that would not break and on which Kaki can easily slide down. All this information is contained in his letter, pasted on the kite. The envelope is simply addressed as ‘Kaki.”

A letter is a place where we all become storytellers, where moments are transformed into memories of love and friendship, family and care, so that that future generations will know what we valued and believed and achieved.

Long after we are gone, no one will care about the million texts we may have sent. But a letter will last, will be passed down to generations. Letters are timeless and a legacy. Thus, we are able to create eternity with words.

The Kashmir Document

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First-Republic-Day-Parade,-Srinagar--1950

The Story behind the Instrument of Accession and its signing, by India’s first war correspondent, the late Sati Sahni, who was there.

The Instrument of Accession signed by Sir Hari Singh, Maharaja of Jammu & Kashmir State on 26 October 1947 is legally and constitutionally a valid document. Time and again this is questioned by many people and having been in Kashmir at that crucial time, I have observed and have also written about the events closely. Here are the facts;

In 1947 and before the partition of India, the constitutional relationship between British India and the Government of India Act of 1935 was on a federal basis. Under this act accession by states was to be voluntary while for provinces it was automatic. The ruler of a state had the power to sign the Instrument of Accession and the Paramount Power signified its acceptance. It was the Cabinet Mission Memorandum of 12 May 1946, announced by Lord Mountbatten, which was to be the basis of the policy of the government towards the states to decide on the partition. This document provided that the paramountcy of the British over the Indian States would lapse on 15 August 1947. “This void could be filled over either by the states entering into a federal relationship with the Successor Government or Governments

in British India, or failing this, entering into particular political arrangements with it or them.” The Indian Independence Act 1947 accepted this as its guiding and main principle. Except for a few states, all 562 states acceded either to India or Pakistan before 15 August 1947.

 


Sat Paul (Sati) Sahni, who was born in Rawalpindi in 1922,
participated in the Indian freedom struggle and later became
one of the few multimedia journalists of his generation.
He was a pioneer photojournalist, and worked for leading
international publications and news agencies. An 
experienced war correspondent, he covered all the four major
wars India was involved in, and has written many 
books – his last book was titled Nehru’s
Kashmir. He passed away in October 2010.

One such state was Jammu & Kashmir which failed to take a decision as Maharaja Hari Singh could not make up his mind. In June 1947 it was Lord Mountbatten who travelled to Srinagar and attempted to persuade the Maharaja to decide between one of the two dominions before 15 Aug 1947. Mahatma Gandhi too travelled to Srinagar two weeks before that date in another attempt to enable the Maharaja to make up his mind. I have been told that the Viceroy
had conveyed to the Maharaja that the Indian Government would not mind if it acceded to Pakistan but felt that the only trouble that could have been raised was by non – accession and this was the very course followed by the Maharaja. Barrister Mohammad Ali Jinnah, President of the Muslim League, subsequently the creator of Pakistan and later its Governor General, had clearly accepted the absolute right of the ruler of a state to decide on choosing one of the two dominions. In June, 1947 he had said “Constitutionally and legally, the states will be independent sovereign states on the termination of paramountcy and they will be free to decide for themselves to adopt any course they like. It is open to them to join the Hindustan or Pakistan Constituent Assembly or to remain independent. I am clearly of the opinion that the Cabinet Mission’s memorandum of 12 May ’46 does not in any way limit them in this choice.” In August ’47 he spoke at a Muslim League meeting about the rulers of the Indian states, saying, “They are free to join either of the two dominions or remain independent. The Muslim League recognises the right of each state to its own destiny.”

The Standstill Agreement

The Indian Independence Act 1947 had provided that a state could conclude a “standstill agreement” with either of the dominions or both. Taking advantage of that, the Prime Minister of Jammu & Kashmir at that time, M.C Mahajan, sent on 12 August ’47 two telegrams, one to Karachi and another to New Delhi, requesting for continuance of existing arrangements under this agreement. In reply the Indian Government desired an authorised representative to be deputed to visit New Delhi and finalise this agreement. Very strangely no one was deputed from Srinagar to go to Delhi.
However the Pakistan Government agreed telegraphically to the standstill agreement with the State of Jammu & Kashmir. The Indian government continued all services and supplies to the state even when there was no standstill
agreement signed or accepted; however, the Pakistan Government which had accepted the agreement, started to restrict the supply of essential commodities and in some cases to stop it completely in a bid to “strangulate the state”, creating untold hardships for the people. It must be remembered that the main road to the Kashmir valley was through what is now Pakistan. By starving the state for essential supplies, Pakistan had hoped to be able to coerce the Maharaja to accede to Pakistan. Along with this strangulation they started to make armed incursions all along the Jammu border. New Delhi and particularly Mr Nehru feared that the strategy of Pakistan was to inflict sporadic incursions till winters when a big attack would take place. This prophecy proved correct as by making small but determined forays into
the J&K state territory, Pakistan managed to disperse the limited state forces to penny packets so that at no one place would they be able to hold back a full frontal attack. The state was mostly starved of petrol which was most essential for transportation.

Pakistan’s Persuasion

Pakistan deftly moved on two counts, governmental and political, to “persuade” the Maharaja to accede to it. Apart from the Maharaja the other obstacle in their paths was Sheikh Abdullah. In early October, the Muslim League sent two emissaries to meet Sheikh Saheb and persuade him to align with Pakistan. The two were Sheikh Sadiq Hassan (President
of the Punjab Provincial Muslim League) and an intellectual, Dr Mohammad Din Taseer (who was the Principal of my alma mater, the Sri Pratap College in Srinagar, and so well known in Kashmir circles). There was a long meeting where they hoped to win over Sheikh Saheb– the then tallest leader of the largest political party of Jammu & Kashmir. Sheikh Abdullah stuck to his long-standing principle that unless the people of Jammu & Kashmir achieved selfrule, no decision could be taken by its people to join either of the two dominions. Obviously the two emissaries failed to persuade him, it was well known that Sheikh Saheb was threatened by Dr. Taseer that if required “other means could would be used”. They also “advised” him to visit Karachi and meet Mr Jinnah. Sheikh Saheb did not travel but instead sent his close
colleague Mr Ghulam Mohammad Sadiq to Lahore for these talks and discussions. Nothing much came about as Mr Sadiq could only meet the middle rung of the Muslim League, and not the deciding hierarchy. It was fortunate that he returned to Srinagar just in time (a day) before Pakistan launched an attack in the Uri area to test the defences. It was as if was all pre-determined and pre-meditated. Some say that there was a plan to detain Sheikh Saheb in Pakistan and forcibly get him to agree to what the Muslim League wanted of him. In October ’47, Pakistani Prime Minister Liaquat Ali Khan asked Col A S B Shah, Joint Secretary, Ministry of Foreign Affairs, Government of Pakistan, to travel to Srinagar
to meet with senior officials of the state. There he met with the state Prime Minister, Meher Chand Mahajan. It is known that Col Shah had brought with him a duly drawn up Instrument of Accession to be signed by the Maharaja. On
his failure to get that signature, he returned to Pakistan. Soon after, a full-scale invasion of Jammu & Kashmir was launched on 22 October ’47.

In the forenoon of 24 October, New Delhi received a request from the J&K government for armed assistance against an “organised invasion from Pakistan”. The next day the Defence committee considered this request and felt that arms and ammunition needed to be rushed to Srinagar for its defence immediately. It was pointed out at that meeting that it would lead to a full-scale war with Pakistan if such assistance was given before the Maharaja of Jammu & Kashmir had formally signed on the Instrument of Accession and acceded to the Union of India. The chiefs of the Indian Army (General R.M.M Lockhart), Navy (Rear Adm J T S Hall) and Air Force (Air Marshall T W Elmhirst, all British officers) were given directions “to examine and prepare plans for sending troops to Kashmir by air and road in case it became necessary to stop the incursion”. Around the same time V P Menon of the State Ministry was flown to Srinagar to take an on-the-spot assessment, meet the Prime Minster and the Maharaja of the state, and return the same evening to New
Delhi to report on the situation. On Mr Menon’s advice the Maharaja and his family left Srinagar for Jammu that same night – 25 October ’47. Mr Menon and Mr Mahajan flew to New Delhi at dawn on 26 October ’47 and went straight to the Defence Committee meeting where he reported the critical ground situation. Apparently, Mr Mahajan met the PM Mr Nehru and Sardar Patel immediately upon arrival. Mr Mahajan requested immediate assistance on any terms as the town of Srinagar had to be saved at any cost. Seeing Mr Nehru’s hesitation (ostensibly needing time to arrange
for the army’s airlift) Mr Mahajan offered to get the Instrument of Accession signed immediately, however on condition that the airlift of troops must begin that day itself. Upon instructions from the Maharaja himself it was conveyed to Mr Nehru that Mr Mahajan was to decide on the spot depending on whether Mr Nehru was willing or not to do the needful.
In case Mr Nehru refused, Mr Mahajan was to go straight to Pakistan and to Mr Jinnah to negotiate. Sardar Patel and Sheik Saheb (who was in the next room) prevailed and the die was seemingly cast. Sardar Baldev Singh, the then Indian defence minister, informed Mr Mahajan that a decision had been taken to send two companies of Indian troops to Srinagar immediately. Later that evening Mr Menon and Mr Mahajan were asked to fly back to Jammu immediately
to get the Instrument of Accession and some supplementary documents signed from the Maharaja. In Jammu the Maharaja gave a letter to Mr Menon addressed to Governor General Lord Mountbatten asking for urgent armed
assistance from the Indian Government. This letter along with the Instrument of Accession was brought back immediately to Delhi by Mr Menon where it was presented to the Defence Committee by Sardar Patel. On 27 October,
the actual airlift of the Indian troops began for the defence of Kashmir. The decision of the Maharaja to accede to India and for New Delhi to send in troops for the defence of Kashmir had the full support of Sheikh Abdullah, the leader
of the largest political party of the state.

No Plebiscite Condition
Pakistan and some others have been alleging that the Accession was conditional on holding of a plebiscite. They also said that the Maharaja’s accession was a violation of the standstill agreement with Pakistan and that it was secured under force and by fraud. On 30 October ’47 Pakistan issued a statement that the state’s accession was “based on fraud and violence and as such cannot be recognised”. The facts are as follows: The standstill agreement (under the India Independence Act of 1947) was an interim arrangement which put no curbs on the legal and constitutional rights of the Maharaja. Thus there was no question of barring the Maharaja from signing the Instrument of Accession, as it automatically revoked the standstill agreement. In any case, Pakistan had failed to abide and discharge her obligations of the standstill agreement and thus lost the moral authority. Thus, under the Government of India Act 1935, the Memorandum of the Cabinet Mission of 12 May 1946 and the Indian Independence Act 1947, the Instrument of Accession once signed by the competent authority (the ruler of the state), and accepted by the designated authority, completed the accession. Conditional accession was not even envisaged anywhere. The signing of the Instrument of Accession is neither revocable nor can it be annulled. There was nothing in the Instrument itself to force the Indian Government to a plebiscite on confirming this accession. Legally the offer of accession by the Maharaja and its acceptance by the Dominion of India completed the Instrument of Accession. It created a union within a federation of states. It is the same for all federations including the United States of America.

Allegations Refuted

The allegation of having secured the accession by use of force and fraud was laid to rest by the three British chiefs of the armed forces when they recorded that the decision to send the Indian troops was only taken after the Instrument of Accession was received at the Defence Committee in Delhi. This “statement of events” was later handed over to Mr Jinnah by Lord Mountbatten when the accession was questioned by him. The news of the state’s accession to India reached Mr Jinnah (Governor General of Pakistan), who ordered the acting Commander in Chief of the Pakistan Army, General Sir Douglas Gracy, to send two Brigades of the Pakistan army to Jammu & Kashmir. General Gracy reportedly refused to move any troops till he received approval from Supreme Commander Field Marshal Sir Claude Auchinleck. The Field Marshal flew to Lahore on 28 October and informed Mr Jinnah that “in the event of Pakistani troops entering Kashmir, which was now legally a part of India, every British officer (and there was a large number) would automatically and immediately be withdrawn. Mr Jinnah immediately withdrew the order, thus accepting the legality of the Accession to India.

It is important to point out that the legality of Accession was not questioned at any time by the UN Security Council and the UN Commission for India & Pakistan, or any of its representatives or mediators like Dr Graham,
Sir Owen, General McNoughton and Mr Jarring. If the Accession is considered to be illegal, incomplete or invalid, then I am afraid that all that flows out of the Government of India Act 1935, Memorandum of the Cabinet Mission and the Indian Independence Act 1947 would be illegal, unconstitutional and invalid. This would also include the creation of two
separate dominions of India and Pakistan, The Constitutions of India and Pakistan, the State of Jammu & Kashmir, and all actions of the Governments of India and Pakistan since they were created under this Act of 1935. Matters such as the ceasefire line of 1949, the Tashkent agreement of 1966 and the Simla agreement of 1972 would also then be unconstitutional as they all stem from those acts.

Guru Par Excellence

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Kishori Amonkar - Seniors Today

Legendary classical vocalist Kishori Amonkar’s first disciple, Dr Arun Dravid, looks back on a beautiful connection between teacher and student

I have had the privilege to be the first disciple of the legendary Padmavibhushan late Gaan-Saraswati Kishori Amonkar (whom I shall address as Kishoritai or Tai hereafter). Kishoritai lived an accomplished life as an avant-garde vocalist of the Jaipur-Atrauli gharana of Hindustani classical music during her illustrious 86-year life. What follows are some reminiscences of a devoted disciple, friend and philosopher, a role I had played for about 50 years in her life. Kishoritai was only 12 years older than me, and therefore these three roles inter-mingled rather easily in the long journey of our lives. However, the most prominent role was that of her disciple, and I shall primarily dwell on it in this narration.

My initiation as Kishoritai’s disciple happened somewhat accidentally. When I was hardly 12 years old, I had a chance encounter with her when I had visited her mother and Guru, late Padmabhushan Gaan-Tapaswini Mogubai Kurdikar (whom I shall call Mai, as we all used to call her) just to see what the legend looked like, and to pay my respects to her. I was undergoing training under Ustaad Abdul Majid Khansaheb at that time. Mai made me sing for her during that visit, so she was aware of who I was. Many years later, at the age of 17, when I approached Mai to ask if she would take me under her tutelage, she politely declined, but knowing of my preparation in vocal music from five years earlier, she suggested her daughter Kishoritai, not so famous then, to play that role. I readily accepted, and thus was the beginning of what was to be the most scintillating musical relationship for the next five decades!

My first year of training began with Raag Bhairav. I had finished First Year at college and was into the intermediate science year. Music practically became my second, equally time-consuming, activity during that time. The lessons were regular, about three to four times a week. Tai started with me for fees of Rs. 50 per month, but in a couple of months, she stopped accepting any fees. Her reasoning was that she herself liked the challenge she faced while teaching me, to stay a step ahead of me, and that enriched her own music. So from then on she never accepted from me a single paisa for all the wealth of music she showered upon me!

In 1962, I stood first at the University, and took the decision to join IIT Bombay at Powai for my B.Tech. in chemical engineering. Since the campus was residential, with rules not allowing students to go home on weekends, this meant an end of my further music training. But Tai gave me a strict ultimatum: Either you come for music lessons every weekend, or terminate your training! I had no option but to seek special permission from the Director of IIT to go home to Mumbai every weekend. He gave me that permission with the condition that it would be withdrawn if I ever lost my first rank in the class. With God’s grace I managed studies, and weekends and holidays of full-time music lessons. I not only maintained first rank each year, but won the President of India Gold Medal at the final B.Tech. year, having stood first amongst all branches of engineering. Needless to say, Kishoritai was mighty pleased, and even attended my convocation.

Rigorous routine

I am tempted to write about the music lesson routine during each weekend. After the practicals on Friday afternoon, I would take the bus from the campus to Vikhroli station, and then after a long train journey, reach Tai’s home at Gowalia Tank in the evening. I would then have five sessions – One on Friday evening and two each on Saturday and Sunday mornings and evenings. I would then take off for Powai late in the evening on Sunday, reach the hostel sometimes as late as 11 pm after a two mile uphill walk from Vikhroli station, as there would be no bus service at that hour! I would miss dinner, and fill-up on biscuits and water. And the classes would begin on Monday morning. The reason I have mentioned this ordeal each weekend is to emphasize the fire in my belly that drove me to satisfy Kishoritai’s strict, rigorous demands of learning the authentic Jaipur Gharana Raagas as fast as possible. Of course, during Diwali and summer holidays, the training would happen each day morning and evening. Thus, I had almost no life left other than music and academic studies. In hindsight, I feel very blessed that I could assimilate the essence of Kishoritai’s avant-garde treatment of a large number of complex Raagas of Jaipur Gharana.

Kishoritai was a perfectionist when it came to teaching. It was mostly one-on-one with me, but sometime together with Mrs. Manik Bhide (mother of Vidushi Ashwini Bhide Deshpande). She would normally alternate “Avartans” (cycles) between me and herself. However, when a phrase did not come out right, she would make me repeat it several times until it came to her satisfaction. She was not as patient as her mother (who also taught me many times when Tai was unable to sit for a lesson or was out of Mumbai). If I could not reproduce a given phrase quickly, she would get upset. So there was always pressure to get things right. The Asthai and Antara of any new Raaga had to be learnt precisely. There were no electronic pocket recorders or smart phones. So I found myself vigorously reciting those verses in the bus going home after the lesson, much to the curiosity of fellow passengers!

Much of the world saw Kishoritai as a stern, hard-driving, demanding, and temperamental artist. However, my personal relationship with her as a disciple was very different. There was a very loving, caring and soft side to her persona that co-existed with her demanding and strict teaching style. I remember vividly a touching occasion which I am tempted to share here. Once I had taken ill with high fever at IIT campus and was hospitalized at the IIT hospital in Powai. When I phoned Tai that I would not be able to come for the weekend lessons, she became so worried about me, that she came all the way in a taxi to my hospital, got me discharged under her care, and took me home, covering me with the Pallav of her Sari to shield me from the breeze! Such was her loving and caring side.

Early years

During those early years of my music training, Kishoritai was not the same celebrity as she became in later years. This was to my advantage, as I used to get her undivided attention one-on-one during the entire lesson. Also, since she was living with her mother, my training was indirectly under Mai’s keen ear and supervision. I therefore received the beautiful blend of the structural beauty of the Jaipur Gharana Raagas, but also the romantic beauty that was the hallmark of Tai’s own temperament. This golden mean did not reach most other disciples of Tai who came 20 years after me, by which time Tai had started to de-emphasise the grammatical or structural rigidity of the Raag and replace it with an emotional touch to the rendering. The most significant feature of her treatment of any Raag was her very special attention to the Shrutis (microtones) of the notes that formed the Raag. For example, The extra flat treatment of Komal Re in Raagas like Marwa and all varieties of Todi, Dha in Bibhas that is neither Komal nor Shuddh, but three quarters of the way from Komal to Shuddh Dha! Similarly, her treatment of Komal Ga and Komal Ni in Kaushi Kanada is an example of the control she had mastered in singing different Shrutis of the same two notes. These two notes have different Shrutis depending on whether one shows the Malkauns component or Darbari Kanada component of Kaushi Kanada. Thus, we, the senior disciples had to strive to master these Shruti differences, and she would get annoyed whenever we could not achieve consistency in singing those Shrutis! Such sessions were always a challenge and source of immense happiness when I satisfied Tai with the right Shrutis.

Since there was only a 12-year difference between my age and Tai’s, apart from rigorous one-on-one training, we used to spend hours discussing nuances of Raagas, their specific Shrutis (microtones of main notes), aesthetic treatment of singing the Asthayi Aantaras, tandem relationship between Sur and Taal, and the special way in which words had to be pronounced interlinked with the rhythm, which actually was a specialty of Mai. Tai was so open-minded with me, that she had given me standing instructions to note any occasions on which she made any grammatical error during a performance, and then discuss it with her later at home. I vividly remember such interactions with respect to Raagas like Yaman, Bahaduri Todi, Bageshri, Basant Kedar, Shree, etc. It is interesting to note that during my active decades of training, Kishoritai did not sing much devotional music, but rather sang semi-classical varieties like Thumris and Dadras. I therefore learnt some Thumris from her, but not any Bhajans and Abhangs which she began singing more regularly from the mid-eighties and nineties.

After my initial two decades, I began to find less time to devote to active learning because of my employment. However, as luck would have it, my office was located within a few yards of her house, and I was a frequent visitor to her home after my office. There were many other students by this time, and my active learning had slowed down. Regardless, I found myself more and more in the role of a friend and adviser to her to guide her and solve many ticklish family issues, health issues, and social issues that used to cause her undue stress much of the time. By the nineties, Mai began to show signs of old-age, and much of Tai’s attention and energy began to be consumed with Mai’s health issues. I shared these challenges much of the time with Tai, and gave her much needed relief and solace.

Lasting tribute

Since Kishoritai did not accept any fees for the wealth of music she gave me for four decades, I always had an uneasy feeling about how I could repay my debt to her. Years passed by, and on April 3, 2017, she suddenly departed for her heavenly abode, leaving countless disciples, family members and music-lovers orphans. After much thought I finally decided to create an award in her memory, called “Gaan-Saraswati Puraskar” as a humble tribute to her. I donated a corpus to Dadar Matunga Cultural Centre in Mumbai to fund Rs. 1 lakh in annual award money plus expenses for administering the award. The award will be given annually to an accomplished Hindustani Classical Vocalist under the age of 50. The process of selection of the awardee and the procedure for applying for it are described at www.gspuraskar.in.

Art On A Plate

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Art-on-a-plate---Earth,-Hajime

Discovering Japan, one bite at a time. By Vandana Kanoria

In her gorgeous essay ‘In Praise of the Cooks’, Midori Snyder says, “The very best of cooks are sorcerers, wizards, shamans and tricksters. They must be, for they are capable of powerful acts of transformation. All manner of life, mammal, aquatic, vegetable, seeds and nuts pass through their hands and are transformed by spells — some secret, some written in books annotated with splashes of grease and broth.”

Traditional Japanese cuisine, or Washoku, is one of the only three national food traditions recognised by the UN for its cultural significance. Tokyo was added to the Michelin Guide in 2007 and has since blazed forth, becoming the most-starred city in the world with 234 places listed in 2018.

The depth and variety of the deliciousness of Tokyo’s culinary world can be summed up in one word – Shokunin. Fresh and delicate, whilst there is simplicity about the food, one realises while eating how much details matter.

An 80-year-old tempura man who has spent six decades discovering the subtle differences yielded by temperature and motion; the 12-generation yakitori sage who uses metal skewers like an acupuncturist uses needles; the young man who has grown old at his father’s side, measuring his age in kitchen lessons, will know exactly what to do when it is his turn to be the master. This is Shokunin, or specialisation — artisans deeply dedicated to their craft. It is at the core of Japanese culture, as are ingredient obsession, technical precision and thousands of years of meticulous refinement. The most famous Shokunin is of course Jiro Ono, immortalised in the film Jiro Dreams of Sushi.

Tapas Molecular Bar

Don’t expect a typical night at Tapas Molecular Bar. From the moment you are seated, you enter the creative realm of highly entertaining food theatre by chef Kento Ushikobu, who takes you on a culinary journey that feels part-science, part-magic, and is unbelievably delicious. A mysterious bandanna-wrapped black box contains tools with the bandanna serving as a napkin, the menu… inside the measuring tape! Deconstructed Japanese classics using seasonal ingredients, and oh yes… all vegetarian!!

The usual basics of molecular cuisine – sous-vide cooking, effervescent foams, chemistry-lab equipment – transform things we eat as if by a wizard’s wand, conjuring, in unconventional ways, familiar ingredients. Master cooks are alchemists, turning gnarled root vegetables into delicate sea foam, hazelnuts into digestive liqueur, combining spices and chilies into a paste that burns and soothes at the same time. Dinner is interactive and inventive, full of surprises, as objects transform, liquid nitrogen floats across the counter, a mint meringue soaked in liquid nitrogen explodes in your mouth and the resultant smoke is exhaled out of the nostrils. Different tools like hammers and shovels are used to prepare and consume each dish. Although the experience – for an intimate group of just eight diners per seating – makes this Michelin-starred restaurant exclusive, the atmosphere is casual and comfortable. Chefs chat enthusiastically, explaining preparation techniques, concepts and stories behind each dish, satisfying our curiosity about this show of wizardry and whimsy.

Narisawa

Narisawa and his groundbreaking cuisine at his iconic restaurant, has become a must do for visiting gastronomes. Narisawa melds classical French gastronomy with Japanese principles, local ingredients and molecular techniques. Taro potatoes from Ishikawa, lotus root from Hokkaido, strawberry and yame matcha from Fukuoka, are just some of the ingredients in the deliciously rich fourteen-course omakase vegetarian menu. Responding to seasons and landscape, his recipes are ground breaking, especially the ‘Satoyama Scenery and Essence of the Forest’, an elaborate edible landscape, evoking the forests and fields of rural Japan. The ‘Soil Soup’ which is, to quote him, “a dish that contains my conviction for a natural environment so safe, you can eat the soil itself.” Combining the deep, earthy flavor of actual soil from the pristine mountains of Nagano Prefecture, the food is “beneficial to both body and spirit and a continuously sustainable environment which we call Innovative Satoyama Cuisine.”

Hajime

“Pay homage to nature” says Hajime.

Universe, harmony, circulation, life and love describe the chef ’s culinary philosophy. His greatest inspiration is the interconnectedness of things. Hajime has achieved three Michelin stars in the shortest period of time in the history of Michelin ratings.

Combining French classics with his Japanese heritage, Chef Hajime Yoneda is a meticulously skilled culinary master. Transitioning from being an electronic components designer to becoming a professional chef, he has an artist’s eye and a poet’s vision of the world. A painter, Hajime’s food is pure art. He is deeply affected by the equilibrium and harmony that exist in nature. The 2019 menu called Chikyu Tono Taiwa or ‘Dialogue with the Earth’, includes approximately seventeen dishes, some of which are evocatively called:

Life – cauliflower, black olive, tomato and rice;

Inshore – seaweed, sansho, hatcho miso, white kidney beans;

Mountain – rizoni, asparagus, broad beans, romanesco broccoli, green beans;

Assimilation and Destruction – avocado, Asian hazel, pumpkin, black pepper.

His reverence for nature is reflected in the most innovative and beautiful dish that I have ever seen or eaten. Called ‘Chikyu’ or Earth, it represents the cycle of life, and the reconstruction of the planet in miniature, through hundred and ten different vegetables, grains, herbs and sea foam. “Fallen leaves from the forest enrich the earth, and the nutrients flow into the sea,” he explains. His aim? To show a culinary story about nature and time. (pics 21-25)

Daigo

Nomura Yoshiko, who founded the two-Michelin-star Daigo in 1950, remained the

Okami, or lady of the establishment, until recently. Family run, the current Okami, Nomura Satoko, keeps the tradition of Japanese hospitality alive and Nomura Daisuke, the head chef, is one of her three sons.

Seated in traditional style in one of the eight sparsely furnished private dining rooms, with a large glass window looking into a garden, we feasted on fifteen jaw-dropping, artistically crafted courses served Kaiseki style. From bite size nibbles, to a hearty bowl of soup with rice and mushrooms, each plate was decorated keeping in mind Buddhist principles and aesthetics. Ceramic dishes and lacquer bowls coordinated beautifully with food, heightening the sensory experience of eating and fulfilling Daigo’s mission to stimulate the five senses with each bite. Delicate bites of different tofu preparations – a Daigo speciality – soya, matcha and seasonal Japanese fruits and vegetables, are designed to allow the diner to appreciate the Tanmi or the subtlety of flavours, which progress from lighter to bolder, allowing you to savour the essence of each main ingredient. (pics 26, 27)

A vegetarian in Japan

Someone once said Japan is a vegetarian paradise wrapped in a vegetarian hell! Being a vegetarian in Japan can be difficult, although, in recent years, thanks to apps such as Happy Cow, Tokyo Veg Guide, and Uber Eats finding meatless meals has become much easier. The ever-resourceful Google Translate helps to navigate the intricacies of the language. Courtesy JustHungry.com, a vegetarian/vegan can print a card stating a no meat, fish, dashi, egg meal for the waiter. A growing number of cafes and restaurants, including traditional Japanese ones, offer vegetarian options and English menus. Inconvenience stores and bakeries, vegan snacks like dried fruits, nuts, red bean pretzels, edamame rolls, black sesame and cheese bagels satisfy hunger pangs. As do the wonderfully flavourful Ume Onigiris, which are rice with plums wrapped in seaweed. Even Shinkansens or bullet trains serve vegan ekiben or bento boxes!

Kaiseki is the most elegant and extraordinary of all Japanese cuisine. Beautiful yet austere, ancient yet innovative, the ingredients are cooked or left raw, leading to a perfect balance of taste, texture, appearance and colour. The meals have moments of great beauty and taste. White miso with black sesame, foraged vegetables and herbs, a confounding variety of tofu, the sharp and sour pickled vegetables, are all served in heirloom lacquer bowls. Pine needles and fallen leaves cover grilled gingko nuts and sit on centuries old ceramic plates. Gohan, or rice is served with a simple splash of colour, sometimes hiding a nest of grilled wild mushroom, sometimes crisp, with herbs, served in its own broth with seasonal flowers.

It is easy for a vegetarian to feast on this awesomeness in Michelin starred restaurants and ryokans by simply emailing food preferences. The chefs are only too happy to stretch their culinary creativity.

Izakaya Yakitori and Shojin Ryori

Izakaya and Yakitori often have vegetarian options – brightly coloured root vegetables like daikon, yam, sweet potato, are grilled on sticks with mochi rice cakes. Tempura, which is actually a Portuguese import, uses seasonal and aromatic vegetables such as renkon or lotus, satsumaimo or sweet potato and sansai or wild mountain greens, which are a spring speciality.

The influence of Shojin Ryori – a traditional Buddhist vegetarian cuisine – is evident in modern Japanese food. Humble, yet elaborate, these meals grew around Buddhist temples. They feature seasonal, local vegetables and a mind-boggling variety of tofu, to create beautiful dishes using light cooking and preserving techniques. (pics 37-40)

Food, a love story

Eating good food, be it in a humble roadside shack, or in Michelin starred restaurants is a passion. Often our dates of travel are fixed around reservations in hard-to-get restaurants.

Add to this my deep love of Japan – its culture, its aesthetics, and the beautiful simplicity of everyday things. Travelling in Japan, I feel I am time travelling between the future and the past, between the ephemeral and the permanent. Centuries old Buddhist temples exist peace fully with current fads, be it cat cafes or robot restaurants. It is a place of contrasts – cherry blossoms and autumn leaves fall softly, and tsunamis rage and ravage the coasts. This reconciliation of opposites I felt most keenly while eating in Japan. Dishes, prepared using the most cutting edge technology, are served in traditional kaiseki feasts, often on heirloom plates and bowls. Local ingredients are interpreted, absorbing the latest in international food trends, creating something distinctively Japanese.

And with apologies to Ibn Battuta, Japanese gastronomy – it leaves you speechless, then turns you into a storyteller.

How does your garden grow?

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How to take care of a garden?

You don’t need oodles of space or fancy equipment to nurture lovely flowers or luscious veggies, writes Sheila Jain.

I will be 70 soon, but I don’t feel it because my hobbies keep me going. Among other hobbies, gardening is my passion. I work for four hours regularly in my small garden.

Gardening is meditation to me. It is my joy time, gratitude time. I forget myself when I am surrounded by plants. I talk to them, bathe them, feed them and even dress them by shaping or putting a knot or stitch to make it straight.

If you have a hobby in your old age your mind will be alert. You will keep planning to do so much in the garden that you will not age suddenly.

What do you need?

 You don’t need a garden to do gardening. In a flat you have balconies, where you can grow multiple hanging baskets and pots. You don’t even have to buy baskets, you must be having old plastic colanders. Put coconut fibre all around or a fine mesh that you get from potato vendors.

If you don’t want to buy soil, you can even make your own compost in a covered bucket or earthen ghada. Fill this container with kitchen waste but not cooked food, all raw vegetable and fruit peels, eggshells, tea leaves, even dry flowers from a bouquet can be put. Cover with a layer of soil, cover the lid and keep aside.  In 2-3 months, compost will be ready.

What about plants?

There is no urgent need to buy plants, as it is not always possible for you to go to a nursery. In fact, your kitchen is your seed house. You can grow mint, methi, haldi, karela, tomato, red, yellow and green peppers, coriander, ginger, onion, potato and green chilli easily.

You can dry and use as seeds, the puja flowers that you get. Grow these in baskets or pots. You can be very creative.

The benefits

Every time you achieve something you will feel so happy, and in return you will be grateful so keep thanking God for all these creations. When you are in contact with Mother Earth you will get energy from there.

For gardening, reuse and utilise things that are lying as waste.

Always grow vegetables of one type in 2-3 pots so that you get some yield.

When I get 5-6 bhindi from my garden, I am on top of this world and enjoy every bite of it.

Gardening is so much fun

I keep looking for overripe vegetables and take out the seeds, wash and dry them, and then plant them.

Potatoes get “eyes”, that is new shoots are coming out. Plant it in the soil; if the potato is big cut into two pieces and put in the soil.

When you cut an onion, cut the root side a bit thick, place it on soil and water. Tulsi (holy basil) can also easily be grown.

You can use soaked chana, rajma, dry mutter, peanuts, and tamarind seeds as well as china orange seeds.

Don’t use any chemical pesticide or fertilizer; compost is the best.

For pesticides, in an empty 1-litre Colin bottle add 1 tsp white vinegar and juice of a half lemon. Mix and spray on plants.

If there are no fruit or flowers, then add 1 tsp soda bicarb in one-liter water and spray.

When plants are growing fine and healthy, it feels as if your children are healthy and happy.

I share my plants with my friends and also get plants from them.

My family

I have created a family of plants. I am a mother and granny to so many plants and my friends who give me plants are also Nani and aunts. When we talk of those plants we say Nani is coming today, look nice to receive them. The plants respond to my talking to them.

One day I scolded a plant saying, “You don’t behave well even after so much caring and love; I will throw you out of my family.” You won’t believe that next week it flowered and since then it is my pet plant.

All this keeps me so happy and calm.

In the morning I see small colorful birds sitting on my plants, and I thank God for getting me interested in gardening.

I don’t get to eat any fruits that grow in my garden, but I feel happy that I am growing anar, guava, custard apple, peach, etc for them. Squirrels, parrots and other birds come and eat them and I enjoy watching them. I feel as if grandma has served a special lunch for her grandchildren. The thought never comes that I am not eating the fruits I have grown.

Multi-colored butterflies come and sit on the flowers, and I bless them saying take as much as you can take. I have a purple flowering plant, and when it flowers tiny yellow butterflies in the hundreds sit on the flowers and the plant looks as if purple and yellow flowers are blooming.

Ladybugs walk around freely.

These days our children don’t get to see and enjoy nature. When my grand-children visit me I keep the pots ready and give them seeds from the kitchen to sow them in pots. They water them regularly, and watch them sprout, then getting leaves and then slowly growing.

They enjoy, and I enjoy watching them and listening to their conversation with the plants. It’s an overwhelming feeling.

In short, I can only say that gardening is fun and very satisfying. Enjoy gardening!

Advance Directive – A Living Will

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Advance Directive – A Living Will (Seniors Today)

If you are seriously ill or incapacitated, it is a good idea to leave instructions for your care, writes Sonavi Kher Desai

With increasing longevity, it is common today to find people suffering from terminal illnesses or from varying forms of dementia.Bodily functions decline and people are unable to care for themselves physically or to use their mental faculties. In such situations of total dependency and inability to take informed decisions for themselves, the one way by which a person can take his/her own decision regarding his/her treatment is by means of an “Advance Directive” or a “Living Will”. It is a document prepared in advance by a person, expressing his/her directions with regard to medical treatment in case of a situation of total dependency.

The Supreme Court judgement delivered on 9 March 2018 states the requirements for executing an Advance Directive.

Who can execute it and how? 

The Advance Directive can be executed only by an adult who is of sound mind and in a position to understand and communicate the purpose and consequences of executing the document.It must be executed voluntarily by the person without any undue influence or coercion. It must be in writing, clearly stating as to when medical treatment may be withdrawn or that no specific medical treatment shall be given which will only delay the process of death, that may otherwise cause him/her pain and suffering and put him/her in a state of indignity.

Contents of the Directive

The directive should clearly state the circumstances for withholding or withdrawal of medical treatment. The instructions must be specific, clear and unambiguous.It should also:

  1. mention that the executor may revoke the instructions at any time.
  2. state that the executor has understood the consequences of executing the document.
  3. specify the name of a guardian or close relative who, in the event of the executor becoming incapable of taking decision at the relevant time, will be authorised to give consent to refuse or withdraw medical treatment in accordance with the Directive.

In the event that there is more than one valid Advance Directive, none of which have been revoked, the most recently signed Advance Directive will be considered as the last expression of the patient’s wishes and will be given effect to.

Procedure for recording the Advance Directive

  1. The document should be signed by the executor in the presence of two attesting witnesses, preferably independent, and countersigned by the jurisdictional Judicial Magistrate of First Class (JMFC) so designated by the concerned District Judge.
  2. The witnesses and the jurisdictional JMFC shall record their satisfaction that the document has been executed voluntarily and without any coercion or inducement or compulsion and with a full understanding of all the relevant information and consequences.
  3. The JMFC shall preserve one copy of the document in his office, in addition to keeping it in digital format.
  4. The JMFC shall forward one copy of the document to the Registry of the jurisdictional District Court for being preserved. Additionally, the Registry of the District Judge shall retain the document in digital format.
  5. The JMFC shall cause to inform the immediate family members of the executor, if not present at the time of execution, and make them aware of the execution of the document.
  6. A copy shall be handed over to the competent officer of the Local Government or the Municipal Corporation or Municipality or Panchayat, as the case may be. The aforesaid authorities shall nominate a competent official in that regard who shall be the custodian of the said document.
  7. The JMFC shall cause to hand over a copy of the Advance Directive to the family physician if any.

The Taste of Green Peas

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Vickram Sethi - Taste of Green Peas

When children forget how to love and care for their elders, what does one do? By Vickram Sethi

A true story from the 1960s. Two friends, Arun and Jagat, lived in Delhi around Rajendra Nagar. Arun was a civil engineer attached to the central government, and his wife Shakuntala was a successful gynecologist. Jagat was a chemical engineer, and his wife Kamala was a homemaker.

Shakuntala had inherited a flourishing practice from her parents, who were doctors as well. Slowly her practice grew,and she became a gynaecologist in great demand around Patel Nagar and Rajendra Nagar areas. She kept herself abreast of the latest technology and helped couples in conception. As the practice grew, she had two assistant women doctors whom she trained and ran a small hospital with 10 rooms. Arun in the meantime, retired and helped in the administration of the hospital.

Arun had two sons. As life went by the boys grew up, and Arun bought two plots of land 600 sq yards each in the new upcoming colonies of New Delhi. With Jagat’s help, he built four-bedroom houses with a lawn for each of them. The boys got married and had children of their own. Jagat had three children, two boys, and a girl. Both his boys worked for the Indian railways, and his daughter was married at an appropriate time.

Shakuntala had decided that she would retire at sixty, and both husband and wife would go around the world on, as most Punjabis say it, a “world tour.” It wasn’t easy to shut down her hospital, but slowly, she reduced the number of patients and passed them on to her two assistants. Somewhere she fell ill and as a doctor she knew that something was not correct in her body. After various tests and X-rays, she discovered that she had cancer, and from that day, she shut her practice and moved to Mumbai (Bombay) to the Tata Hospital. One of Jagat’s sons was posted in Mumbai (Bombay) Arun and his wife stayed with him. Shakuntala realised that the cancer was not curable and the doctors gave her six months. She convinced Arun that whatever time was left for her, they would spend it in Delhi in their own home at Rajendra Nagar. It was a slow and painful end, but morphine eased the pain.

Once all the rituals of death were over, Arun decided to sell the Rajendra Nagar house and move in with his boys. Arun and his wife had spent a considerable part of their savings on constructing and furnishing the houses for the boys. He planned to transfer the sale proceeds to the boys so that after his death his children would not have to pay estate duty. Shakuntala had a large holding of gold from her parents. Arun received a central government pension which he reasoned was enough for him, his medicines and his club expenses. He held back the gold. Jagat was dead against this move and reasoned with Arun that after his death the estate duty payment should not bother him since it would come out from the sale proceeds of the house. Besides Arun had given his children enough and an estate duty payment would not be such a big deal. However, Arun felt this was a selfish view, and he would be happy living with both his boys six months at a time.

The boys welcomed him and were delighted that he was with them. Grandchildren and his daughter-in-laws doted on him, and Daddyji as he was called was a loved figure. Arun got into a routine of life going for a walk, reading his papers and listening to the news. At 4 o’clock in the evening he went to the club, played cards and returned home by 9 pm for dinner; an hour later he would be asleep. During winters, Arun spent the morning sitting in the sun, soaking in the heat. His spot was below the kitchen window. He ate a little bit of dry fruit and some jaggery sweets.

Years passed by and he was pretty much happy spending six months with each of his boys. Both of them lived within a mile of each other. One day he told his elder daughter-in-law that there were fresh green peas in the market and asked her to get some. A week went by, and he gently reminded her again about the green peas. Two weeks later there were still no green peas on the table. The third time he told her and asked her why she hadn’t brought them. That morning he was sitting outside the kitchen window, and the younger daughter-in-law came over to meet her elder sister-in-law, who was in the kitchen. The conversation which Arun heard pierced a spear into his heart. The elder daughter-in-law said, “Budhdhe ke muh me daant nahi hai par mataron ka swaad nahi gaya” – the old man has no teeth but can’t get the taste of peas out of his mouth. Stunned, he could hardly believe what he had heard. He got up and went to his room and cried, remembering Shakuntala. He asked for lunch to be served in his room, but the peas tasted like poison and Arun flushed them into the drain.

Jagat and his wife were in Mumbai (Bombay) and returned a week later. The next day after they were back, Arun went over to meet them and narrated the whole story. It was obvious that he had outlived his hospitality. Lots of conversation ensued between the men and Arun left with a heavy heart.

Jagat and his wife usually took a Kothi in Dehradun to get away from Delhi’s scorching heat. It was a normal thing that a lot of Delhi families did as the men hatched the plan.

Somewhere in the middle of April Arun got a letter. His grandson brought the letter to him, and Arun said, “Just read it for me, my eyes are giving me a little problem.” The letter was from Jagat, saying that the tenant of his Dehradun property was ready to vacate the house and wanted Rs 4 lakh whereas the church next to the house would buy the entire plot for Rs 8 lakh. Seemed like a good deal and Jagat enquired whether he would like to confirm this. Arun kept quiet and went about his daily routine without mentioning the letter. Sunday, his younger son came for lunch, and the topic of the Dehradun property was raised at the table. The elder son asked him, “Why didn’t you tell us about this?” Arun replied that he didn’t have Rs 4 lakh to pay the tenant. In an instant, both the boys said that they would contribute Rs 2 lakh each and Arun should write to Jagat confirming the deal. A week later Arun left for Dehradun… Both the men couldn’t stop laughing.

On his return, it was “Daddyji Daddyji” all over again. A couple of years later, Arun passed away and after the rituals of death were over Jagat invited both the boys and their wives to come for tea after which they could go out and resume their life. “I have his will and I would like only the four of you to come” said Jagat. The boys and their wives went, and Jagat gave them the will where everything had been left to various charities. Beyond the Rs 4 lakh there was another Rs 6 lakh from selling Shakuntala’s jewellery. They were in a state of shock and in the most polite manner, Jagat told the daughters-in-law the story of the green peas.

Have you any stories like this? Do share them with our readers. Write to editor@seniorstoday.in

Sex @ Sixty

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Sex at Sixty - Seniors Today

When it comes to getting cosy, age is definitely not a hindrance, writes Senor Dey

Indian mythology and history are full of gods, kings having multiple wives starting from Raja Dasharath. Much before the world woke up to the joy of sex, India had rishi Vātsyāyana who wrote the Kama Sutra, the ancient Indian Sanskrit text on sexuality, eroticism and emotional fulfillment. Historians have placed it between 400 BCE and 300 CE.

There is also the Khajuraho group of temples in the central part of India. They were built together between 950 and 1050 CE but dedicated to two religions, Hinduism and Jainism, suggesting a tradition of acceptance and respect for diverse religious views among Hindus and Jains in the region. No other proof is required of India’s superior intellect and thinking.

Surprisingly, there is much stigma attached to older people enjoying a healthy sex life. The word boodha, tharki (lecherous), almost makes sexual desire out to be something wrong. There are enough surveys that say contradictory things about sex in the senior community.

Most medical surveys suggest that sex is important for our well being. Having sex releases chemicals in your brain and body that improves your well being, protects your health, and keeps you happy. It also puts a spring in your walk. Above all, sex is not just an activity for younger people. Sex may be a challenge over the age of sixty. The obvious causes being menopause, erectile dysfunction, medical issues, and other hormonal changes. Unless there are medical issues, all the other hurdles are surmountable, and all one needs is the desire.

Affection

The first requirement for sex is affection. Every couple has their own process/ways/methods of being affectionate with each other. Naughty jokes, caresses and flirtation can make each other feel special. The good news is that couples who show affection are more likely to have a romp in the hay.

Patience

A sexual response may take longer, and your body may not be exactly following your brain’s desires (the mind is willing, but the flesh is not). With the help of a therapist, one can use creams, tablets that can help the physical process. It is an unspoken notion that Indian women lose interest in sex after the age of 50, whereas this is not the case with Indian men. Affection and patience go a long way in getting things going with a focus on closeness, tenderness, and contact. Sex can do wonders for your physical and mental well-being — think of it as essential for good health, and the rest follows. Women suffer a loss of libido due to ageing and hormonal changes such as lack of estrogen. However, dietary changes and variation in your exercise regimen can help as well as herbal medical assistance.

Prioritise her pleasure

Men don’t care so much about their orgasms because they are pretty much inevitable. However, a fair amount of women say that they don’t usually climax during sex. Hence it needs to be said that “getting her off” becomes just as important for male sexual satisfaction as it does for women. Cheesy as it sounds, creating an appropriate ambience with fragrance, flowers, music and lights can turn each other on and set the mood. Don’t restrain yourself from getting naughty. The internet is a vast and varied library of all things sexual, and Google can provide many answers to any sex questions.

Living healthier

With advances in health and science, the quality of life has improved. This generation of sixty plus is living a healthier and longer life. So why is it unfathomable to think that you can’t also enjoy sex as well as other sporting activities such as hiking, trekking, golf, walking, including regular exercise and a good diet?

Get on with it

Indians are embarrassed by their sexuality; this can be due to a popular cultural notion of who should be having sex. Television and movies do little to promote a healthy sex life in older people; in fact, popular media often denigrates senior sex. Coupled with the fact that the lack of freedom and other family pressures do not allow seniors to enjoy sex despite being healthy and active. By and large Indian men after sixty are still adventurous in finding sex partners other than their wives (no wonder flights to Bangkok are always sold out).

Finally affection

As the years pass by, many couples feel that the key to a good relationship is affection. Being affectionate can be as much fulfilling as the naked act. Even if it doesn’t get you all the way and you don’t get instant returns, it will certainly reduce the stress of the day and put you in a good mood with each other, and that is good for both in the long run.

Do you have any suggestions or any sex tips that you would like to pass on to our readers?
Do leave a comment below.

Light my Fire

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Light my Fire - Seniors Today

More than half a century after they hit the rock scene, The Doors continue to mesmerise. By Y R Anand

I first saw this album of The Doors in 1968 at the end of my college years in Mysore. A friend had visited Australia and returned with a few albums. The Doors album cover was stark, minimal and very interesting. The music was love at first sound. The silky-smooth voice of Jim Morrison with compelling lyrics was mesmerizing. And, what a back-up band! The versatile keyboard work of Ray Manzarek, hard-driving guitar by Robby Krieger and terrific drumming by John Densmore, all made the sound a delicious concoction. It was hardly possible to get your mind off the music.

The interest in The Doors continued during the rest of my college years in Kharagpur and I was lucky to find like-minded music lovers in that far off outpost. Thereafter in Mumbai, there were plenty of opportunities to continue enjoying their music.

As the years went by, more and more creative output came outpouring. It was great music to listen to, because of the melodies and the very contemporary lyrics. While Morrison was the main songwriter, The Doors always said the music and words were created by the group. And it remained that way till the end. The other three band members contributed significantly to the songs and that is why they always attributed the lyrics to the band.

The group had its origins with a meeting of Morrison and Manzarek in Los Angeles in 1965. Manzarek was already part of a band called Rick & The Ravens, which had three Manzarek brothers. Later in the year, they were joined by the drummer John Densmore, by which time the group had named themselves The Doors.

The band decided on their name as The Doors, from the “The Doors of Perception” a book by Aldous Huxley. The book itself derived the title from a line in William Blake’s “The Marriage of Heaven and Hell”.

They added a bass player Patty Sullivan. These six members recorded a set of six songs for demo purpose. But, soon after, the two other Manzarek brothers and Sullivan left and Robby Krieger joined the group and a legend was born. These first six songs has been subsequently released in one of their anthology albums.

The Doors made their first appearance in a sleazy Los Angeles club called London Fog and soon moved to the better Whisky-a-Go-Go on the Sunset Strip, where the group say they truly came together.

Elektra Records spotted their talent and started to release their albums. The first album was The Doors, which was released in 1967. This had Light My Fire which was their first smash hit single. It is one of the most recognisable and iconic rock songs of all times. Along with it were equally fantastic Break on Through to the other side, End of the Night, Back Door Man, The End and 7 other songs. Some of them went on to become hit singles.

Morrison was a charismatic figure and had great stage presence. He exaggerated this by his eccentric behaviour. His sometimes unpredictable stage acts added to the group’s mystique. The group became a symbol of the counter-culture prevailing in the late 1960s. But the music itself was so absorbing, with influences of jazz, blues and other genres. You could listen to it and dance to most of it.

The Doors album was followed by Strange Days, Waiting for the Sun, The Soft Parade, Morrison Hotel, Absolutely Live, L.A. Woman, The Other Voices. They accumulated eight consecutive Gold discs, which is phenomenal.

Spanish Caravan, People are Strange, You’re a Lost Little Girl, The Spy, Summer’s Almost Gone and such songs are haunting ballads.

Touch Me, Roadhouse Blues, LA Woman, Love Her Madly are all powerful driving songs, which can make your feet start tapping automatically.

And there is Raiders on the Storm. To me it is one of their really compelling songs. The long keyboard riff by Manzarek is so haunting, that you wish it would never end.

The Doors continuously entertained, provoked and irritated their fans by wild performances, mostly due to the erratic and unpredictable behaviour of Morrison on stage. He got arrested and released a few times due to bizarre behaviour while performing.

Morrison was also an excellent poet, having studied film-making and arts at UCLA before becoming a musician. Several of his poems can be heard on American Prayer, which was released after his death.

The remaining members of his band – Manzarek, Krieger and Densmore – kept up the legend with various reunion gigs and rehashed anthologies. Weird Scenes Inside The Gold Mine, Full Circle, An American Prayer and a series of Live recordings, rehashing their earlier appearances, are all available now.

The Doors got inducted to the Rock and Roll Hall of Fame in 1993. Manzarek, Krieger and Densmore came together along with Eddie Vedder substituting for Morrison, played Roadhouse Blues, Break on Through and Light My Fire.

The Doors music continues to attract listeners of generation after generation. It can be heard in many movies and television shows. One of the most dramatic uses was in Apocalypse Now which features The End.

Oliver Stone made a movie by the eponymous name in 1991, with Val Kilmer playing Jim Morrison. It did well at the box office and the soundtrack from the movie was also well received. However, the other band members were none too happy, as Stone concentrated on Morrison’s character, to the detriment of others. Manzarek also felt that it did not show the poetic and human side of Morrison and concentrated too much on his bad-boy image and at times bizarre behavior.

The Doors cover versions and adaptations continue unabated. Two of the earliest adaptations that I know are of Light My Fire: one by Ananda Shankar and the other by Isaac Hayes in his Live at Sahara Tahoe.

One of the finest interpretations of The Doors music is in the album Night Divides the Day – The Music of The Doors by the jazz pianist George Winston. It has 16 excellent jazzy interpretations of many well-loved and some not-so-well-known Doors songs. It is a virtuoso performance by a great solo pianist, and it will make a fine addition to any collection of The Doors music.

As with many artists, Morrison developed alcohol dependency and also experimented with drugs. In 1971 he died unexpectedly in Paris at the age of 27. And the legend began. He was buried in the “Poets’ Corner” of Père Lachaise Cemetery in Paris on July 7. The epitaph on his headstone bears a Greek inscription, which is usually interpreted as “True to his own spirit”. This is now a must-visit place for rock music lovers and The Doors fans in particular.

So ended the life of Jim Morrison, the son of an Admiral of the US Navy, with whom he did not have a good relationship. But his music lives on even after 50 plus years.

Ray Manzarek passed away in 2013 in Germany due to cancer. He held the band together for several years with someone else occasionally filling in for Morrison. Robby Krieger and John Densmore are the two band members still alive and playing the music.

Invest Wisely and Well

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Investment Advise - Seniors Today

In the second part of our series on Financial Planning, Deepak Gagrani takes readers through the pros and cons of various investment strategies

As we discussed in the previous edition, it is important for senior citizens to have a well-defined investment strategy aligning their goals and objectives with their risk profile. An ideal portfolio has to generate both regular income and growth, depending on each investor’s requirements.

A senior citizen has a wide array of choices available when it comes to investing. In addition to traditional bank FDs, small savings schemes like PPF, NSC etc, one can explore the following key investment avenues depending on their investment horizon and goals to be achieved.

1. SENIOR CITIZENS SAVINGS SCHEME

• Government sponsored investment scheme and hence one of the safest and most reliable investment options.
• Senior citizens of India aged 60 years or above or early retirees in the age bracket of 55-60 can invest. NRIs and HUFs are not allowed to invest in this scheme.
• Maximum investment amount restricted to INR 15 lakhs.
• Currently, the interest rate is 8.6% p.a., payable quarterly. The interest rates are set each quarter and linked to the prevailing g-sec rates. Once invested, the rates remain fixed for entire tenure.
• 5-year tenure, which can be extended by 3 years, once the scheme matures.
• Premature withdrawals are allowed only after the first year of investment and will attract penal charges upto 1.5% of the invested amount.
• Principle amount invested upto INR 1.5 lakhs is eligible for tax benefits under Section 80C. However, interest received is taxable.

2. PRADHAN MANTRI VAYA VANDANA YOJANA

•Pension scheme announced by the Government of India for senior citizens aged 60 and above and is currently available upto 31st March 2020. The scheme is operated by Life Insurance Corporation (LIC) of India only.
•Maximum investment amount restricted to INR 15 lakhs.
•Assured interest rate of 8% p.a., payable monthly / quarterly / half-yearly / yearly as chosen by the investor.
•10 year tenure, which can be extended by 3 years, once the scheme matures.
•Premature withdrawals are allowed only in case of any critical/terminal illness of self or spouse with a penalty of 2%.
•Interest received is taxable.

Positives
•Higher fixed returns and safe as it is backed by Government of India.
•Ideal for investors who are looking for a fixed periodic payout and may not need the principal amount for 10 years.

Limitations
•Returns are taxable and hence not tax-efficient
•Illiquid, except in case of medical emergencies

3. DEBT MUTUAL FUNDS

•Professionally managed by SEBI registered Asset Managers. These funds invest in various debt instruments such as guests, corporate bonds, debentures, etc
•Investment can start from a minimum of INR 100 and there is no restriction on the maximum amount.
•Different categories of funds available for different time horizons and different risk profiles. It can be as small as overnight up to funds suitable for 7 years above.
•Returns vary, depending on the type of fund and are subject to prevailing interest rates and credit cycle. Typically they offer better returns compared to other similar time horizon debt products.
• Open-ended Debt Mutual Funds can be redeemed anytime, though there may be a charge in select funds for withdrawal before the minimum investment term.
• Returns are eligible for indexation benefits under income tax laws if redemption is made beyond a period of 3 years and is taxed at a preferential rate as long term capital gains.

Positives
• A superior product compared to corporate FDs, as risk is diversified across different corporates and the merits of investments are managed by professional teams.
• Highly liquid
• Tax efficient. Indexation and preferential rate (in case of long term capital gains) significantly reduces the tax liability and has to be paid only at the time of redemption, thereby making it one of the most tax-efficient debt investments.
•Ideal for investors in the high tax slabs or investors who are not looking at fixed returns. There may be some volatility in returns but effectively, it is one of the best modes of taking exposure to debt instruments.

Limitations
•Returns are not fixed and may be subject to interest & credit risk

EQUITY MUTUAL FUNDS

Key Features
•Like Debt Mutual Funds, Equity MFs are professionally managed by SEBI registered Asset Managers and it is one of the cheapest modes of taking equity exposure
•Investment can start from a minimum of INR 100 and there is no restriction on the maximum amount.
•Different categories of funds available which is suitable for an investment horizon of at least 5-7 years and above.
•Returns vary, depending on the equity market performance.
•Returns up to INR 1 lakh per annum is tax-exempt. Returns in excess of INR 1 lakh p.a. for investments held for more than 12 months are taxable @ 10%.

Positives
•A superior product considering professional management, small ticket size and lower costs.
•Ideal for investors who may not be adept to track equity markets themselves diligently and has a time horizon of more than 5-7 years to stay invested.

Limitations
•Returns are not fixed and may be subject to equity market risk. Equities in short term may be extremely volatile and hence not suitable for short-term investments

It is important to reiterate the importance of sound financial planning at this stage of life, as any money mistake did may not have enough time to be reversed. It is recommended that one takes qualified professional help to ensure that their financial goals and objectives are achieved. One has to remember that “An individual retires; their money has to continue to work for them.”

Happy Investing!!!

The Lata Mangeshkar Interview

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Lata Mangeshkar - Seniors Today
  Arrogant and unsociable? I don’t care

Singing legend Lata Mangeshkar talks to Subhash K Jha about her life, work, passions and the laughter that led to her being labelled ‘arrogant’

 

Better known as the Nightingale of Indian filmland, singing legend Lata Mangeshkar is known to not give interviews very easily. She has been termed variously over the years: arrogant, reclusive, unsociable, but once you get her talking there is no stopping her. Didi, or elder sister, as she is fondly called, will turn 90 on September 28, 2019. In this freewheeling interview with Subhash K Jha, she talks about her life, work, passions and her relations with her contemporaries, including sister Asha Bhosle. Read on…

How do you assess you own career as a singer? 

If you ask me, I did okay. Achchha hai… Lekin aur bhi achchha ho sakta hai (I did well. But I could’ve done better). I’ve never stopped to admire any of my songs, ‘Wah wah kya gaana gaya hai.’

That’s not for you to say. That’s for us to say, isn’t it?

But I know what you don’t. I know the places where I’ve made mistakes in my songs. And an artiste should never be satisfied with what he or she does. There should always be hunger to excel. That fire….look at Bachchan Saab! That’s what keeps him going. No matter what your sphere of activity there must always be that hunger to do better. As a writer I am sure you also want to do better. With my songs also I always felt I could do better, even the ones that people today think perfect.

Ok, which is the song that has given you maximum satisfaction?

(promptly) The songs that I sang for my brother (Hridayanath Mangeshkar) in the album of Meerabai bhajans Chala Vahi Des. I always feel that I’ve done justice to whatever Hridaynath gave me to do. It has been my must successful endeavour to date. I’ve also done justice to some of the compositions by Salilda (Chowdhury), Madan Mohan and Jaidev. Jaidev was the most challenging among the composers. He had a sound knowledge of classical music. He would say, ‘I’ve told her what to do. Now I don’t need to worry.’ Once he composed a song he left it to me to worry about it. It became my responsibility. And I’d be endlessly worried. I remember he had composed a Nepali song for me written by the King of Nepal, King Birendra (Jun Mato Na Mero in the Nepali film Maatighar). It was one of the toughest songs of my career.

It is often said that composers made you sing songs at an unnecessarily high pitch just because you have the range?

This is true. I’ll give you two examples: Ehsaan tera hoga mujhpar in Junglee and O mere shah-e-khuba in Love In Tokyo, both composed by Shankar-Jaikishan. Both the songs were first sung by Mohd Rafi Saab. Then they decided they wanted the same songs sung by me. They came to me after filming the songs with the leading ladies of the two films Saira Banu in Junglee and Asha Parekh in Love In Tokyo, in the voice of Rafi Saab. And I was asked to sing the songs exactly the same way, since it was already shot with the heroines in Rafi Saab’s voice.

This sounds like a form of emotional blackmail?

Jee haan. I wasn’t allowed to lower the scale of the original tunes since it was already filmed. So I had no choice but to sing in Rafi Saab’s pitch. I remember how difficult it was for me. And I was very upset with Shankar-Jaikishan for making me do this.

Don’t you wish you had more time to practise your classical singing?

Shall I tell you something? It is much more difficult to do playback singing for films than to sing classical vocals. When you are doing classical vocals there is room for improvisation. But when you sing playback you have to go exactly by the requirements of the character on screen. I used to find out what the heroine was supposed to be doing, why she was singing the song, etc… Playback singing requires tremendous amounts of precision in rendering the lyrics and tune. Har cheez sambhaalni padti hai. Maybe composers felt that Lata could pull it off.

What is your assessment of yourself as a singer?

There have been better singers than me like K L Saigal Saab and Noor Jehanji and there will be better singers than me in future. I always say whatever skills I’ve imbibed are God’s gift. I’ll also admit that it’s never been an insurmountable challenge for me to sing anything. Every artiste has a talent. What the artiste does with that talent is up to them.

Recording songs during your heyday was really tough. It is said you got the echo effect in Pyar kiya toh darna kya by singing a bit of the song from the bathroom of the recording studio, and that once while recording a song for Salil Choudhury you fainted?

Not true. The echo effect in the Pyar kiya toh darna kya song was achieved by singing away at a distance from the microphone but not in the bathroom. Please! And I did faint once. But it wasn’t for a song by Salilda. It was a song by Naushad Saab for the film Amar filmed on Madhubala.

Your improvisations in the songs, the harkat as it was called, often took songs to another level, for example the ‘Oye oye oye’ in the Bichua number in Madhumati?

No that wasn’t mine. That was the composer, Salilda’s idea. But yes, I did put in my own harkat once in a while. Once Rafi Saab and I were recording a duet for Shankar-Jaikishan. During rehearsals I decided to improvise at one point in the song. But I didn’t reveal my harkat during rehearsals. I kept it to myself and I sang it only during the final take.

You did not????!!!!

(laughs) Yes, I did. When the final take happened everyone was thrilled by my improvisation. But Rafi Saab was very upset. All this was in good spirit. No harm meant.

Who was your favourite co-singer?

Kishoreda (Kumar) without doubt. We were constantly entertained during, before and after recordings with him. He would have us in splits. But he would get serious in front of the music composer. He was very sad under the mask, though. A month before his death I got to know how unhappy he was. He called me to share his sorrow. He didn’t want to come home as there would be too many people there. So we met at mutual friends’ place where I saw the other, somber side of him. I’ll never forget what he told me about his life that evening.

What did he tell you?

I can’t share that. But I had never imagined he was so unhappy from within. He said I was his rakhi sister and he wanted to share his grief with him. After listening to him I told him I was there for him whenever where he needed me.

You have been very lucky with your family life?

Yes, indeed. I had to look after my family from a very young age. But they never made me feel burdened. My siblings have always given me great strength and joy. They could have easily felt I was getting more (fame, recognition, etc) than them. But they never felt that way. To this day my one and only brother Hridaynath has never shown any interest in my wealth. The same goes for my sisters as well. They care deeply for me. In fact when I am unwell I hate to tell my family about it as they get so worried, Unke chehre utar jaate hain. Only the blessed get such a family.

Didi, tell us, was Ae mere watan ke logon supposed to be Ashaji’s song?

I’ll tell you the complete story. Hemantda (Hemant Kumar) came to me and said that in the wake of the Indo-China war, I must go to Delhi for a show on the occasion of Republic Day. I was hesitant. My sister Meena was getting married after 15 days. I was going through ill health. But every composer was after me to sing his composition at the function. I said no to everyone and decided to take four musicians with me to Delhi and sing Allah tero naam (Jaidev’s song in Hum Dono).

Then C Ramchandra came to me and said that poet Pradeepji had written a patriotic song that he wanted only me to sing at the function in Delhi. Who knew at that time that Ae mere watan ke logon would become such a momentous song? Since I had turned down other composers I was hesitant. But C. Ramchandra insisted. He felt that Ae mere watan ke logon would pull his career out of the doldrums. So I agreed. During the rehearsals, I suggested that we should turn the song into a duet with Asha. I don’t know if she rehearsed for the song or not. But four days before we were expected to leave for Delhi, Asha backed out. I was shocked. Finally I had to rehearse and memorise the entire song from a tape on the aircraft, just a few hours before the show. I sang the song.

Panditji loved it. I went to his home to meet Indira Gandhi and Rajiv. When I returned to Mumbai, newspapers were splashed with pictures of Panditji and me. I have never stolen songs from anyone. I had suggested Asha’s name myself. So why would I snatch the song away from her? I swear on my music that this is the truth. I have a feeling that someone instigated Asha into believing that Ae mere watan ke logon was meant to be her song. But you can ask Pradeepji. He’ll tell you what the truth is.

You’ve been working with three generations of music composers. Isn’t there a generation gap between you and composers like AR Rahman, Vishal Bharadwaj, Anu Malik and Jatin-Lalit?

(Firmly) Nahin. In my opinion, a singer should never be conscious of such things. Irrespective of the generations they belong to, all music composers try to do their best. As a singer, I used to enjoy the challenging compositions of the past. I admit the young music directors of today are a little scared of me. But I’ve never ever misbehaved with any composer or told him that his tune is no good or that I’ll sing it in my own way.

But they might find it difficult to tell you what they want!

I don’t mean to praise myself. But to date, I’ve always tried to grasp the nuances of a song by sitting with the composer, like a student sits before a teacher. In the past, I would make suggestions while singing for Madan bhaiyya (Madan Mohan), Shankar-Jaikishan and Laxmikant-Pyarelal. Even Burman dada. Quite a few directors encouraged me to suggest an alaap here or a taan there. But I’ve never forced my suggestions on any music director.

How would you describe your professional interaction with your brother Hridayanath Mangeshkar?

I don’t dare to suggest a word when I sing for him. But if I don’t understand something in his composition, I do badger him with a hundred questions.

At times, his tunes are quite complex, aren’t they?

For a singer, yes, they’re complex. But I feel he’s been maligned in this matter. In the past, Sajjad Hussain composed what you call complex songs. And rumours were spread that he’s too exacting, temperamental and egoistic. Actually I loved Sajjad Hussain’s music because like Naushad saab and Madan bhaiyya, he insisted on poetic lyrics. These composers understood and appreciated Urdu. Those who had some difficulties with Urdu or Hindi would consult specialists. For instance Burman dada and Salil Chowdhary would make a thousand enquiries about the Urdu and Hindi words.

What else would you say was remarkable about the composers of yesteryear?

I’ll tell you another thing about Sajjad saab’s music. He was very particular about melody. Even if one instrument was slightly off-key, he would be livid. Once during a recording, he asked a famous singer to stop at the gandhar. The singer wanted to know what gandhar was. Sajjad saab was aghast. Sometimes I wonder what he would have said about today’s singers. Like my brother, Sajjad saab used to get angry over any trace of imperfection.

Are any of the top composers of today perfectionists?

I don’t know how many of them have a deep knowledge of classical music. The earlier composers were steeped in classical music. Burman dada’s knowledge of folk music was tremendous. He also used to sing with great feeling. Pancham was the master of rhythms. Pyarelal had learnt to play the violin from his father. Laxmikant too knew a bit about classical music. Madan bhaiyya was exposed to classical music in Lucknow. Sajjad saab would compose nothing but classical music. He played the mandolin superbly.

As for my brother, he speaks his mind. He doesn’t hesitate to praise a fellow artiste. I remember once Madan bhaiyya had come home for a meal. The music of his Jahan Ara had just been released. My brother liked the songs so much that he asked Madan bhaiyya to autograph the record. If Hridayanath doesn’t like any of my songs, he criticises me immediately. I don’t mind that all. In fact, I’ve always valued frank opinions in my life. Some people praise me to the skies and criticise me the minute my back is turned. I made Hridayanath listen to my Jiya jale. He liked it very much. I’ve always been very particular about songs that I sing for him. At times, I even get angry at his exacting ways.

I feel the way you sang for Madan Mohan was extra-special.

His compositions were like that. But no matter whom I’ve sung for, I’ve tried to give my very best. If I feel I can’t do justice to a song, I opt out. If composers can’t wait for me to give my best, then they’re free to get their song recorded by someone else. I’m told that some singers criticise composers on their face. I could never ever do that.

You sang for Twinkle Khannna in Jab Pyaar Kisise Hota Hai. You sang for her mother Dimple Kapadia debut in Bobby. I have a feeling you’ll be singing for Dimple’s granddaughter after we’re all gone.

(Laughs) Then who’ll listen to my songs? I don’t remember if I’ve sung for Shobhana Samarth but I’ve sung for Nutan, Tanu and Kajol. You’ll be surprised, but recently I saw an old film on television located in the Arabian desert. I was surprised to see myself singing for Ruby Myers (Sulochana)! I didn’t even know the song. But I said, chalo if I’ve sung for her as well, to bahut badi baat hai. When I was a child, I used to run off to see her films.

How do you feel when you hear your own songs?

I always find faults with my singing. If I don’t like what I’ve sung, I put my fingers in my ears and run away.

You know what (the renowned classical singer) Bade Ghulam Ali Khan said about you, don’t you (“Kambakht, kabhi besura gaati hi nahin hai!”)?

(Laughs shyly) Yeh unka badappan tha. He was a very great singer. I truly admire him. Believe me, I always find faults in my singing, Once, Kishore Kumar told me that if he heard people listening to his songs, he would start speaking loudly to distract their attention. He would continue to talk loudly till the weak spots in his song were over. If one doesn’t like one’s own song, there’s turmoil within oneself. If I’m not satisfied with a song I’ve recorded, I can’t sleep that night.

Which songs haven’t you been satisfied with?

Offhand, I can’t recall any. But there are songs which the music composers and listeners have liked. But I’ve felt that I didn’t do full justice to them.

Your songs for the films of Raj Kapoor are timeless. What it was like working with him?

His style of working was unique. With him around, there would be unforeseen tension. Sometimes, he’d come on the sets and change the entire song. Since he was a musician himself, he knew exactly what he wanted. When he wanted a hit song he’d say he wanted a popatiya number. But personally I feel that Shankar-Jaikishen gave better music outside Raj Kapoor’s films. For Raj Kapoor, they had to work within prescribed limits.

Raj Kapoor and you started your careers, as singer and director, almost together, didn’t you?

No. When he made Aag (1949), I was doing bit roles in films. I hadn’t started singing professionally. I sang for him, starting with his second film Barsaat.

Ram Ganguly (who composed for Aag) was supposed to do the music for Barsaat. Shankar-Jaikishan were Ganguly’s assistants, they’d composed some of his songs. Raj Kapoor wanted to use them instead. Jiya beqaraar hai was my first song for R.K. Raj saab would joke that since I’m a classical singer, I should be treated cautiously. But after I recorded for him, he showed absolute confidence in me. In Barsaat, I ended up singing for all the female characters. But I must tell you that I would have a fight with Raj saab during every film, for one reason or another.

Like?

Koi aisa waisa gana aa jaye to main unse ladhne lagti thi. I used to quarrel with Jaikishen also about such songs.

Budhha mil gaya from Sangam, for instance?

Yes, they convinced me that the girl in Sangam is newly married and she’s teasing her husband. Hota tha aise hi kuchh kuchh.

Were you friendly with any of the heroines for whom you sang?

I was quite close to Nargisji. Also Meena Kumari and Madhubala. I’m told that in her contracts Madhubala would stipulate that only I would sing for her. I share a cordial relationship with Saira Banu to this day. Jaya Bachchan is another favourite. I remember during the making of Abhimaan, she would sit and watch me sing. I used to wonder why. Then I saw the film. During the songs, she dressed and behaved like I do during my recordings.

Why have you been called an aloof, arrogant and ruthless professional? How and why did this image come about?

Do you want to know why people are nervous of me? There’s a saying that if someone burns his mouth drinking milk, he even tries to cool down chhach before drinking it. In the past, I loved to laugh and make people laugh. I used to bring chocolates to the recordings and share them with everyone. People exploited my friendly nature. They maligned my name. Once, a well-known recordist kept me back to record a small interlude in a song till late at night. Only his assistant, my sister and I were at the studio, the others had left. He kept making me sing the small interlude repeatedly. After a couple of days, I heard that he was telling people, “See how I drove Lata crazy? The song was good enough as it was recorded initially.”

When I heard this, I wept. Then there was a classical musician who maligned me to his heart’s content. I treated some music directors, lyricists, producers and directors like my brothers. But they all maligned me. So, I decided to stop attending functions, I stopped talking excessively which was a habit with me. I would say things in jest. But my words would be misinterpreted and distorted. Who needs this? I thought. That’s why I prefer staying at home with my family. Now if I’m called arrogant and unsociable I don’t care. If I worry about what people have to say, then it wouldn’t be possible to continue living.

Yash Chopra called you the most influential Indian of this century.

I sang for B.R. Chopra and Yashji for the first time for Ek Hi Raasta. Hemant Kumar had given the music. At that time, I knew Yashji vaguely. When the two brothers separated I received Laxmikant-Pyarelal’s message to sing for Daag. I got to know that Yashji always wanted me to sing in his films. When he called me didi for the first time I was taken aback. Then we became family. I miss him.

Can be cut

Before Chandni, there were strong rumours that my voice had deteriorated. Actually I’d fallen ill. Yashji had to shoot the song with a substitute voice. Then I got Yashji’s urgent message, saying that I had to dub my songs immediately or it would be too late. Reluctantly, I dubbed for Mere haathon mein nau nau chudiyan hain. I wasn’t satisfied with my rendition at all. But he said I was fine. Since Chandni, I’ve sung for all his films.

Any unfulfilled wish?

None at all. God has given me more than I deserve.

Your message to your fans?

Main itna hi kahungi ke mujhe unka ashirwad hamesha milte rahe. Main hamesha waisi hi rahun jaisa who chahte hain.